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In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title "Prehistoric Rock Pictures in Europe and Africa", it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and The American Abstract Artists group, who sought inspiration from the prehistoric images' primordial creativity. With a transnational scope, this book reveals new facts about the connections between Paris and New York, and the importance of communication and collaboration between them for these artists. In doing so, Seibert shows that this debate was about more than just legitimizing abstract art forms from the past, but about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy.
Book Synopsis Prehistoric Pictures and American Modernism by : Elke Seibert
Download or read book Prehistoric Pictures and American Modernism written by Elke Seibert and published by Bloomsbury Publishing. This book was released on 2023-09-21 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title "Prehistoric Rock Pictures in Europe and Africa", it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and The American Abstract Artists group, who sought inspiration from the prehistoric images' primordial creativity. With a transnational scope, this book reveals new facts about the connections between Paris and New York, and the importance of communication and collaboration between them for these artists. In doing so, Seibert shows that this debate was about more than just legitimizing abstract art forms from the past, but about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy.
From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike. This book explores the history of rock art research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research. The first part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules along Georgia’s Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book’s second part is concerned with working with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies. Much has changed in our understanding of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of these enduring images and their modern meanings. Discovering North American Rock Art distills today’s most authoritative knowledge of the field and is an essential volume for both specialists and hobbyists.
Book Synopsis Discovering North American Rock Art by : Lawrence L. Loendorf
Download or read book Discovering North American Rock Art written by Lawrence L. Loendorf and published by University of Arizona Press. This book was released on 2016-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike. This book explores the history of rock art research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research. The first part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules along Georgia’s Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book’s second part is concerned with working with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies. Much has changed in our understanding of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of these enduring images and their modern meanings. Discovering North American Rock Art distills today’s most authoritative knowledge of the field and is an essential volume for both specialists and hobbyists.
Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C. These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.
Book Synopsis New Perspectives on Prehistoric Art by : Günter Berghaus
Download or read book New Perspectives on Prehistoric Art written by Günter Berghaus and published by Bloomsbury Publishing USA. This book was released on 2004-04-30 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C. These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.
Book Synopsis Prehistoric America by : Stephen Denison Peet
Download or read book Prehistoric America written by Stephen Denison Peet and published by . This book was released on 1899 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Travel through time to discover the paintings, sculptures, and decorative objects that enrich our world. Are you seeking a lavishly illustrated timeline that showcases a glorious gallery of art from all around the world? Then SI Art Year By Year may be the book for you! Over 500 images of art movements such as the Renaissance, Neoclassicism, Impressionism, and Pop Art are explored and explained, accompanied by striking visual detail that truly brings the artwork to life. Further featuring biographies of the key figures behind some of the world’s best-known artworks, from Botticelli and Hiroshige to Goncharova and Morisot, SI Art Year By Year has something for everyone to admire. With passion in every page, you can explore: - Feature panels discussing artists, art movements, and techniques - Specific works of art analysed, with details pulled out and explained - Pages that explore a single theme through time and across different cultures - Inspiring quotes from artists add insight With every story plotted on a timeline, the pages give a snapshot of each era, and reveal the influences and connections behind the artworks and artistic movements that have reflected our world. With more than 500 images of paintings, drawings, photographs, and sculptures, SI Art Year by Year is the ultimate visual guide to the history of art, century by century, year by year! A must-have art book for children and adults alike who are curious about art, whether you’re an educator, an art enthusiast, or a lover of creativity seeking to explore some of the greatest known artworks throughout history, SI Art Year By Year is sure to delight.
Book Synopsis Art Year by Year by : DK
Download or read book Art Year by Year written by DK and published by Penguin. This book was released on 2022-11-15 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Travel through time to discover the paintings, sculptures, and decorative objects that enrich our world. Are you seeking a lavishly illustrated timeline that showcases a glorious gallery of art from all around the world? Then SI Art Year By Year may be the book for you! Over 500 images of art movements such as the Renaissance, Neoclassicism, Impressionism, and Pop Art are explored and explained, accompanied by striking visual detail that truly brings the artwork to life. Further featuring biographies of the key figures behind some of the world’s best-known artworks, from Botticelli and Hiroshige to Goncharova and Morisot, SI Art Year By Year has something for everyone to admire. With passion in every page, you can explore: - Feature panels discussing artists, art movements, and techniques - Specific works of art analysed, with details pulled out and explained - Pages that explore a single theme through time and across different cultures - Inspiring quotes from artists add insight With every story plotted on a timeline, the pages give a snapshot of each era, and reveal the influences and connections behind the artworks and artistic movements that have reflected our world. With more than 500 images of paintings, drawings, photographs, and sculptures, SI Art Year by Year is the ultimate visual guide to the history of art, century by century, year by year! A must-have art book for children and adults alike who are curious about art, whether you’re an educator, an art enthusiast, or a lover of creativity seeking to explore some of the greatest known artworks throughout history, SI Art Year By Year is sure to delight.
Chronicles the history of artistic expression, discussing the different techniques of various artists, the influence of classic art on modern art, the evolution of artistic techniques, and other related topics.
Book Synopsis Instant Art History by : Walter Robinson
Download or read book Instant Art History written by Walter Robinson and published by Ballantine Books. This book was released on 1995-02-21 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronicles the history of artistic expression, discussing the different techniques of various artists, the influence of classic art on modern art, the evolution of artistic techniques, and other related topics.
The legendary Pablo Picasso once paid a visit to the legendary Altamira Caves, located near the town of Santillana del Mar in Cantabria, Spain. There, he viewed the ancient cave paintings, deemed to be among the most sophisticated examples in the world. He summarized the visit by saying, "After Altamira, all is decadence,"[1] suggesting a purity in early man that modern people have apparently lost. Other lesser-known artists, psychologists and various scientists have dismissed even the best of the Paleolithic cave painters. They relegate the early paintings to the rudimentary beginnings of modernity with no special insights of life in the Stone Age outside of the struggle for survival. Picasso's subsequent visit to the caves of El Castillo earned largely the same sentiment, as he asserted, "We have learned nothing in 12,000 years."[2] Even for Picasso, it seems, the discovery of "Ice Age Art" has opened an avenue of inquiry into the psychology of modern man as we draw our conclusions and varying empathies toward early humans. Drawn into the question of art are studies of the ancient brain and its gradual development, and diverse speculation as to the reasons for the existence of ancient art. Cave painting falls under the heading of "parietal art," a term used to note any prehistoric art found on the walls or ceilings of caves. It includes five basic types of work, from stencils of handprints, and other hand and finer marks, to a number of abstract signs and symbols, figurative painting, engraving and relief sculpture. It also encompasses all petroglyphs and engravings. The term generally implies prehistoric art as coming from the dawn of early man, but can also be far more recent, into what is called the Holocene Period. This is an easing period of the Ice Age in which modern man currently lives and ice age boundaries place prehistoric art in a range of 40,000 years ago to approximately 14000 BCE. A simple red disc at the center of the Panel de las Manos has been dated to 40,800 years ago. The contention that the disc is the oldest artwork of Homo sapiens is based on uranium/thorium testing, which only gives the minimum age of its subjects. Carbon dating could not be employed due to the absence of organic pigment in stenciled hand outlines. There is plenty of debate over who was responsible for the art, because dating takes the disc to the edge of Homo sapiens' arrival from Africa in Europe. Modern humans arrived in Britain around 44,200-41,500 years ago, and in Italy around 45,000 to 43,000 years ago. Homo sapiens were making flutes in Germany by 42,000 years ago, and opinions on the Neanderthal culture's ability to create paintings is shifting as historians consider whether they began the transition to art. Either way, what is clear is that some of the world's oldest and most fascinating art date back well beyond antiquity, and scholars are still uncovering more that help paint a fuller picture.
Book Synopsis Cave Paintings by : Charles River
Download or read book Cave Paintings written by Charles River and published by Independently Published. This book was released on 2021-09-24 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legendary Pablo Picasso once paid a visit to the legendary Altamira Caves, located near the town of Santillana del Mar in Cantabria, Spain. There, he viewed the ancient cave paintings, deemed to be among the most sophisticated examples in the world. He summarized the visit by saying, "After Altamira, all is decadence,"[1] suggesting a purity in early man that modern people have apparently lost. Other lesser-known artists, psychologists and various scientists have dismissed even the best of the Paleolithic cave painters. They relegate the early paintings to the rudimentary beginnings of modernity with no special insights of life in the Stone Age outside of the struggle for survival. Picasso's subsequent visit to the caves of El Castillo earned largely the same sentiment, as he asserted, "We have learned nothing in 12,000 years."[2] Even for Picasso, it seems, the discovery of "Ice Age Art" has opened an avenue of inquiry into the psychology of modern man as we draw our conclusions and varying empathies toward early humans. Drawn into the question of art are studies of the ancient brain and its gradual development, and diverse speculation as to the reasons for the existence of ancient art. Cave painting falls under the heading of "parietal art," a term used to note any prehistoric art found on the walls or ceilings of caves. It includes five basic types of work, from stencils of handprints, and other hand and finer marks, to a number of abstract signs and symbols, figurative painting, engraving and relief sculpture. It also encompasses all petroglyphs and engravings. The term generally implies prehistoric art as coming from the dawn of early man, but can also be far more recent, into what is called the Holocene Period. This is an easing period of the Ice Age in which modern man currently lives and ice age boundaries place prehistoric art in a range of 40,000 years ago to approximately 14000 BCE. A simple red disc at the center of the Panel de las Manos has been dated to 40,800 years ago. The contention that the disc is the oldest artwork of Homo sapiens is based on uranium/thorium testing, which only gives the minimum age of its subjects. Carbon dating could not be employed due to the absence of organic pigment in stenciled hand outlines. There is plenty of debate over who was responsible for the art, because dating takes the disc to the edge of Homo sapiens' arrival from Africa in Europe. Modern humans arrived in Britain around 44,200-41,500 years ago, and in Italy around 45,000 to 43,000 years ago. Homo sapiens were making flutes in Germany by 42,000 years ago, and opinions on the Neanderthal culture's ability to create paintings is shifting as historians consider whether they began the transition to art. Either way, what is clear is that some of the world's oldest and most fascinating art date back well beyond antiquity, and scholars are still uncovering more that help paint a fuller picture.
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Book Synopsis The Annotated Mona Lisa by : Carol Strickland
Download or read book The Annotated Mona Lisa written by Carol Strickland and published by Andrews McMeel Publishing. This book was released on 2007-10 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Book Synopsis Prehistoric Art; Or, The Origin of Art as Manifested in the Works of Prehistoric Man by : Thomas Wilson
Download or read book Prehistoric Art; Or, The Origin of Art as Manifested in the Works of Prehistoric Man written by Thomas Wilson and published by . This book was released on 1898 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:
