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Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
Book Synopsis Printing Music in Renaissance Rome by : Jane A. Bernstein
Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2023 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jane A. Bernstein presents the first broad study of the cultures of music and the book in Rome during the Renaissance and Post-Tridentine periods. Emphasizing the exceptionalism of Roman music publishing, she highlights innovative technologies, milestone publications, and the close connection between musical repertories and the materiality of the book. She also analyzes the Church's predominant influence on the industry and, in turn, the impact of the Roman press on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri.
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Book Synopsis Printing Music in Renaissance Rome by : Jane A. Bernstein
Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2024-02-16 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.
Book Synopsis Print Culture and Music in Sixteenth-Century Venice by : Jane A. Bernstein
Download or read book Print Culture and Music in Sixteenth-Century Venice written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2001-07-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.
First published in 1999, the essays that follow have been selected from the author’s writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France. Much of the material which formed the basis of those essays was largely drawn from archives. Richard Sherr explores diverse areas including the Medici coat of arms in a motet for Leo X, performance practice in the papal chapel during the 16th century, the publications of Guglielmo Gonzaga, Lorenzo de’ Medici as a patron of music and homosexuality in late sixteenth-century Italy.
Book Synopsis Music and Musicians in Renaissance Rome and Other Courts by : Richard Sherr
Download or read book Music and Musicians in Renaissance Rome and Other Courts written by Richard Sherr and published by Routledge. This book was released on 2019-06-04 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, the essays that follow have been selected from the author’s writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua (Mantova), Florence and France. Much of the material which formed the basis of those essays was largely drawn from archives. Richard Sherr explores diverse areas including the Medici coat of arms in a motet for Leo X, performance practice in the papal chapel during the 16th century, the publications of Guglielmo Gonzaga, Lorenzo de’ Medici as a patron of music and homosexuality in late sixteenth-century Italy.
This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
Book Synopsis Papal Music and Musicians in Late Medieval and Renaissance Rome by : Richard Sherr
Download or read book Papal Music and Musicians in Late Medieval and Renaissance Rome written by Richard Sherr and published by Clarendon Press. This book was released on 1998-05-21 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.
Book Synopsis Papal Bull by : Margaret Meserve
Download or read book Papal Bull written by Margaret Meserve and published by JHU Press. This book was released on 2021-08-03 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.
Book Synopsis Papal Music and Musicians in Late Medieval and Renaissance Rome by : Richard Sherr
Download or read book Papal Music and Musicians in Late Medieval and Renaissance Rome written by Richard Sherr and published by . This book was released on 1998 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Book Synopsis Music Printing in Renaissance Venice by : Jane A. Bernstein
Download or read book Music Printing in Renaissance Venice written by Jane A. Bernstein and published by Oxford University Press. This book was released on 1998-10-29 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Book Synopsis Valerio Dorico by : Suzanne G. Cusick
Download or read book Valerio Dorico written by Suzanne G. Cusick and published by . This book was released on 1981 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
"Peter Partner is an established scholar, qualified by his research on The Papal State Under Martin Vand The Lands of St. Peterto write this general book on Renaissance Rome. The titles of the chapters of the book are tantalizing, and they indicate the breadth of issues under review: politics, economics, population, "noble life" and "daily life", and, finally, "the spirit of a city and the spirit of an age." No similar, recent study exists for Rome, and Partner's book responds to a genuine need. The book is written with wit and good style, and it contains a great deal of information . . . "--John W. O'Malley, University of Detroit, Canadian Journal of History, 13(1), pp. 115 - 116.
Book Synopsis Renaissance Rome 1500-1559 by : Peter Partner
Download or read book Renaissance Rome 1500-1559 written by Peter Partner and published by Univ of California Press. This book was released on 1976 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Peter Partner is an established scholar, qualified by his research on The Papal State Under Martin Vand The Lands of St. Peterto write this general book on Renaissance Rome. The titles of the chapters of the book are tantalizing, and they indicate the breadth of issues under review: politics, economics, population, "noble life" and "daily life", and, finally, "the spirit of a city and the spirit of an age." No similar, recent study exists for Rome, and Partner's book responds to a genuine need. The book is written with wit and good style, and it contains a great deal of information . . . "--John W. O'Malley, University of Detroit, Canadian Journal of History, 13(1), pp. 115 - 116.
