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Book Synopsis Problems in the Conservation of Waterlogged Wood by : W. A. Oddy
Download or read book Problems in the Conservation of Waterlogged Wood written by W. A. Oddy and published by . This book was released on 1975-01 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Problems in the Conservation of Waterlogged Wood by : William A. Oddy
Download or read book Problems in the Conservation of Waterlogged Wood written by William A. Oddy and published by . This book was released on 1975 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Problems of the Conservation of Waterlogged Wood by : William Andrew Oddy
Download or read book Problems of the Conservation of Waterlogged Wood written by William Andrew Oddy and published by . This book was released on 1975 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Basic Methods of Conserving Underwater Archaeological Material Culture by : Donny Leon Hamilton
Download or read book Basic Methods of Conserving Underwater Archaeological Material Culture written by Donny Leon Hamilton and published by . This book was released on 1996 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Over the past twenty years there has been a significant increase in underwater activities such as scuba diving which, coupled with the adventure andromance always associated with shipwrecks, has led to rapid developments in the discovery and excavation of shipwrecked material. These shipwrecks are invaluable archaeological 'time capsules', which in themajoriety of cases have come to an equilibrium with their environment. As soon as artefacts on the wreck site are moved, this equilibrium is disturbed, and the artefacts may commence to deteriorate, sometimes in a rapid and devastating fashion. In fact excavation without having conservation facilities available is vandalism--the artefacts are much safer being left on the sea bed. Such famous shipwrecks as the Mary Rose (1545), the Wasa (1628) and the Batabia (1629) have not only brought the world's attention to these unique finds, but have also produced tremendous conservation problems. The treatment of a 30 metre waterlogged wooden hull or large cast iron cannon is still causing headaches to conservators.
Book Synopsis Conservation of Marine Archaeological Objects by : Colin Pearson
Download or read book Conservation of Marine Archaeological Objects written by Colin Pearson and published by Elsevier. This book was released on 2014-05-20 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past twenty years there has been a significant increase in underwater activities such as scuba diving which, coupled with the adventure andromance always associated with shipwrecks, has led to rapid developments in the discovery and excavation of shipwrecked material. These shipwrecks are invaluable archaeological 'time capsules', which in themajoriety of cases have come to an equilibrium with their environment. As soon as artefacts on the wreck site are moved, this equilibrium is disturbed, and the artefacts may commence to deteriorate, sometimes in a rapid and devastating fashion. In fact excavation without having conservation facilities available is vandalism--the artefacts are much safer being left on the sea bed. Such famous shipwrecks as the Mary Rose (1545), the Wasa (1628) and the Batabia (1629) have not only brought the world's attention to these unique finds, but have also produced tremendous conservation problems. The treatment of a 30 metre waterlogged wooden hull or large cast iron cannon is still causing headaches to conservators.
During the 1960s, an important find of a group of Viking ships occasioned the building of a new conservation plant of large proportions. This, coupled with a dissatisfaction with previous conservation methods led to the adoption of new methods for caring for waterlogged wooden remains. The methodologies developed are described in this book. English, with Danish Resume.
Book Synopsis The Conservation of Waterlogged Wood in the National Museum of Denmark by : B. Brorson Christensen
Download or read book The Conservation of Waterlogged Wood in the National Museum of Denmark written by B. Brorson Christensen and published by Viking Ship Museum/National Museum of Denmark. This book was released on 1970 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1960s, an important find of a group of Viking ships occasioned the building of a new conservation plant of large proportions. This, coupled with a dissatisfaction with previous conservation methods led to the adoption of new methods for caring for waterlogged wooden remains. The methodologies developed are described in this book. English, with Danish Resume.
Waterlogged archaeological sites in Florida contain tools, art objects, dietary items, human skeletal remains, and glimpses of past environments that do not survive the ravages of time at typical terrestrial sites. Unfortunately, archaeological wet sites are invisible since their preservation depends upon their entombment in oxygen-free, organic deposits. As a result, they are often destroyed accidentally during draining, dredging, and development projects. These sites and the objects they contain are an important part of Florida's heritage. They provide an opportunity to learn how the state's earliest residents used available resources to make their lives more comfortable and how they expressed themselves artistically. Without the wood carvings from water-saturated sites, it would be easy to think of early Floridians as culturally impoverished because Florida does not have stone suitable for creating sculptures. This book compiles in one volume detailed accounts of such famous sites as Key Marco, Little Salt Spring, Windover, Ft. Center, and others. The book discusses wet site environments and explains the kinds of physical, chemical, and structural components required to ensure that the proper conditions for site formation are present and prevail through time. The book also talks about how to preserve artifacts that have been entombed in anaerobic deposits and the importance of classes of objects, such as wooden carvings, dietary items, human skeletal remains, to our better understanding of past cultures. Until now this information has been scattered in obscure documents and articles, thus diminishing its importance. Our ancestors may not have been Indians, but they contributed to the state's heritage for more than 10,000 years. Once disturbed by ambitious dredging and draining projects, their story is gone forever; it cannot be transplanted to another location.
Book Synopsis The Art and Archaeology of Florida's Wetlands by : BarbaraA. Purdy
Download or read book The Art and Archaeology of Florida's Wetlands written by BarbaraA. Purdy and published by Routledge. This book was released on 2017-12-06 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Waterlogged archaeological sites in Florida contain tools, art objects, dietary items, human skeletal remains, and glimpses of past environments that do not survive the ravages of time at typical terrestrial sites. Unfortunately, archaeological wet sites are invisible since their preservation depends upon their entombment in oxygen-free, organic deposits. As a result, they are often destroyed accidentally during draining, dredging, and development projects. These sites and the objects they contain are an important part of Florida's heritage. They provide an opportunity to learn how the state's earliest residents used available resources to make their lives more comfortable and how they expressed themselves artistically. Without the wood carvings from water-saturated sites, it would be easy to think of early Floridians as culturally impoverished because Florida does not have stone suitable for creating sculptures. This book compiles in one volume detailed accounts of such famous sites as Key Marco, Little Salt Spring, Windover, Ft. Center, and others. The book discusses wet site environments and explains the kinds of physical, chemical, and structural components required to ensure that the proper conditions for site formation are present and prevail through time. The book also talks about how to preserve artifacts that have been entombed in anaerobic deposits and the importance of classes of objects, such as wooden carvings, dietary items, human skeletal remains, to our better understanding of past cultures. Until now this information has been scattered in obscure documents and articles, thus diminishing its importance. Our ancestors may not have been Indians, but they contributed to the state's heritage for more than 10,000 years. Once disturbed by ambitious dredging and draining projects, their story is gone forever; it cannot be transplanted to another location.
The impetus for this book was the desire to systematically organize the extant literature on the conservation of cultural property made of wood, from its beginnings before the Christian Era to the year 2000. Various published reviews and monographs, including Holzkonservierung (Wood Conserva tion) published by the senior author in 1988, have appeared over the years, especially in English and in German. They have provided exemplary treat merit of individual areas or aspects of wood conservation, but a comprehen sive, up-to-date exposition of historic and current developments has been lacking. The diverse professional fields of the authors, as well as their insights into methods of conservation and restoration of wood artifacts in Europe, North America, and Asia provided a solid basis for the success of this under taking. One of the goals during the examination of the literature was that not only well-known conservators and scientists from countries that are leaders in wood conservation should be represented, but that less well-known, often not as readily accessible contributions should also be included. Only in this manner was it possible to draw a comprehensive picture of the national and international state of wood conservation. The Art and Archaeology Technical Abstracts (AATA) of the Getty Institute were very helpful in our efforts to evaluate as many publications as possible.
Book Synopsis Conservation of Wood Artifacts by : A. Unger
Download or read book Conservation of Wood Artifacts written by A. Unger and published by Springer Science & Business Media. This book was released on 2013-03-09 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: The impetus for this book was the desire to systematically organize the extant literature on the conservation of cultural property made of wood, from its beginnings before the Christian Era to the year 2000. Various published reviews and monographs, including Holzkonservierung (Wood Conserva tion) published by the senior author in 1988, have appeared over the years, especially in English and in German. They have provided exemplary treat merit of individual areas or aspects of wood conservation, but a comprehen sive, up-to-date exposition of historic and current developments has been lacking. The diverse professional fields of the authors, as well as their insights into methods of conservation and restoration of wood artifacts in Europe, North America, and Asia provided a solid basis for the success of this under taking. One of the goals during the examination of the literature was that not only well-known conservators and scientists from countries that are leaders in wood conservation should be represented, but that less well-known, often not as readily accessible contributions should also be included. Only in this manner was it possible to draw a comprehensive picture of the national and international state of wood conservation. The Art and Archaeology Technical Abstracts (AATA) of the Getty Institute were very helpful in our efforts to evaluate as many publications as possible.
This is a Foreword by an archaeologist, not a conservator, but as Brad Rodgers says, “Conservation has been steadily pulled from archaeology by the forces of specialization”(p. 3),andhewantstoremedythatsituationthroughthismanual. He seesthisworkasa“calltoactionforthenon-professionalconservator,”permitting “curators, conservators, and archaeologists to identify artifacts that need prof- sional attention and, allow these professionals to stabilize most artifacts in their own laboratories with minimal intervention, using simple non-toxic procedures” (p. 5). It is the mission of Brad’s manual to “bring conservation back into arch- ology” (p. 6). The degree of success of that goal depends on the degree to which archaeologists pay attention to, and put to use, what Brad has to say, because as he says, “The conservationist/archaeologist is responsible to make preparation for an artifact’s care even before it is excavated and after its storage into the foreseeable future”. . . a tremendous responsibility” (p. 10). The manual is a combination of highly technical as well as common sense methods of conserving wood, iron and other metals, ceramics, glass and stone, organicsandcomposits—afarbetterguidetoartifactconservationthanwasava- able to me when I ?rst faced that archaeological challenge at colonial Brunswick Town, North Carolina in 1958—a challenge still being faced by archaeologists today. The stage of conservation in 1958 is in dramatic contrast to the procedures Brad describes in this manual—conservation has indeed made great progress. For instance,acommonprocedurethenwastoheattheartifactsredhotinafurnace—a method that made me cringe.
Book Synopsis The Archaeologist's Manual for Conservation by : Bradley A. Rodgers
Download or read book The Archaeologist's Manual for Conservation written by Bradley A. Rodgers and published by Springer Science & Business Media. This book was released on 2007-05-08 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a Foreword by an archaeologist, not a conservator, but as Brad Rodgers says, “Conservation has been steadily pulled from archaeology by the forces of specialization”(p. 3),andhewantstoremedythatsituationthroughthismanual. He seesthisworkasa“calltoactionforthenon-professionalconservator,”permitting “curators, conservators, and archaeologists to identify artifacts that need prof- sional attention and, allow these professionals to stabilize most artifacts in their own laboratories with minimal intervention, using simple non-toxic procedures” (p. 5). It is the mission of Brad’s manual to “bring conservation back into arch- ology” (p. 6). The degree of success of that goal depends on the degree to which archaeologists pay attention to, and put to use, what Brad has to say, because as he says, “The conservationist/archaeologist is responsible to make preparation for an artifact’s care even before it is excavated and after its storage into the foreseeable future”. . . a tremendous responsibility” (p. 10). The manual is a combination of highly technical as well as common sense methods of conserving wood, iron and other metals, ceramics, glass and stone, organicsandcomposits—afarbetterguidetoartifactconservationthanwasava- able to me when I ?rst faced that archaeological challenge at colonial Brunswick Town, North Carolina in 1958—a challenge still being faced by archaeologists today. The stage of conservation in 1958 is in dramatic contrast to the procedures Brad describes in this manual—conservation has indeed made great progress. For instance,acommonprocedurethenwastoheattheartifactsredhotinafurnace—a method that made me cringe.
Despite the perception that artworks are timeless and unchanging, they are actually subject to biological attack from a variety of sources--from bacteria to fungi to insects. This groundbreaking volume, which publishes the proceedings of a conference held at The Metropolitan Museum of Art in 2002, explores how the development of these organisms can be arrested while preserving both the work of art and the health of the conservator.The richly illustrated text, containing the writings of over 40 scientists and conservators, is divided into sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. The artworks and cultural properties discussed include, among many others, Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and a collection of toothbrushes taken from Auschwitz victims.
Book Synopsis Art, Biology, and Conservation by : Robert John Koestler
Download or read book Art, Biology, and Conservation written by Robert John Koestler and published by Metropolitan Museum of Art. This book was released on 2003 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the perception that artworks are timeless and unchanging, they are actually subject to biological attack from a variety of sources--from bacteria to fungi to insects. This groundbreaking volume, which publishes the proceedings of a conference held at The Metropolitan Museum of Art in 2002, explores how the development of these organisms can be arrested while preserving both the work of art and the health of the conservator.The richly illustrated text, containing the writings of over 40 scientists and conservators, is divided into sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. The artworks and cultural properties discussed include, among many others, Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and a collection of toothbrushes taken from Auschwitz victims.