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Programme Music in the Last Four Centuries

Author: Frederick Niecks

Publisher: Ardent Media

Published: 2009-08

Total Pages: 562

ISBN-13:

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This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...

Book Synopsis Programme Music in the Last Four Centuries by : Frederick Niecks

Download or read book Programme Music in the Last Four Centuries written by Frederick Niecks and published by Ardent Media. This book was released on 2009-08 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...

PROGRAMME MUSIC IN THE LAST FOUR CENTURIES

Author: FREDERICK. NIECKS

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781033238721

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Book Synopsis PROGRAMME MUSIC IN THE LAST FOUR CENTURIES by : FREDERICK. NIECKS

Download or read book PROGRAMME MUSIC IN THE LAST FOUR CENTURIES written by FREDERICK. NIECKS and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Programme Music in the Last Four Centuries

Author: Frederick Niecks

Publisher:

Published: 1907

Total Pages: 0

ISBN-13: 9780403016358

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A study of the evolution of program music from its modest beginnings in the 16th century to its acceptance as a musical form by composers & artists all over the world.

Book Synopsis Programme Music in the Last Four Centuries by : Frederick Niecks

Download or read book Programme Music in the Last Four Centuries written by Frederick Niecks and published by . This book was released on 1907 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the evolution of program music from its modest beginnings in the 16th century to its acceptance as a musical form by composers & artists all over the world.

Programme Music in the Last Four Centuries

Author: Frederick Niecks

Publisher: Forgotten Books

Published: 2017-10-16

Total Pages: 566

ISBN-13: 9780265409237

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Excerpt from Programme Music in the Last Four Centuries: A Contribution to the History of Musical Expression As the subject of programme music is almost always treated controversially, or at least with a parti pris, it may not be an unnecessary precaution to state that the present book is neither a defence nor an attack, but simply an historical account. I entered on my task as an impartial inquirer. The proof of my having kept true to my purpose may be found in the fact that the results of the inquiry modified to some extent my previous notions and judgments. If there was one matter to which I gave my attention more than to any other, it was the views of the composers themselves. And it was a great satisfaction to me to find that materials of this kind were much more plentiful, interesting, and instructive than I had expected. I am sure that the harvest here garnered will cause not a little surprise, and give not a little pleasure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Book Synopsis Programme Music in the Last Four Centuries by : Frederick Niecks

Download or read book Programme Music in the Last Four Centuries written by Frederick Niecks and published by Forgotten Books. This book was released on 2017-10-16 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Programme Music in the Last Four Centuries: A Contribution to the History of Musical Expression As the subject of programme music is almost always treated controversially, or at least with a parti pris, it may not be an unnecessary precaution to state that the present book is neither a defence nor an attack, but simply an historical account. I entered on my task as an impartial inquirer. The proof of my having kept true to my purpose may be found in the fact that the results of the inquiry modified to some extent my previous notions and judgments. If there was one matter to which I gave my attention more than to any other, it was the views of the composers themselves. And it was a great satisfaction to me to find that materials of this kind were much more plentiful, interesting, and instructive than I had expected. I am sure that the harvest here garnered will cause not a little surprise, and give not a little pleasure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Programme Music in the Last Four Centuries; A Contribution to the History of Musical Expression

Author: Frederick Niecks

Publisher: Franklin Classics Trade Press

Published: 2018-10-31

Total Pages: 568

ISBN-13: 9780344582950

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book Synopsis Programme Music in the Last Four Centuries; A Contribution to the History of Musical Expression by : Frederick Niecks

Download or read book Programme Music in the Last Four Centuries; A Contribution to the History of Musical Expression written by Frederick Niecks and published by Franklin Classics Trade Press. This book was released on 2018-10-31 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Programme Music in the Last Four Centuries; A Contribution to the History of Musical Expression - Scholar's Choice Edition

Author: Frederick Niecks

Publisher:

Published: 2015-02-12

Total Pages: 570

ISBN-13: 9781294984429

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book Synopsis Programme Music in the Last Four Centuries; A Contribution to the History of Musical Expression - Scholar's Choice Edition by : Frederick Niecks

Download or read book Programme Music in the Last Four Centuries; A Contribution to the History of Musical Expression - Scholar's Choice Edition written by Frederick Niecks and published by . This book was released on 2015-02-12 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Musical News

Author:

Publisher:

Published: 1923

Total Pages: 388

ISBN-13:

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Book Synopsis Musical News by :

Download or read book Musical News written by and published by . This book was released on 1923 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Europe, Empire, and Spectacle in Nineteenth-Century British Music

Author: Julian Rushton

Publisher: Routledge

Published: 2017-07-05

Total Pages: 433

ISBN-13: 1351567632

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This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.

Book Synopsis Europe, Empire, and Spectacle in Nineteenth-Century British Music by : Julian Rushton

Download or read book Europe, Empire, and Spectacle in Nineteenth-Century British Music written by Julian Rushton and published by Routledge. This book was released on 2017-07-05 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.

Pure and Programme Music in the Romanticism

Author: Magda Polo Pujandas

Publisher: Ed. Universidad de Cantabria

Published: 2016-05-31

Total Pages: 180

ISBN-13: 8481027766

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One of the most difficult challenges a music theoretician faces, be it historically, philosophically or in other aspects, is that of correctly and precisely framing the meaning that music has in a specific moment: deducing the “why” and revealing the secret hidden within. The book Pure and Programme Music in the Romanticism, a rigorous and indispensable study to understand music in the period in which music as an expression of feelings, begins to reach the threshold of the sublime –primarily focusing attention on what pure and programme music represent. Both types of music are instrumental, but the difference between them is that the first one, pure music, exists on its own, and for its own sake, establishing an iron-clad alliance with the form. Programme music is inspired by other forms of artistic expression, especially literature, and is indelibly linked with the content. However, halfway between these two types of music, a new one is born: absolute music. This music is the result from the dialectic established between the pure and programme, exactly in the middle of two opposing philosophies, that of Idealism and that of Materialism. All of this context described in this book is what defines the essence of Romantic music but also what allows us to understand the music of the twentieth century and that of today, because the controversy between pure music and programme music has represented, in the history of western musical thought, the turning point that led to the creation of the Gesamtkunstwerk (Total Work of Art) and the relationship between music and film, for example, as well as other artistic expressions.

Book Synopsis Pure and Programme Music in the Romanticism by : Magda Polo Pujandas

Download or read book Pure and Programme Music in the Romanticism written by Magda Polo Pujandas and published by Ed. Universidad de Cantabria. This book was released on 2016-05-31 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most difficult challenges a music theoretician faces, be it historically, philosophically or in other aspects, is that of correctly and precisely framing the meaning that music has in a specific moment: deducing the “why” and revealing the secret hidden within. The book Pure and Programme Music in the Romanticism, a rigorous and indispensable study to understand music in the period in which music as an expression of feelings, begins to reach the threshold of the sublime –primarily focusing attention on what pure and programme music represent. Both types of music are instrumental, but the difference between them is that the first one, pure music, exists on its own, and for its own sake, establishing an iron-clad alliance with the form. Programme music is inspired by other forms of artistic expression, especially literature, and is indelibly linked with the content. However, halfway between these two types of music, a new one is born: absolute music. This music is the result from the dialectic established between the pure and programme, exactly in the middle of two opposing philosophies, that of Idealism and that of Materialism. All of this context described in this book is what defines the essence of Romantic music but also what allows us to understand the music of the twentieth century and that of today, because the controversy between pure music and programme music has represented, in the history of western musical thought, the turning point that led to the creation of the Gesamtkunstwerk (Total Work of Art) and the relationship between music and film, for example, as well as other artistic expressions.

Program Music

Author: Jonathan Kregor

Publisher: Cambridge University Press

Published: 2015-01-15

Total Pages: 343

ISBN-13: 1316239845

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Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust.

Book Synopsis Program Music by : Jonathan Kregor

Download or read book Program Music written by Jonathan Kregor and published by Cambridge University Press. This book was released on 2015-01-15 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust.