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Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
Book Synopsis Public Art Encounters by : Martin Zebracki
Download or read book Public Art Encounters written by Martin Zebracki and published by Routledge. This book was released on 2017-09-05 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
Public art is on the urban agenda. Given recent claims about the importance of creativity to urban prosperity, opportunities for installing or performing art in the city have multiplied. As cities strive to appear culturally dynamic, the stakes of artistic production rise higher than ever. Exploring the interaction between art and the public in Canadian cities, Urban Encounters features writing by artists, architects, curators, anthropologists, geographers, and urban studies specialists. They show how people and places affect the structure and content of public artworks, what kinds of urban spaces and socialities are generated through art, and how to investigate and interpret encounters between art and its viewers in the city. Discussing a variety of art forms, including mobile cinemas, street improvisation, audiovisual investigations, and assembled objects, the contributors treat public artworks not just as aesthetic installations, but as agents that participate in the social and cultural evolution of cities. Using original, hands-on approaches, Urban Encounters reveals how art in the urban public space generates encounters that can transform both the city itself and the ways that people relate to it. Contributors include Alison Bain (York University), Robert Bean (NSCAD University), Lawrence Bird (architect, artist), Alexandrine Boudreault-Fournier (University of Victoria), Brenden Harvey (Dalhousie University), Wes Johnston (artist, curator), Léola Le Blanc (media artist), Brian Lilley (Dalhousie University), Barbara Lounder (NSCAD University), Mary Elizabeth Luka (York University), Sebastian Matthias (HafenCityUniversity), Christof Migone (Western University), Ellen Moffat (media artist), Kim Morgan (NSCAD University), Solomon Nagler (NSCAD University), Martha Radice (Dalhousie University), Nicole Rallis (McMaster University), Susanne Shawyer (Elon University), Shannon Turner (Aarhus University), Laurent Vernet (INRS Urbanisation Culture Société), and Nick Wees (University of Victoria).
Book Synopsis Urban Encounters by : Martha Radice
Download or read book Urban Encounters written by Martha Radice and published by McGill-Queen's Press - MQUP. This book was released on 2017-05-17 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public art is on the urban agenda. Given recent claims about the importance of creativity to urban prosperity, opportunities for installing or performing art in the city have multiplied. As cities strive to appear culturally dynamic, the stakes of artistic production rise higher than ever. Exploring the interaction between art and the public in Canadian cities, Urban Encounters features writing by artists, architects, curators, anthropologists, geographers, and urban studies specialists. They show how people and places affect the structure and content of public artworks, what kinds of urban spaces and socialities are generated through art, and how to investigate and interpret encounters between art and its viewers in the city. Discussing a variety of art forms, including mobile cinemas, street improvisation, audiovisual investigations, and assembled objects, the contributors treat public artworks not just as aesthetic installations, but as agents that participate in the social and cultural evolution of cities. Using original, hands-on approaches, Urban Encounters reveals how art in the urban public space generates encounters that can transform both the city itself and the ways that people relate to it. Contributors include Alison Bain (York University), Robert Bean (NSCAD University), Lawrence Bird (architect, artist), Alexandrine Boudreault-Fournier (University of Victoria), Brenden Harvey (Dalhousie University), Wes Johnston (artist, curator), Léola Le Blanc (media artist), Brian Lilley (Dalhousie University), Barbara Lounder (NSCAD University), Mary Elizabeth Luka (York University), Sebastian Matthias (HafenCityUniversity), Christof Migone (Western University), Ellen Moffat (media artist), Kim Morgan (NSCAD University), Solomon Nagler (NSCAD University), Martha Radice (Dalhousie University), Nicole Rallis (McMaster University), Susanne Shawyer (Elon University), Shannon Turner (Aarhus University), Laurent Vernet (INRS Urbanisation Culture Société), and Nick Wees (University of Victoria).
"In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.
Book Synopsis Mapping the Terrain by : Suzanne Lacy
Download or read book Mapping the Terrain written by Suzanne Lacy and published by . This book was released on 1995 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.
Public art is on the urban agenda. Given recent claims about the importance of creativity to urban prosperity, opportunities for installing or performing art in the city have multiplied. As cities strive to appear culturally dynamic, the stakes of artistic production rise higher than ever. Exploring the interaction between art and the public in Canadian cities, Urban Encounters features writing by artists, architects, curators, anthropologists, geographers, and urban studies specialists. They show how people and places affect the structure and content of public artworks, what kinds of urban spaces and socialities are generated through art, and how to investigate and interpret encounters between art and its viewers in the city. Discussing a variety of art forms, including mobile cinemas, street improvisation, audiovisual investigations, and assembled objects, the contributors treat public artworks not just as aesthetic installations, but as agents that participate in the social and cultural evolution of cities. Using original, hands-on approaches, Urban Encounters reveals how art in the urban public space generates encounters that can transform both the city itself and the ways that people relate to it. Contributors include Alison Bain (York University), Robert Bean (NSCAD University), Lawrence Bird (architect, artist), Alexandrine Boudreault-Fournier (University of Victoria), Brenden Harvey (Dalhousie University), Wes Johnston (artist, curator), Léola Le Blanc (media artist), Brian Lilley (Dalhousie University), Barbara Lounder (NSCAD University), Mary Elizabeth Luka (York University), Sebastian Matthias (HafenCityUniversity), Christof Migone (Western University), Ellen Moffat (media artist), Kim Morgan (NSCAD University), Solomon Nagler (NSCAD University), Martha Radice (Dalhousie University), Nicole Rallis (McMaster University), Susanne Shawyer (Elon University), Shannon Turner (Aarhus University), Laurent Vernet (INRS Urbanisation Culture Société), and Nick Wees (University of Victoria).
Book Synopsis Urban Encounters by : Martha Radice
Download or read book Urban Encounters written by Martha Radice and published by McGill-Queen's Press - MQUP. This book was released on 2017-05-17 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public art is on the urban agenda. Given recent claims about the importance of creativity to urban prosperity, opportunities for installing or performing art in the city have multiplied. As cities strive to appear culturally dynamic, the stakes of artistic production rise higher than ever. Exploring the interaction between art and the public in Canadian cities, Urban Encounters features writing by artists, architects, curators, anthropologists, geographers, and urban studies specialists. They show how people and places affect the structure and content of public artworks, what kinds of urban spaces and socialities are generated through art, and how to investigate and interpret encounters between art and its viewers in the city. Discussing a variety of art forms, including mobile cinemas, street improvisation, audiovisual investigations, and assembled objects, the contributors treat public artworks not just as aesthetic installations, but as agents that participate in the social and cultural evolution of cities. Using original, hands-on approaches, Urban Encounters reveals how art in the urban public space generates encounters that can transform both the city itself and the ways that people relate to it. Contributors include Alison Bain (York University), Robert Bean (NSCAD University), Lawrence Bird (architect, artist), Alexandrine Boudreault-Fournier (University of Victoria), Brenden Harvey (Dalhousie University), Wes Johnston (artist, curator), Léola Le Blanc (media artist), Brian Lilley (Dalhousie University), Barbara Lounder (NSCAD University), Mary Elizabeth Luka (York University), Sebastian Matthias (HafenCityUniversity), Christof Migone (Western University), Ellen Moffat (media artist), Kim Morgan (NSCAD University), Solomon Nagler (NSCAD University), Martha Radice (Dalhousie University), Nicole Rallis (McMaster University), Susanne Shawyer (Elon University), Shannon Turner (Aarhus University), Laurent Vernet (INRS Urbanisation Culture Société), and Nick Wees (University of Victoria).
This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
Book Synopsis The Practice of Public Art by : Cameron Cartiere
Download or read book The Practice of Public Art written by Cameron Cartiere and published by Routledge. This book was released on 2008-05-07 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
"Public art is a manifestation of how we see the world-the artist's reflection of our social, cultural, and physical environment." Thus, Penny Bach introduces this fascinating history of public art in Philadelphia, narrated throughout with surprising anecdotes, biographical sketches, and more than 450 illustrations. She explores the artistic, historical, political, and social trends and events that caused the city to acquire such a rich and diverse collection of public art. Philadelphia's tradition of public art reveals the origins of our cyclic longing for public expression: the spiritual roots of Native American culture, the utilitarian needs of the colonial period, the civic glorification of American patriotism, the planning instincts that emerged from the industrial era, and the pursuit of originality and invention in the twentieth century. Guiding the reader through a chronological tour of the city's aesthetic holdings, Public Art in Philadelphia provides a sort of history of American monumental art in microcosm and offers a way to appreciate the public art we encounter, whether it is cast, carved, built, assembled, or painted.As the nation's first capital, Philadelphia began early to commemorate heroics figures, popular leaders, patriotic ideals, and historic events. From Lazzarini's marble figure of Benjamin Franklin to Pinto's Fingerspan in Fairmount Park, form Laurel Hill Cemetery's celebrated sculpture garden to Lipchitz's controversial Government of the People, and from William Penn atop City Hall to the colorful murals by the Anti-Graffiti Network, public art has continued to enhance, define, and challenge Philadelphians' perception of their city.With perhaps the largest collection of public sculpture in the world, Philadelphia's art acquisitions span the history of the United States. Bach examines the gradual transformation over three centuries of style, theme, and reception of statues, murals, and other art forms. Shorter thematic essays make "connections" between works, ideas, artists, and civic missions. A catalogue focuses on more than 200 individual works, noting the materials, dimensions, location history, and commissioning process, and suggesting the vast range of public art. The armchair tourist, for example, can visit Dickens and Little Nell in Clark Park, the John Wanamaker's Eagle, the All Wars Memorial to Colored Soldiers and Sailors in Fairmount Park, or the Julius Erving Memorial on Ridge Avenue, among many others. A set of maps encourage readers to view the works in their public context.Public Art in Philadelphia offers a unique tour of both the familiar and the overlooked treasures that give meaning to the public environment, that reconnect art to daily life, and that remind Philadelphia's visitors and residents of what was considered important to previous generations. Author note: Penny Balkin Bach is Executive Director of the Fairmount Park Art Association, the nation's first non-profit organization dedicated to the integration of art and urban planning. She is also the author of Form and Function: Proposals for Public Art for Philadelphia.
Book Synopsis Public Art in Philadelphia by : Penny Balkin Bach
Download or read book Public Art in Philadelphia written by Penny Balkin Bach and published by . This book was released on 1992 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Public art is a manifestation of how we see the world-the artist's reflection of our social, cultural, and physical environment." Thus, Penny Bach introduces this fascinating history of public art in Philadelphia, narrated throughout with surprising anecdotes, biographical sketches, and more than 450 illustrations. She explores the artistic, historical, political, and social trends and events that caused the city to acquire such a rich and diverse collection of public art. Philadelphia's tradition of public art reveals the origins of our cyclic longing for public expression: the spiritual roots of Native American culture, the utilitarian needs of the colonial period, the civic glorification of American patriotism, the planning instincts that emerged from the industrial era, and the pursuit of originality and invention in the twentieth century. Guiding the reader through a chronological tour of the city's aesthetic holdings, Public Art in Philadelphia provides a sort of history of American monumental art in microcosm and offers a way to appreciate the public art we encounter, whether it is cast, carved, built, assembled, or painted.As the nation's first capital, Philadelphia began early to commemorate heroics figures, popular leaders, patriotic ideals, and historic events. From Lazzarini's marble figure of Benjamin Franklin to Pinto's Fingerspan in Fairmount Park, form Laurel Hill Cemetery's celebrated sculpture garden to Lipchitz's controversial Government of the People, and from William Penn atop City Hall to the colorful murals by the Anti-Graffiti Network, public art has continued to enhance, define, and challenge Philadelphians' perception of their city.With perhaps the largest collection of public sculpture in the world, Philadelphia's art acquisitions span the history of the United States. Bach examines the gradual transformation over three centuries of style, theme, and reception of statues, murals, and other art forms. Shorter thematic essays make "connections" between works, ideas, artists, and civic missions. A catalogue focuses on more than 200 individual works, noting the materials, dimensions, location history, and commissioning process, and suggesting the vast range of public art. The armchair tourist, for example, can visit Dickens and Little Nell in Clark Park, the John Wanamaker's Eagle, the All Wars Memorial to Colored Soldiers and Sailors in Fairmount Park, or the Julius Erving Memorial on Ridge Avenue, among many others. A set of maps encourage readers to view the works in their public context.Public Art in Philadelphia offers a unique tour of both the familiar and the overlooked treasures that give meaning to the public environment, that reconnect art to daily life, and that remind Philadelphia's visitors and residents of what was considered important to previous generations. Author note: Penny Balkin Bach is Executive Director of the Fairmount Park Art Association, the nation's first non-profit organization dedicated to the integration of art and urban planning. She is also the author of Form and Function: Proposals for Public Art for Philadelphia.
Public art is a form of communication that enables spaces for encounters across difference. These encounters may be routine, repeated, or rare, but all take place in urban spaces infused with emotion, creativity, and experimentation. In Painting Publics, Caitlin Bruce explores how various legal graffiti scenes across the United States, Mexico, and Europe provide diverse ways for artists to navigate their changing relationships with publics, institutions, and commercial entities. Painting Publics draws on a combination of interviews with more than 100 graffiti writers as well as participant observation, and uses critical and rhetorical theory to argue that graffiti should be seen as more than counter-cultural resistance. Bruce claims it offers resources for imagining a more democratic city, one that builds and grows from personal relations, abandoned or under-used spaces, commercial sponsorship, and tacit community resources. In the case of Mexico, Germany, and France, there is even some state support for the production and maintenance of civic education through visual culture. In her examination of graffiti culture and its spaces of inscription, Bruce allows us to see moments where practitioners actively reckon with possibility.
Book Synopsis Painting Publics by : Caitlin Frances Bruce
Download or read book Painting Publics written by Caitlin Frances Bruce and published by Temple University Press. This book was released on 2019-03-29 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Public art is a form of communication that enables spaces for encounters across difference. These encounters may be routine, repeated, or rare, but all take place in urban spaces infused with emotion, creativity, and experimentation. In Painting Publics, Caitlin Bruce explores how various legal graffiti scenes across the United States, Mexico, and Europe provide diverse ways for artists to navigate their changing relationships with publics, institutions, and commercial entities. Painting Publics draws on a combination of interviews with more than 100 graffiti writers as well as participant observation, and uses critical and rhetorical theory to argue that graffiti should be seen as more than counter-cultural resistance. Bruce claims it offers resources for imagining a more democratic city, one that builds and grows from personal relations, abandoned or under-used spaces, commercial sponsorship, and tacit community resources. In the case of Mexico, Germany, and France, there is even some state support for the production and maintenance of civic education through visual culture. In her examination of graffiti culture and its spaces of inscription, Bruce allows us to see moments where practitioners actively reckon with possibility.
This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice. The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections. The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.
Book Synopsis The Failures of Public Art and Participation by : Cameron Cartiere
Download or read book The Failures of Public Art and Participation written by Cameron Cartiere and published by Taylor & Francis. This book was released on 2022-08-25 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice. The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections. The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
Book Synopsis The Everyday Practice of Public Art by : Cameron Cartiere
Download or read book The Everyday Practice of Public Art written by Cameron Cartiere and published by Routledge. This book was released on 2015-11-19 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
What does Jewish art look like? Where many scholars, critics, and curators have gone searching for the essence of Jewish art in Biblical illustrations and portraits of rabbis, Rosen sets out to discover Jewishness in unlikely places. How, he asks, have modern Jewish painters explored their Jewish identity using an artistic past which is -- by and large -- non-Jewish? In this new book, we encounter some of the great works of Western art history through Jewish eyes. We see Matthias Grunewald's Isenheim Altarpiece re-imagined by Marc Chagall (1887-1985), traces of Paolo Uccello and Piero della Francesca in Philip Guston (1913-1980), and images by Diego Velazquez and Paul Cezanne studiously reworked by R.B. Kitaj (1932-2007). This highly comparative study draws on theological, philosophical and literary sources from Franz Rosenzweig to Franz Kafka and Philip Roth. Rosen deepens our understanding not only of these three modern painters but also of how art might serve as a key resource for rethinking such fundamental Jewish concepts as family, tradition, and homeland.
Book Synopsis Imagining Jewish Art by : Aaron Rosen
Download or read book Imagining Jewish Art written by Aaron Rosen and published by MHRA. This book was released on 2009 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does Jewish art look like? Where many scholars, critics, and curators have gone searching for the essence of Jewish art in Biblical illustrations and portraits of rabbis, Rosen sets out to discover Jewishness in unlikely places. How, he asks, have modern Jewish painters explored their Jewish identity using an artistic past which is -- by and large -- non-Jewish? In this new book, we encounter some of the great works of Western art history through Jewish eyes. We see Matthias Grunewald's Isenheim Altarpiece re-imagined by Marc Chagall (1887-1985), traces of Paolo Uccello and Piero della Francesca in Philip Guston (1913-1980), and images by Diego Velazquez and Paul Cezanne studiously reworked by R.B. Kitaj (1932-2007). This highly comparative study draws on theological, philosophical and literary sources from Franz Rosenzweig to Franz Kafka and Philip Roth. Rosen deepens our understanding not only of these three modern painters but also of how art might serve as a key resource for rethinking such fundamental Jewish concepts as family, tradition, and homeland.
