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A forgotten yet award-winning playwright, Cal Yeomans was one of the founders of gay theater whose work was fueled by gay liberation and extinguished by the AIDS epidemic. Schanke's examination of his life and legacy allows a rare exploration into this pivotal moment of gay American history.
Book Synopsis Queer Theatre and the Legacy of Cal Yeomans by : R. Schanke
Download or read book Queer Theatre and the Legacy of Cal Yeomans written by R. Schanke and published by Springer. This book was released on 2011-08-01 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: A forgotten yet award-winning playwright, Cal Yeomans was one of the founders of gay theater whose work was fueled by gay liberation and extinguished by the AIDS epidemic. Schanke's examination of his life and legacy allows a rare exploration into this pivotal moment of gay American history.
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Book Synopsis The Gay & Lesbian Theatrical Legacy by : Billy J. Harbin
Download or read book The Gay & Lesbian Theatrical Legacy written by Billy J. Harbin and published by University of Michigan Press. This book was released on 2005 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Book Synopsis Journal of Dramatic Theory and Criticism by :
Download or read book Journal of Dramatic Theory and Criticism written by and published by . This book was released on 2011 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Queer Theatre written by Stefan Brecht and published by Methuen Drama. This book was released on 1986 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Meet Tava, a twenty-four-year-old medical student in a deep depression. Alice, her friend and housemate, is trying to figure out how to support her. Time unravels, leaving both women bewildered at the emotional landscapes that have opened before them.Eyes Too Dry started out as a series of private conversations between the authors by way of a comic-in-correspondence. Their decision to make this work public was fuelled by their struggle to find stories and artwork that spoke to their experiences of encountering depression, suicidal ideation and emotional weight. In a world that tells us to 'keep calm and carry on' they are offering a narrative that is vulnerable, honest and uncertain. They hope to add new ways to talk about, visualise and relate to these complex emotions.'I have never seen mental illness depicted in this way, and the illustrations convey the physical and emotional toll of depression more powerfully than anything I've ever seen before. This is an important book about a topic that still holds so much stigma, and the more people that read it the better.' - Rebecca Shaw'To struggle with the textures of our mental landscape can feel like the most brutalizing, lonely thing. What Chipkin and Tavassoli have gifted us is one-of-a-kind: the lens of kinship. Through their dual perspectives, we eavesdrop on a tender conversation: How can I be there for you? and How can I not push you away? While most media focuses on the so-called failures or successes of mentally ill people to regain normalcy, these artists keep their focus on relationship. We witness questions of health and the realities of illness as traversed through that most precious, private kingdom: homiedom. The depth and nuance of these pages is treasure in the palm.' - Shira Erlichman
Book Synopsis Eyes Too Dry by : Alice Chipkin
Download or read book Eyes Too Dry written by Alice Chipkin and published by . This book was released on 2018-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Meet Tava, a twenty-four-year-old medical student in a deep depression. Alice, her friend and housemate, is trying to figure out how to support her. Time unravels, leaving both women bewildered at the emotional landscapes that have opened before them.Eyes Too Dry started out as a series of private conversations between the authors by way of a comic-in-correspondence. Their decision to make this work public was fuelled by their struggle to find stories and artwork that spoke to their experiences of encountering depression, suicidal ideation and emotional weight. In a world that tells us to 'keep calm and carry on' they are offering a narrative that is vulnerable, honest and uncertain. They hope to add new ways to talk about, visualise and relate to these complex emotions.'I have never seen mental illness depicted in this way, and the illustrations convey the physical and emotional toll of depression more powerfully than anything I've ever seen before. This is an important book about a topic that still holds so much stigma, and the more people that read it the better.' - Rebecca Shaw'To struggle with the textures of our mental landscape can feel like the most brutalizing, lonely thing. What Chipkin and Tavassoli have gifted us is one-of-a-kind: the lens of kinship. Through their dual perspectives, we eavesdrop on a tender conversation: How can I be there for you? and How can I not push you away? While most media focuses on the so-called failures or successes of mentally ill people to regain normalcy, these artists keep their focus on relationship. We witness questions of health and the realities of illness as traversed through that most precious, private kingdom: homiedom. The depth and nuance of these pages is treasure in the palm.' - Shira Erlichman
Before Palm Pilots and iPods, PCs and laptops, the term "computer" referred to the people who did scientific calculations by hand. These workers were neither calculating geniuses nor idiot savants but knowledgeable people who, in other circumstances, might have become scientists in their own right. When Computers Were Human represents the first in-depth account of this little-known, 200-year epoch in the history of science and technology. Beginning with the story of his own grandmother, who was trained as a human computer, David Alan Grier provides a poignant introduction to the wider world of women and men who did the hard computational labor of science. His grandmother's casual remark, "I wish I'd used my calculus," hinted at a career deferred and an education forgotten, a secret life unappreciated; like many highly educated women of her generation, she studied to become a human computer because nothing else would offer her a place in the scientific world. The book begins with the return of Halley's comet in 1758 and the effort of three French astronomers to compute its orbit. It ends four cycles later, with a UNIVAC electronic computer projecting the 1986 orbit. In between, Grier tells us about the surveyors of the French Revolution, describes the calculating machines of Charles Babbage, and guides the reader through the Great Depression to marvel at the giant computing room of the Works Progress Administration. When Computers Were Human is the sad but lyrical story of workers who gladly did the hard labor of research calculation in the hope that they might be part of the scientific community. In the end, they were rewarded by a new electronic machine that took the place and the name of those who were, once, the computers.
Book Synopsis When Computers Were Human by : David Alan Grier
Download or read book When Computers Were Human written by David Alan Grier and published by Princeton University Press. This book was released on 2013-11-01 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before Palm Pilots and iPods, PCs and laptops, the term "computer" referred to the people who did scientific calculations by hand. These workers were neither calculating geniuses nor idiot savants but knowledgeable people who, in other circumstances, might have become scientists in their own right. When Computers Were Human represents the first in-depth account of this little-known, 200-year epoch in the history of science and technology. Beginning with the story of his own grandmother, who was trained as a human computer, David Alan Grier provides a poignant introduction to the wider world of women and men who did the hard computational labor of science. His grandmother's casual remark, "I wish I'd used my calculus," hinted at a career deferred and an education forgotten, a secret life unappreciated; like many highly educated women of her generation, she studied to become a human computer because nothing else would offer her a place in the scientific world. The book begins with the return of Halley's comet in 1758 and the effort of three French astronomers to compute its orbit. It ends four cycles later, with a UNIVAC electronic computer projecting the 1986 orbit. In between, Grier tells us about the surveyors of the French Revolution, describes the calculating machines of Charles Babbage, and guides the reader through the Great Depression to marvel at the giant computing room of the Works Progress Administration. When Computers Were Human is the sad but lyrical story of workers who gladly did the hard labor of research calculation in the hope that they might be part of the scientific community. In the end, they were rewarded by a new electronic machine that took the place and the name of those who were, once, the computers.
"Aided by twenty-seven photographs, Schanke establishes Mercedes de Acosta's rightful place as a pioneer - and indeed a champion - in the early struggle for lesbian rights in this country. The famous portrayal of her as "that furious lesbian" should now be considered an admiring description rather than a scornful slur."--Jacket.
Book Synopsis That Furious Lesbian by : Robert A Schanke
Download or read book That Furious Lesbian written by Robert A Schanke and published by SIU Press. This book was released on 2004-05-10 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Aided by twenty-seven photographs, Schanke establishes Mercedes de Acosta's rightful place as a pioneer - and indeed a champion - in the early struggle for lesbian rights in this country. The famous portrayal of her as "that furious lesbian" should now be considered an admiring description rather than a scornful slur."--Jacket.
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
Book Synopsis Colour-Coded by : Constance Backhouse
Download or read book Colour-Coded written by Constance Backhouse and published by University of Toronto Press. This book was released on 1999-11-20 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
This book explores the key issues of racism, anti-racism and identity in British football. It relates the history of black players in the game, analyses the racism they have experienced, and evaluates the efficacy of anti-racist campaigns. The efficacy of the policing of racism is also assessed. The nationalism and xenophobia evident in much of the media's coverage of major tournaments is highlighted in the context of the way that English, Scottish and Welsh identities are constructed within British football.
Book Synopsis Racism and Anti-Racism in Football by : Jon Garland
Download or read book Racism and Anti-Racism in Football written by Jon Garland and published by Springer. This book was released on 2001-08-24 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the key issues of racism, anti-racism and identity in British football. It relates the history of black players in the game, analyses the racism they have experienced, and evaluates the efficacy of anti-racist campaigns. The efficacy of the policing of racism is also assessed. The nationalism and xenophobia evident in much of the media's coverage of major tournaments is highlighted in the context of the way that English, Scottish and Welsh identities are constructed within British football.
"James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative." ---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment. Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination. Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book. James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.
Book Synopsis Bulldaggers, Pansies, and Chocolate Babies by : James F. Wilson
Download or read book Bulldaggers, Pansies, and Chocolate Babies written by James F. Wilson and published by University of Michigan Press. This book was released on 2010-08-04 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: "James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative." ---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment. Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination. Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book. James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.
