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Book Synopsis Race, Work, and Desire in American Literature, 1860-1930 by : Michele Birnbaum
Download or read book Race, Work, and Desire in American Literature, 1860-1930 written by Michele Birnbaum and published by Cambridge University Press. This book was released on 2003-11-20 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Designed to meet the needs of high school students, undergraduates, and general readers, this encyclopedia is the most comprehensive reference available on African American literature from its origins to the present. Other works include many brief entries, or offer extended biographical sketches of a limited selection of writers. This encyclopedia surpasses existing references by offering full and current coverage of a vast range of authors and topics. While most of the entries are on individual authors, the encyclopedia gathers together information about the genres and geographical and cultural environments in which these writers have worked, and the social, political, and aesthetic movements in which they have participated. Thus the encyclopedia gives special attention to the historical and cultural forces that have shaped African American writing. - Publisher.
Book Synopsis The Greenwood Encyclopedia of African American Literature: U-Z by : Hans A. Ostrom
Download or read book The Greenwood Encyclopedia of African American Literature: U-Z written by Hans A. Ostrom and published by . This book was released on 2005 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed to meet the needs of high school students, undergraduates, and general readers, this encyclopedia is the most comprehensive reference available on African American literature from its origins to the present. Other works include many brief entries, or offer extended biographical sketches of a limited selection of writers. This encyclopedia surpasses existing references by offering full and current coverage of a vast range of authors and topics. While most of the entries are on individual authors, the encyclopedia gathers together information about the genres and geographical and cultural environments in which these writers have worked, and the social, political, and aesthetic movements in which they have participated. Thus the encyclopedia gives special attention to the historical and cultural forces that have shaped African American writing. - Publisher.
This book engages the critical mode of cosmopolitanism through racial discourse in the work of several major twentieth-century African American authors, such as W. E. B. Du Bois, Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray.
Book Synopsis Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing by : Tania Friedel
Download or read book Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing written by Tania Friedel and published by Routledge. This book was released on 2010-06-21 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book engages the critical mode of cosmopolitanism through racial discourse in the work of several major twentieth-century African American authors, such as W. E. B. Du Bois, Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray.
John D. Kerkering's study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetry's formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists.
Book Synopsis The Poetics of National and Racial Identity in Nineteenth-Century American Literature by : John D. Kerkering
Download or read book The Poetics of National and Racial Identity in Nineteenth-Century American Literature written by John D. Kerkering and published by Cambridge University Press. This book was released on 2003-12-11 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: John D. Kerkering's study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetry's formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists.
Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.
Book Synopsis Postwar American Fiction and the Rise of Modern Conservatism by : Bryan M. Santin
Download or read book Postwar American Fiction and the Rise of Modern Conservatism written by Bryan M. Santin and published by Cambridge University Press. This book was released on 2021-03-11 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.
The book analyzes the evolution of antebellum literary explorations of sympathy and human contact in the 1850s and 1860s. It will appeal to undergraduates and scholars seeking new approaches to canonical American authors, psychological theorists of sympathy and empathy, and philosophers of moral philosophy.
Book Synopsis Rethinking Sympathy and Human Contact in Nineteenth-Century American Literature by : Marianne Noble
Download or read book Rethinking Sympathy and Human Contact in Nineteenth-Century American Literature written by Marianne Noble and published by Cambridge University Press. This book was released on 2019-03-28 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book analyzes the evolution of antebellum literary explorations of sympathy and human contact in the 1850s and 1860s. It will appeal to undergraduates and scholars seeking new approaches to canonical American authors, psychological theorists of sympathy and empathy, and philosophers of moral philosophy.
Elizabeth Hewitt uncovers the centrality of letter-writing to antebellum American literature. She argues that many canonical American authors turned to the epistolary form as an idealised genre through which to consider the challenges of American democracy before the Civil War. The letter was the vital technology of social intercourse in the nineteenth century and was adopted as an exemplary genre in which authors from Crevecoeur and Adams through Jefferson, to Emerson, Melville, Dickinson and Whitman, could theorise the social and political themes that were so crucial to their respective literary projects. They interrogated the political possibilities of social intercourse through the practice and analysis of correspondence. Hewitt argues that although correspondence is generally only conceived as a biographical archive, it must instead be understood as a significant genre through which these early authors made sense of social and political relations in the nation.
Book Synopsis Correspondence and American Literature, 1770–1865 by : Elizabeth Hewitt
Download or read book Correspondence and American Literature, 1770–1865 written by Elizabeth Hewitt and published by Cambridge University Press. This book was released on 2004-11-25 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elizabeth Hewitt uncovers the centrality of letter-writing to antebellum American literature. She argues that many canonical American authors turned to the epistolary form as an idealised genre through which to consider the challenges of American democracy before the Civil War. The letter was the vital technology of social intercourse in the nineteenth century and was adopted as an exemplary genre in which authors from Crevecoeur and Adams through Jefferson, to Emerson, Melville, Dickinson and Whitman, could theorise the social and political themes that were so crucial to their respective literary projects. They interrogated the political possibilities of social intercourse through the practice and analysis of correspondence. Hewitt argues that although correspondence is generally only conceived as a biographical archive, it must instead be understood as a significant genre through which these early authors made sense of social and political relations in the nation.
Kassanoff shows how Wharton participated in debates on race, class and democratic pluralism at the turn of the twentieth century.
Book Synopsis Edith Wharton and the Politics of Race by : Jennie A. Kassanoff
Download or read book Edith Wharton and the Politics of Race written by Jennie A. Kassanoff and published by Cambridge University Press. This book was released on 2004-09-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kassanoff shows how Wharton participated in debates on race, class and democratic pluralism at the turn of the twentieth century.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Clifford Odets: Waiting for Lefty (1935), Awake and Sing! (1935) and Golden Boy (1937); * Lillian Hellman: The Children's Hour (1934), The Little Foxes (1939), and Days to Come (1936); * Langston Hughes: Mulatto (1935), Mule Bone (1930, with Zora Neale Hurston) and Little Ham (1936); * Gertrude Stein: Doctor Faustus Lights the Lights (1938), Four Saints in Three Acts (written in 1927, published in 1932) and Listen to Me (1936).
Book Synopsis Modern American Drama: Playwriting in the 1930s by : Anne Fletcher
Download or read book Modern American Drama: Playwriting in the 1930s written by Anne Fletcher and published by Bloomsbury Publishing. This book was released on 2019-11-14 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Clifford Odets: Waiting for Lefty (1935), Awake and Sing! (1935) and Golden Boy (1937); * Lillian Hellman: The Children's Hour (1934), The Little Foxes (1939), and Days to Come (1936); * Langston Hughes: Mulatto (1935), Mule Bone (1930, with Zora Neale Hurston) and Little Ham (1936); * Gertrude Stein: Doctor Faustus Lights the Lights (1938), Four Saints in Three Acts (written in 1927, published in 1932) and Listen to Me (1936).
In this provocative and original study, Robert E. Abrams argues that in mid-nineteenth-century American writing, new concepts of space and landscape emerge. Abrams explores the underlying frailty of a sense of place in American literature of this period. Sense of place, Abrams proposes, is culturally constructed. It is perceived through the lens of maps, ideas of nature, styles of painting, and other cultural frameworks that can contradict one another or change dramatically over time. Abrams contends that mid-century American writers ranging from Henry D. Thoreau to Margaret Fuller are especially sensitive to instability of sense of place across the span of American history, and that they are ultimately haunted by an underlying placelessness. Many books have explored the variety of aesthetic conventions and ideas that have influenced the American imagination of landscape, but this study introduces the idea of placeless into the discussion, and suggests that it has far-reaching consequences.
Book Synopsis Landscape and Ideology in American Renaissance Literature by : Robert E. Abrams
Download or read book Landscape and Ideology in American Renaissance Literature written by Robert E. Abrams and published by Cambridge University Press. This book was released on 2004 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative and original study, Robert E. Abrams argues that in mid-nineteenth-century American writing, new concepts of space and landscape emerge. Abrams explores the underlying frailty of a sense of place in American literature of this period. Sense of place, Abrams proposes, is culturally constructed. It is perceived through the lens of maps, ideas of nature, styles of painting, and other cultural frameworks that can contradict one another or change dramatically over time. Abrams contends that mid-century American writers ranging from Henry D. Thoreau to Margaret Fuller are especially sensitive to instability of sense of place across the span of American history, and that they are ultimately haunted by an underlying placelessness. Many books have explored the variety of aesthetic conventions and ideas that have influenced the American imagination of landscape, but this study introduces the idea of placeless into the discussion, and suggests that it has far-reaching consequences.
