Radical Theatrics

Radical Theatrics

Author: Craig J. Peariso

Publisher: University of Washington Press

Published: 2014-12-01

Total Pages: 246

ISBN-13: 0295805579

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From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective “tolerance” masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the “put-on” — the signature activist performance of the radical left — ended up becoming a valuable American political practice, one that continues to influence contemporary radical movements such as Occupy Wall Street.


Book Synopsis Radical Theatrics by : Craig J. Peariso

Download or read book Radical Theatrics written by Craig J. Peariso and published by University of Washington Press. This book was released on 2014-12-01 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective “tolerance” masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the “put-on” — the signature activist performance of the radical left — ended up becoming a valuable American political practice, one that continues to influence contemporary radical movements such as Occupy Wall Street.


Radical Black Theatre in the New Deal

Radical Black Theatre in the New Deal

Author: Kate Dossett

Publisher: UNC Press Books

Published: 2020-01-29

Total Pages: 359

ISBN-13: 1469654431

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Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.


Book Synopsis Radical Black Theatre in the New Deal by : Kate Dossett

Download or read book Radical Black Theatre in the New Deal written by Kate Dossett and published by UNC Press Books. This book was released on 2020-01-29 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.


Restaging the Sixties

Restaging the Sixties

Author: James Martin Harding

Publisher: University of Michigan Press

Published: 2006

Total Pages: 472

ISBN-13: 9780472069545

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A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance


Book Synopsis Restaging the Sixties by : James Martin Harding

Download or read book Restaging the Sixties written by James Martin Harding and published by University of Michigan Press. This book was released on 2006 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance


Revolution as Theatre

Revolution as Theatre

Author: Robert Sanford Brustein

Publisher: W. W. Norton & Company

Published: 1971

Total Pages: 194

ISBN-13: 9780871400451

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Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.


Book Synopsis Revolution as Theatre by : Robert Sanford Brustein

Download or read book Revolution as Theatre written by Robert Sanford Brustein and published by W. W. Norton & Company. This book was released on 1971 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.


Contemporary British Drama

Contemporary British Drama

Author: David Lane

Publisher: Edinburgh University Press

Published: 2010-09-09

Total Pages: 241

ISBN-13: 0748686797

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This book offers an extended analysis of writers and theatre companies in Britain since 1995, and explores them alongside recent cultural, social and political developments. Referencing well-known practitioners from modern theatre, this book is an excelle


Book Synopsis Contemporary British Drama by : David Lane

Download or read book Contemporary British Drama written by David Lane and published by Edinburgh University Press. This book was released on 2010-09-09 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an extended analysis of writers and theatre companies in Britain since 1995, and explores them alongside recent cultural, social and political developments. Referencing well-known practitioners from modern theatre, this book is an excelle


Special Relations

Special Relations

Author: Howard Malchow

Publisher: Stanford University Press

Published: 2011-02-18

Total Pages: 389

ISBN-13: 0804773998

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A study of Anglo-American cultural and countercultural exchange from the mid Fifties to the mid-Seventies, Special Relations explores aspects of London modernism, the anti-war movement, student rebellion, black power, the second-wave feminist and gay liberation movements, and transatlantic nostalgia.


Book Synopsis Special Relations by : Howard Malchow

Download or read book Special Relations written by Howard Malchow and published by Stanford University Press. This book was released on 2011-02-18 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Anglo-American cultural and countercultural exchange from the mid Fifties to the mid-Seventies, Special Relations explores aspects of London modernism, the anti-war movement, student rebellion, black power, the second-wave feminist and gay liberation movements, and transatlantic nostalgia.


The Politics of Performance

The Politics of Performance

Author: Baz Kershaw

Publisher: Routledge

Published: 2002-09-11

Total Pages: 294

ISBN-13: 1134932723

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Addresses fundamental questions about the social and political purposes of performance through an investigation of post-war alternative and community theatre. A detailed analysis of oppositional theatre as radical cultural practice.


Book Synopsis The Politics of Performance by : Baz Kershaw

Download or read book The Politics of Performance written by Baz Kershaw and published by Routledge. This book was released on 2002-09-11 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Addresses fundamental questions about the social and political purposes of performance through an investigation of post-war alternative and community theatre. A detailed analysis of oppositional theatre as radical cultural practice.


The Bohemian Ethos

The Bohemian Ethos

Author: Judith R. Halasz

Publisher: Routledge

Published: 2015-02-11

Total Pages: 234

ISBN-13: 1135010293

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The iconoclastic ingenuity of bohemians, from Gerard de Nerval to Allen Ginsberg, continually captivates the popular imagination; the worlds of fashion, advertising, and even real estate all capitalize on the alternative appeal of bohemian style. Persistently overlooked, however, is bohemians' distinctive relationship to work. In this book, sociologist Judith R. Halasz examines the fascinating junctures between bohemian labor and life. Weaving together historiography, ethnography, and personal experiences of having been raised amidst downtown New York's bohemian communities, Halasz deciphers bohemians' unconventional behaviors and attitudes towards employment and the broader work world. From the nineteenth-century harbingers on Paris' Left Bank to the Beats, Underground, and more recent bohemian outcroppings on New York's Lower East Side, The Bohemian Ethos traces the embodiment of a politically charged yet increasingly precarious form of cultural resistance to hegemonic social and economic imperatives.


Book Synopsis The Bohemian Ethos by : Judith R. Halasz

Download or read book The Bohemian Ethos written by Judith R. Halasz and published by Routledge. This book was released on 2015-02-11 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: The iconoclastic ingenuity of bohemians, from Gerard de Nerval to Allen Ginsberg, continually captivates the popular imagination; the worlds of fashion, advertising, and even real estate all capitalize on the alternative appeal of bohemian style. Persistently overlooked, however, is bohemians' distinctive relationship to work. In this book, sociologist Judith R. Halasz examines the fascinating junctures between bohemian labor and life. Weaving together historiography, ethnography, and personal experiences of having been raised amidst downtown New York's bohemian communities, Halasz deciphers bohemians' unconventional behaviors and attitudes towards employment and the broader work world. From the nineteenth-century harbingers on Paris' Left Bank to the Beats, Underground, and more recent bohemian outcroppings on New York's Lower East Side, The Bohemian Ethos traces the embodiment of a politically charged yet increasingly precarious form of cultural resistance to hegemonic social and economic imperatives.


In Between Subjects

In Between Subjects

Author: Amelia Jones

Publisher: Routledge

Published: 2020-11-09

Total Pages: 366

ISBN-13: 1000208036

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This volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. Addressing cultural forms from 1960s–70s sociology, performance art, and drag queen balls to more recent queer voguing performances by Pasifika and Māori people from New Zealand and pop culture television shows such as RuPaul’s Drag Race, the book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity. The book’s narrative is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co-constitute one another in popular culture and in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, this will be essential reading for all those interested in art, performance, and gender, as well as in queer and feminist theory.


Book Synopsis In Between Subjects by : Amelia Jones

Download or read book In Between Subjects written by Amelia Jones and published by Routledge. This book was released on 2020-11-09 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. Addressing cultural forms from 1960s–70s sociology, performance art, and drag queen balls to more recent queer voguing performances by Pasifika and Māori people from New Zealand and pop culture television shows such as RuPaul’s Drag Race, the book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity. The book’s narrative is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co-constitute one another in popular culture and in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, this will be essential reading for all those interested in art, performance, and gender, as well as in queer and feminist theory.


Tear Down the Walls

Tear Down the Walls

Author: Patrick Burke

Publisher: University of Chicago Press

Published: 2021-05-10

Total Pages: 246

ISBN-13: 022676821X

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"Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--


Book Synopsis Tear Down the Walls by : Patrick Burke

Download or read book Tear Down the Walls written by Patrick Burke and published by University of Chicago Press. This book was released on 2021-05-10 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--