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'Rethinking Slavery' explores the history of slavery in Asia by focusing on visual resources. The traditional image of slavery in Asia is shaped and dominated by words such as 'mild', 'debt' and 'household'. But this is shifting with new historical research pointing to the harder sides and similarities to the Atlantic slavery past. What do visual sources actually tell us about this past? What role have these played in traditional imaging? And how can visual sources help to break the visual silence? In 'Slavernij reconsidered', historians, heritage specialists and cultural scientists investigate the possibilities of using the versatility, expressiveness and silence of visual sources to view the slavery past in a new light
Book Synopsis Revisualizing slavery by : Nancy Jouwe
Download or read book Revisualizing slavery written by Nancy Jouwe and published by . This book was released on 2021 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Rethinking Slavery' explores the history of slavery in Asia by focusing on visual resources. The traditional image of slavery in Asia is shaped and dominated by words such as 'mild', 'debt' and 'household'. But this is shifting with new historical research pointing to the harder sides and similarities to the Atlantic slavery past. What do visual sources actually tell us about this past? What role have these played in traditional imaging? And how can visual sources help to break the visual silence? In 'Slavernij reconsidered', historians, heritage specialists and cultural scientists investigate the possibilities of using the versatility, expressiveness and silence of visual sources to view the slavery past in a new light
In Re-visualizing Slavery, historians, heritage specialists, and cultural scientists shed new light on the history of slavery in Asia by centering visual sources--specifically, Dutch paintings, watercolors and drawings from the seventeenth through nineteenth centuries. The traditional image of slavery in Asia is shaped and dominated by terms such as 'mild, ' 'debt, ' and 'household, ' but new historical research that utilizes the versatility, power of expression, and silences of and within visual sources explicitly points to it as violent and harsh in character--comparable to the Atlantic history of slavery.
Book Synopsis Re-Visualizing Slavery by : Nancy Jouwe
Download or read book Re-Visualizing Slavery written by Nancy Jouwe and published by . This book was released on 2021-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Re-visualizing Slavery, historians, heritage specialists, and cultural scientists shed new light on the history of slavery in Asia by centering visual sources--specifically, Dutch paintings, watercolors and drawings from the seventeenth through nineteenth centuries. The traditional image of slavery in Asia is shaped and dominated by terms such as 'mild, ' 'debt, ' and 'household, ' but new historical research that utilizes the versatility, power of expression, and silences of and within visual sources explicitly points to it as violent and harsh in character--comparable to the Atlantic history of slavery.
Book Synopsis Visualizing Slavery by : Alvin O. Thompson
Download or read book Visualizing Slavery written by Alvin O. Thompson and published by . This book was released on 2015 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diasporic visual arts tradition.
Book Synopsis Visualising Slavery by : Celeste-Marie Bernier
Download or read book Visualising Slavery written by Celeste-Marie Bernier and published by Liverpool University Press. This book was released on 2016-03-10 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diasporic visual arts tradition.
The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Book Synopsis Visualizing Equality by : Aston Gonzalez
Download or read book Visualizing Equality written by Aston Gonzalez and published by UNC Press Books. This book was released on 2020-07-20 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Ideas regarding the role of the museum have become increasingly contentious. In the last fifteen years, scholars have pointed to ways in which states (especially imperialist states) use museums to showcase looted artefacts, to document their geographic expansion, to present themselves as the guardians of national treasure, and to educate citizens and subjects. At the same time, a great deal of attention has been paid to reshaping national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History considers the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified but deeply divided nations. This collection explores ways in which museums exhibit emerging national values and how the establishment of these new museums (and new exhibits in older museums) reflects the search for a consensus among different generational groups in Europe and North America. The contributors come from a variety of countries and academic backgrounds, and speak from such varied perspectives as cultural studies, history, anthropology, sociology, and museum studies. (Re)Visualizing National History is a unique and interdisciplinary volume that offers insights on the dilemmas of present-day European culture, manifestations of nationalism in Europe, and the debates surrounding museums as sites for the representation of politics and history.
Book Synopsis (Re)Visualizing National History by : Robin Ostow
Download or read book (Re)Visualizing National History written by Robin Ostow and published by University of Toronto Press. This book was released on 2008-03-29 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ideas regarding the role of the museum have become increasingly contentious. In the last fifteen years, scholars have pointed to ways in which states (especially imperialist states) use museums to showcase looted artefacts, to document their geographic expansion, to present themselves as the guardians of national treasure, and to educate citizens and subjects. At the same time, a great deal of attention has been paid to reshaping national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History considers the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified but deeply divided nations. This collection explores ways in which museums exhibit emerging national values and how the establishment of these new museums (and new exhibits in older museums) reflects the search for a consensus among different generational groups in Europe and North America. The contributors come from a variety of countries and academic backgrounds, and speak from such varied perspectives as cultural studies, history, anthropology, sociology, and museum studies. (Re)Visualizing National History is a unique and interdisciplinary volume that offers insights on the dilemmas of present-day European culture, manifestations of nationalism in Europe, and the debates surrounding museums as sites for the representation of politics and history.
The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."
Book Synopsis W. E. B. Du Bois's Data Portraits by : The W.E.B. Du Bois Center at the University of Massachusetts Amherst
Download or read book W. E. B. Du Bois's Data Portraits written by The W.E.B. Du Bois Center at the University of Massachusetts Amherst and published by Chronicle Books. This book was released on 2018-11-06 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."
A study of Atlantic slavery generated by the visual arts. It considers in detail four sites which have generated particularly influential imagery: the middle passage; flight/escape; slave torture/punishment; and the popular imagery which evolved around Stowe's classic abolition text, Uncle Tom's Cabin.
Book Synopsis Blind Memory by : Marcus Wood
Download or read book Blind Memory written by Marcus Wood and published by Manchester University Press. This book was released on 2000 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Atlantic slavery generated by the visual arts. It considers in detail four sites which have generated particularly influential imagery: the middle passage; flight/escape; slave torture/punishment; and the popular imagery which evolved around Stowe's classic abolition text, Uncle Tom's Cabin.
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
Book Synopsis Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica by : CharmaineA. Nelson
Download or read book Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica written by CharmaineA. Nelson and published by Routledge. This book was released on 2017-07-05 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
Slavery, both in its historical and modern forms, continues to be a matter of undiminished political and social relevance. This is mirrored by an increasing interest in scholarly research as well as by critical statements from within the field of contemporary art. The present volume is designed to bring together artists and scholars from various fields of study discussing trauma and visuality, or more precisely, memory and denial of traumatic history within visual discourses. The purpose of this project is to put the phenomenon of contemporary art production dealing with the issue of slavery into a wider, interdisciplinary and transcultural context. The book covers current case studies focusing on different media and including visual, literary and performative approaches of dealing with the history of slavery in West-African, American and European cultures.
Book Synopsis Slavery in Art and Literature by : Birgit Haehnel
Download or read book Slavery in Art and Literature written by Birgit Haehnel and published by Frank & Timme GmbH. This book was released on 2010-01-01 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slavery, both in its historical and modern forms, continues to be a matter of undiminished political and social relevance. This is mirrored by an increasing interest in scholarly research as well as by critical statements from within the field of contemporary art. The present volume is designed to bring together artists and scholars from various fields of study discussing trauma and visuality, or more precisely, memory and denial of traumatic history within visual discourses. The purpose of this project is to put the phenomenon of contemporary art production dealing with the issue of slavery into a wider, interdisciplinary and transcultural context. The book covers current case studies focusing on different media and including visual, literary and performative approaches of dealing with the history of slavery in West-African, American and European cultures.
