Readings in Renaissance Women's Drama

Readings in Renaissance Women's Drama

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Readings in Renaissance Women's Drama

Readings in Renaissance Women's Drama

Author: S. P. Cerasano

Publisher: Routledge

Published: 2002-01-31

Total Pages: 337

ISBN-13: 1134711875

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Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.


Book Synopsis Readings in Renaissance Women's Drama by : S. P. Cerasano

Download or read book Readings in Renaissance Women's Drama written by S. P. Cerasano and published by Routledge. This book was released on 2002-01-31 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.


Reading Early Modern Women

Reading Early Modern Women

Author: Helen Ostovich

Publisher: Psychology Press

Published: 2004

Total Pages: 548

ISBN-13: 9780415966467

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This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England


Book Synopsis Reading Early Modern Women by : Helen Ostovich

Download or read book Reading Early Modern Women written by Helen Ostovich and published by Psychology Press. This book was released on 2004 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England


Renaissance Drama by Women

Renaissance Drama by Women

Author: S. P. Cerasano

Publisher:

Published: 2006

Total Pages: 237

ISBN-13: 9780415098069

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Book Synopsis Renaissance Drama by Women by : S. P. Cerasano

Download or read book Renaissance Drama by Women written by S. P. Cerasano and published by . This book was released on 2006 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt:


World-Making Renaissance Women

World-Making Renaissance Women

Author: Pamela S. Hammons

Publisher: Cambridge University Press

Published: 2021-12-02

Total Pages: 321

ISBN-13: 1108924387

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This book answers three simple questions. First, what mistaken assumptions do we make about the early modern period when we ignore women's literary contributions? Second, how might we come to recognise women's influence on the history of literature and culture, as well as those instances of outright pathbreaking mastery for which they are so often responsible? Finally, is it possible to see some women writers as world-makers in their own right, individuals whose craft cut into cultural practice so incisively that their shaping authority can be traced well beyond their own moment? The essays in this volume pursue these questions through intense archival investigation, intricate close reading, and painstaking literary-historical tracking, tracing in concrete terms sixteen remarkable women and their world-shaping activities.


Book Synopsis World-Making Renaissance Women by : Pamela S. Hammons

Download or read book World-Making Renaissance Women written by Pamela S. Hammons and published by Cambridge University Press. This book was released on 2021-12-02 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book answers three simple questions. First, what mistaken assumptions do we make about the early modern period when we ignore women's literary contributions? Second, how might we come to recognise women's influence on the history of literature and culture, as well as those instances of outright pathbreaking mastery for which they are so often responsible? Finally, is it possible to see some women writers as world-makers in their own right, individuals whose craft cut into cultural practice so incisively that their shaping authority can be traced well beyond their own moment? The essays in this volume pursue these questions through intense archival investigation, intricate close reading, and painstaking literary-historical tracking, tracing in concrete terms sixteen remarkable women and their world-shaping activities.


Renaissance Drama 32

Renaissance Drama 32

Author: Jeffrey Masten

Publisher: Northwestern University Press

Published: 2003-07-09

Total Pages: 264

ISBN-13: 0810119560

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Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.


Book Synopsis Renaissance Drama 32 by : Jeffrey Masten

Download or read book Renaissance Drama 32 written by Jeffrey Masten and published by Northwestern University Press. This book was released on 2003-07-09 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.


Women and Dramatic Production 1550 - 1700

Women and Dramatic Production 1550 - 1700

Author: Alison Findlay

Publisher: Routledge

Published: 2014-09-25

Total Pages: 239

ISBN-13: 1317882326

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There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.


Book Synopsis Women and Dramatic Production 1550 - 1700 by : Alison Findlay

Download or read book Women and Dramatic Production 1550 - 1700 written by Alison Findlay and published by Routledge. This book was released on 2014-09-25 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.


Privacy, Playreading, and Women's Closet Drama, 1550-1700

Privacy, Playreading, and Women's Closet Drama, 1550-1700

Author: Marta Straznicky

Publisher: Cambridge University Press

Published: 2004-11-25

Total Pages: 214

ISBN-13: 9780521841245

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Marta Straznicky offers a detailed historical analysis of early modern women's closet plays: plays explicitly written for reading, rather than public performance. She reveals that such works were part of an alternative dramatic tradition, an elite and private literary culture, which was understood as intellectually superior to and politically more radical than commercial drama. Elizabeth Cary, Jane Lumley, Anne Finch and Margaret Cavendish wrote their plays in this conjunction of the public and the private at a time when male playwrights dominated the theatres. In her astute readings of the texts, their contexts and their physical appearance in print or manuscript, Straznicky has produced many fresh insights into the place of women's closet plays both in the history of women's writing and in the history of English drama.


Book Synopsis Privacy, Playreading, and Women's Closet Drama, 1550-1700 by : Marta Straznicky

Download or read book Privacy, Playreading, and Women's Closet Drama, 1550-1700 written by Marta Straznicky and published by Cambridge University Press. This book was released on 2004-11-25 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marta Straznicky offers a detailed historical analysis of early modern women's closet plays: plays explicitly written for reading, rather than public performance. She reveals that such works were part of an alternative dramatic tradition, an elite and private literary culture, which was understood as intellectually superior to and politically more radical than commercial drama. Elizabeth Cary, Jane Lumley, Anne Finch and Margaret Cavendish wrote their plays in this conjunction of the public and the private at a time when male playwrights dominated the theatres. In her astute readings of the texts, their contexts and their physical appearance in print or manuscript, Straznicky has produced many fresh insights into the place of women's closet plays both in the history of women's writing and in the history of English drama.


Women on Stage in Stuart Drama

Women on Stage in Stuart Drama

Author: Sophie Tomlinson

Publisher: Cambridge University Press

Published: 2005

Total Pages: 324

ISBN-13: 9780521811118

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Publisher description


Book Synopsis Women on Stage in Stuart Drama by : Sophie Tomlinson

Download or read book Women on Stage in Stuart Drama written by Sophie Tomlinson and published by Cambridge University Press. This book was released on 2005 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description


Playing Spaces in Early Women's Drama

Playing Spaces in Early Women's Drama

Author: Alison Findlay

Publisher: Cambridge University Press

Published: 2006-10-19

Total Pages: 210

ISBN-13: 0521839564

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This study examines the playing spaces for early modern women's drama.


Book Synopsis Playing Spaces in Early Women's Drama by : Alison Findlay

Download or read book Playing Spaces in Early Women's Drama written by Alison Findlay and published by Cambridge University Press. This book was released on 2006-10-19 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the playing spaces for early modern women's drama.