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Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Book Synopsis Redefining Theatre Communities by : Szabolcs Musca
Download or read book Redefining Theatre Communities written by Szabolcs Musca and published by Intellect (UK). This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Book Synopsis Redefining Theatre Communities by : Marco Galea
Download or read book Redefining Theatre Communities written by Marco Galea and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Community theatre is an important device for communities to collectively share stories, to participate in political dialogue, and to break down the increasing exclusion of marginalised groups of citizens. It is practised all over the world by growing numbers of people. Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on van Erven's own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.
Book Synopsis Community Theatre by : Eugene van Erven
Download or read book Community Theatre written by Eugene van Erven and published by Routledge. This book was released on 2002-09-11 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Community theatre is an important device for communities to collectively share stories, to participate in political dialogue, and to break down the increasing exclusion of marginalised groups of citizens. It is practised all over the world by growing numbers of people. Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on van Erven's own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.
Performing Communities is an inquiry into ensemble theater of inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York and cross-continental Native America. This compendium of critical writing about the role these theaters play in building community shows how these artist groups are not only affected by but forged by working in and with their communities over time. Grassroot ensemble theater is discovered to be neither alternative nor marginalized, but vanguard, a natural evolution of the movement that propelled regional theater "away from the commercial restraints of New York and toward a theater expressive of the rich diversity of American culture." Robert H. Leonard is Professor of Theatre Arts at Virginia Tech and former artistic director of the Road Company, an acclaimed ensemble theater that produced two dozen original plays reflecting the issues of Central Appalachia. Ann Kilkelly is Professor of Theater Arts and Women's Studies at Virginia Tech and a nationally recognized scholar and performer who created the Diversity Training Laboratory that uses performance techniques to examine diversity issues. Linda Frye Burnham is co-director of Art in the Public Interest and the Community Arts Network. She founded High Performance magazine and is editor, with Steven Durland, of The Citizen Artist: 20 Years of Art in the Public Arena. Jan Cohen-Cruz is Director of Theatre Studies in the NYU Tisch School of the Arts. She is author of Local Acts: Community-based Performance In The United States (Rutgers University Press 2005).
Book Synopsis Performing Communities by : Robert H. Leonard
Download or read book Performing Communities written by Robert H. Leonard and published by New Village Press. This book was released on 2006-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Communities is an inquiry into ensemble theater of inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York and cross-continental Native America. This compendium of critical writing about the role these theaters play in building community shows how these artist groups are not only affected by but forged by working in and with their communities over time. Grassroot ensemble theater is discovered to be neither alternative nor marginalized, but vanguard, a natural evolution of the movement that propelled regional theater "away from the commercial restraints of New York and toward a theater expressive of the rich diversity of American culture." Robert H. Leonard is Professor of Theatre Arts at Virginia Tech and former artistic director of the Road Company, an acclaimed ensemble theater that produced two dozen original plays reflecting the issues of Central Appalachia. Ann Kilkelly is Professor of Theater Arts and Women's Studies at Virginia Tech and a nationally recognized scholar and performer who created the Diversity Training Laboratory that uses performance techniques to examine diversity issues. Linda Frye Burnham is co-director of Art in the Public Interest and the Community Arts Network. She founded High Performance magazine and is editor, with Steven Durland, of The Citizen Artist: 20 Years of Art in the Public Arena. Jan Cohen-Cruz is Director of Theatre Studies in the NYU Tisch School of the Arts. She is author of Local Acts: Community-based Performance In The United States (Rutgers University Press 2005).
Book Synopsis The Community Theatre in Theory and Practice by : Louise Burleigh Powell
Download or read book The Community Theatre in Theory and Practice written by Louise Burleigh Powell and published by . This book was released on 1917 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This important contribution to the Theatre And series explores what the possibilities and limits of 'community' contribute to our understanding of theatre, and what theatrical practice and representation reveal about the tensions inherent in community settings. Drawing on case studies from wide-ranging locations, from the Middle East, to Latin America and South Asia, the text underlines the plurality of meanings associated with community, as well as the plurality of ways that theatre has engaged with those meanings. Interdisciplinary in its reach, this is the ideal companion for students of theatre and performance studies with an interest in applied theatre or performance in communities.
Book Synopsis Theatre and Community by : Emine Fisek
Download or read book Theatre and Community written by Emine Fisek and published by Bloomsbury Publishing. This book was released on 2019-05-25 with total page 91 pages. Available in PDF, EPUB and Kindle. Book excerpt: This important contribution to the Theatre And series explores what the possibilities and limits of 'community' contribute to our understanding of theatre, and what theatrical practice and representation reveal about the tensions inherent in community settings. Drawing on case studies from wide-ranging locations, from the Middle East, to Latin America and South Asia, the text underlines the plurality of meanings associated with community, as well as the plurality of ways that theatre has engaged with those meanings. Interdisciplinary in its reach, this is the ideal companion for students of theatre and performance studies with an interest in applied theatre or performance in communities.
Book Synopsis Theatre and Church by : Amanda M. Aldrich
Download or read book Theatre and Church written by Amanda M. Aldrich and published by . This book was released on 2010 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
An eclectic mix of art, theatre, dance, politics, experimentation, and ritual, community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.
Book Synopsis Local Acts by : Jan Cohen-Cruz
Download or read book Local Acts written by Jan Cohen-Cruz and published by Rutgers University Press. This book was released on 2005-03-25 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: An eclectic mix of art, theatre, dance, politics, experimentation, and ritual, community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.
The beginning of the 21st century brought with it many trials, many of which have torn holes in our concepts of community, and created fissures between people. In our search for ways to re-create strong community, this project examined the ways that community theatre brings disconnected individuals and groups together through one common interest, giving many opportunities to reconnect, to heal and to grow. The project tracked the ways in which a theatrical community is created, both theoretical and practical levels within and around the production of a farcical comedy, Bewitchin' the West, adapted and written by the author, and co-playwright Aletheia Regier. This play was written with the intention of creating community in community theatre between generations, cultures and backgrounds and taps into the style of American melodrama, a genre of theatre that has always belonged to the masses.
Book Synopsis The Power of Theatre Communities in Community Theatre by : Rosemary Moffat
Download or read book The Power of Theatre Communities in Community Theatre written by Rosemary Moffat and published by . This book was released on 2011 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: The beginning of the 21st century brought with it many trials, many of which have torn holes in our concepts of community, and created fissures between people. In our search for ways to re-create strong community, this project examined the ways that community theatre brings disconnected individuals and groups together through one common interest, giving many opportunities to reconnect, to heal and to grow. The project tracked the ways in which a theatrical community is created, both theoretical and practical levels within and around the production of a farcical comedy, Bewitchin' the West, adapted and written by the author, and co-playwright Aletheia Regier. This play was written with the intention of creating community in community theatre between generations, cultures and backgrounds and taps into the style of American melodrama, a genre of theatre that has always belonged to the masses.
Performance practice in community settings is an established part of the cultural landscape. However, this practice is frequently viewed as functional: an intervention that seeks to solve, educate or heal. Performance and Community presents an alternative vision, focussing, instead, on the aesthetic and political ambitions of artists, organisations and cultural producers committed to this area. Through case studies, this edited collection gives unprecedented access to some of the leading organisations in the field, examining their creative processes and placing them in their historical context. In parallel, a series of interviews with individual artists explores their approaches and how they are re-shaped by the communities that they encounter. Case studies include: the Grassmarket Project, the Lawnmowers Independent Theatre Company, London Bubble, Magic Me and the partnership between the artist, Mark Storor and producer, Anna Ledgard; while interviews in this collection include: Mojisola Adebayo, Bobby Baker, Sue Emmas, Tony Fegan, Paul Heritage, Rosemary Lee and Lois Weaver. An invaluable resource for students of applied, social, community and contemporary theatre practices, Performance and Community provides vivid evidence of the complex negotiations between artist and community that lie at the heart of this delicate work.
Book Synopsis Performance and Community by :
Download or read book Performance and Community written by and published by A&C Black. This book was released on 2013-12-19 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance practice in community settings is an established part of the cultural landscape. However, this practice is frequently viewed as functional: an intervention that seeks to solve, educate or heal. Performance and Community presents an alternative vision, focussing, instead, on the aesthetic and political ambitions of artists, organisations and cultural producers committed to this area. Through case studies, this edited collection gives unprecedented access to some of the leading organisations in the field, examining their creative processes and placing them in their historical context. In parallel, a series of interviews with individual artists explores their approaches and how they are re-shaped by the communities that they encounter. Case studies include: the Grassmarket Project, the Lawnmowers Independent Theatre Company, London Bubble, Magic Me and the partnership between the artist, Mark Storor and producer, Anna Ledgard; while interviews in this collection include: Mojisola Adebayo, Bobby Baker, Sue Emmas, Tony Fegan, Paul Heritage, Rosemary Lee and Lois Weaver. An invaluable resource for students of applied, social, community and contemporary theatre practices, Performance and Community provides vivid evidence of the complex negotiations between artist and community that lie at the heart of this delicate work.
