Revaluing Renaissance Art

Revaluing Renaissance Art

Author: Gabriele Neher

Publisher: Routledge

Published: 2017-11-22

Total Pages: 185

ISBN-13: 1351739727

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This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.


Book Synopsis Revaluing Renaissance Art by : Gabriele Neher

Download or read book Revaluing Renaissance Art written by Gabriele Neher and published by Routledge. This book was released on 2017-11-22 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.


Classical Myths in Italian Renaissance Painting

Classical Myths in Italian Renaissance Painting

Author: Luba Freedman

Publisher: Cambridge University Press

Published: 2011-06-30

Total Pages: 321

ISBN-13: 1107001196

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"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.


Book Synopsis Classical Myths in Italian Renaissance Painting by : Luba Freedman

Download or read book Classical Myths in Italian Renaissance Painting written by Luba Freedman and published by Cambridge University Press. This book was released on 2011-06-30 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.


Understanding Italian Renaissance Painting

Understanding Italian Renaissance Painting

Author: Stefano Zuffi

Publisher:

Published: 2010

Total Pages: 410

ISBN-13:

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Filled with great masterpieces, each spread uses an important painting as a way to explain a key concept, with numerous large details. There are also brief biographies of the major artists.


Book Synopsis Understanding Italian Renaissance Painting by : Stefano Zuffi

Download or read book Understanding Italian Renaissance Painting written by Stefano Zuffi and published by . This book was released on 2010 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filled with great masterpieces, each spread uses an important painting as a way to explain a key concept, with numerous large details. There are also brief biographies of the major artists.


Italian Renaissance Art

Italian Renaissance Art

Author: Christiane L. Joost-Gaugier

Publisher: John Wiley & Sons

Published: 2013-03-04

Total Pages: 288

ISBN-13: 1118306074

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Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known


Book Synopsis Italian Renaissance Art by : Christiane L. Joost-Gaugier

Download or read book Italian Renaissance Art written by Christiane L. Joost-Gaugier and published by John Wiley & Sons. This book was released on 2013-03-04 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known


Italian Renaissance Painting According to Genres

Italian Renaissance Painting According to Genres

Author: Jacob Burckhardt

Publisher: Getty Publications

Published: 2005

Total Pages: 252

ISBN-13: 9780892367368

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Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting-still unpublished in the original German and published here in English for the first time-Burckhardt assayed a transformative approach to the study of art history. Rather than undertaking a biographical or a chronological reading of artistic development, Burckhardt chose to read the source materials and extant works of the Italian Renaissance synchronically, by genre. Probably written between 1885 and 1893, this manuscript takes up twelve different categories of paintings, ranging from the allegorical to the historical, from the biblical to the mythological, from the glorification of saints to the denunciation of sinners. Maurizio Ghelardi's introductory essay analyzes Burckhardt's innovative treatment of his subject, establishing the importance of this text not only within Burckhardt's oeuvre but also within the continuum of art historical research.


Book Synopsis Italian Renaissance Painting According to Genres by : Jacob Burckhardt

Download or read book Italian Renaissance Painting According to Genres written by Jacob Burckhardt and published by Getty Publications. This book was released on 2005 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting-still unpublished in the original German and published here in English for the first time-Burckhardt assayed a transformative approach to the study of art history. Rather than undertaking a biographical or a chronological reading of artistic development, Burckhardt chose to read the source materials and extant works of the Italian Renaissance synchronically, by genre. Probably written between 1885 and 1893, this manuscript takes up twelve different categories of paintings, ranging from the allegorical to the historical, from the biblical to the mythological, from the glorification of saints to the denunciation of sinners. Maurizio Ghelardi's introductory essay analyzes Burckhardt's innovative treatment of his subject, establishing the importance of this text not only within Burckhardt's oeuvre but also within the continuum of art historical research.


Risks in Renaissance Art

Risks in Renaissance Art

Author: Jonathan K. Nelson

Publisher: Cambridge University Press

Published: 2024-01-31

Total Pages: 202

ISBN-13: 1009402501

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This Element represents the first systematic study of the risks borne by those who produced, commissioned, and purchased art, across Renaissance Europe. It employs a new methodology, built around concepts from risk analysis and decision theory. The Element classifies scores of documented examples of losses into 'production risks', which arise from the conception of a work of art until its final placement, and 'reception risks', when a patron, a buyer, or viewer finds a work displeasing, inappropriate, or offensive. Significant risks must be tamed before players undertake transactions. The Element discusses risk-taming mechanisms operating society-wide: extensive communication flows, social capital, and trust, and the measures individual participants took to reduce the likelihood and consequences of losses. Those mechanisms were employed in both the patronage-based system and the modern open markets, which predominated respectively in Southern and Northern Europe.


Book Synopsis Risks in Renaissance Art by : Jonathan K. Nelson

Download or read book Risks in Renaissance Art written by Jonathan K. Nelson and published by Cambridge University Press. This book was released on 2024-01-31 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Element represents the first systematic study of the risks borne by those who produced, commissioned, and purchased art, across Renaissance Europe. It employs a new methodology, built around concepts from risk analysis and decision theory. The Element classifies scores of documented examples of losses into 'production risks', which arise from the conception of a work of art until its final placement, and 'reception risks', when a patron, a buyer, or viewer finds a work displeasing, inappropriate, or offensive. Significant risks must be tamed before players undertake transactions. The Element discusses risk-taming mechanisms operating society-wide: extensive communication flows, social capital, and trust, and the measures individual participants took to reduce the likelihood and consequences of losses. Those mechanisms were employed in both the patronage-based system and the modern open markets, which predominated respectively in Southern and Northern Europe.


Art in Renaissance Italy

Art in Renaissance Italy

Author: John T. Paoletti

Publisher: Laurence King Publishing

Published: 2005

Total Pages: 575

ISBN-13: 1856694399

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'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.


Book Synopsis Art in Renaissance Italy by : John T. Paoletti

Download or read book Art in Renaissance Italy written by John T. Paoletti and published by Laurence King Publishing. This book was released on 2005 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.


The Renaissance Artist At Work

The Renaissance Artist At Work

Author: Bruce Cole

Publisher: Routledge

Published: 2018-02-02

Total Pages: 227

ISBN-13: 042997552X

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This book gives the necessary background for the study and appreciation of Italian painting and sculpture from about 1250 to 1550. It tells how the artists learned their craft, the organization of their workshops, and the guilds they belonged to; how their customers or patrons treated them and where their work was displayed?churches, civic buildings, or private homes. The book discusses how art was made?tempera, oil, panel, canvas, fresco; it surveys the characteristic types of Renaissance art?altarpieces, portraits, tombs, busts, doors fountains, medals, etc.


Book Synopsis The Renaissance Artist At Work by : Bruce Cole

Download or read book The Renaissance Artist At Work written by Bruce Cole and published by Routledge. This book was released on 2018-02-02 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives the necessary background for the study and appreciation of Italian painting and sculpture from about 1250 to 1550. It tells how the artists learned their craft, the organization of their workshops, and the guilds they belonged to; how their customers or patrons treated them and where their work was displayed?churches, civic buildings, or private homes. The book discusses how art was made?tempera, oil, panel, canvas, fresco; it surveys the characteristic types of Renaissance art?altarpieces, portraits, tombs, busts, doors fountains, medals, etc.


Only Connect

Only Connect

Author: John Shearman

Publisher: Princeton University Press

Published: 2019-08-06

Total Pages: 328

ISBN-13: 0691656835

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John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning. Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists. John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore). The A.W. Mellon Lectures in the Fine Arts, 1988 Bollingen Series XXXV: 37 Originally Publsihed in 1992 The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Book Synopsis Only Connect by : John Shearman

Download or read book Only Connect written by John Shearman and published by Princeton University Press. This book was released on 2019-08-06 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning. Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists. John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore). The A.W. Mellon Lectures in the Fine Arts, 1988 Bollingen Series XXXV: 37 Originally Publsihed in 1992 The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Visualizing the Past in Italian Renaissance Art

Visualizing the Past in Italian Renaissance Art

Author: Jennifer Cochran Anderson

Publisher: BRILL

Published: 2021-03-22

Total Pages: 362

ISBN-13: 9004447776

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A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.


Book Synopsis Visualizing the Past in Italian Renaissance Art by : Jennifer Cochran Anderson

Download or read book Visualizing the Past in Italian Renaissance Art written by Jennifer Cochran Anderson and published by BRILL. This book was released on 2021-03-22 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.