Rewriting Shakespeare, Rewriting Ourselves

Rewriting Shakespeare, Rewriting Ourselves

Author: Peter Erickson

Publisher: Univ of California Press

Published: 1994-02

Total Pages: 239

ISBN-13: 0520086465

DOWNLOAD EBOOK

Participants in the current debate about the literary canon generally separate the established literary order—of which Shakespeare is the most visible icon—from the emergent minority literatures. In this challenging study, Peter Erickson insists on bringing the two realms together. He asks: what impact does a revision of the literary canon have on Shakespeare's status? Part One of his book is about Shakespeare on women. In analyses of several Shakespearean works, Erickson discusses Shakespeare's ambivalence about women as a reflection of male anxiety about the cultural authority of Queen Elizabeth. Part Two is about (contemporary) women on Shakespeare. Erickson discusses Adrienne Rich's revision of the very concept of canon and discusses how several African-American women writers (in particular Maya Angelou and Gloria Naylor) have reflected on the ambivalent status of Shakespeare in their worlds. Erickson here offers a model for multicultural literary criticism and a new conceptual framework with which to discuss issues of identity politics. Rewriting Shakespeare, Rewriting Ourselves makes an important contribution to the national debate about educational policy in the humanities.


Book Synopsis Rewriting Shakespeare, Rewriting Ourselves by : Peter Erickson

Download or read book Rewriting Shakespeare, Rewriting Ourselves written by Peter Erickson and published by Univ of California Press. This book was released on 1994-02 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Participants in the current debate about the literary canon generally separate the established literary order—of which Shakespeare is the most visible icon—from the emergent minority literatures. In this challenging study, Peter Erickson insists on bringing the two realms together. He asks: what impact does a revision of the literary canon have on Shakespeare's status? Part One of his book is about Shakespeare on women. In analyses of several Shakespearean works, Erickson discusses Shakespeare's ambivalence about women as a reflection of male anxiety about the cultural authority of Queen Elizabeth. Part Two is about (contemporary) women on Shakespeare. Erickson discusses Adrienne Rich's revision of the very concept of canon and discusses how several African-American women writers (in particular Maya Angelou and Gloria Naylor) have reflected on the ambivalent status of Shakespeare in their worlds. Erickson here offers a model for multicultural literary criticism and a new conceptual framework with which to discuss issues of identity politics. Rewriting Shakespeare, Rewriting Ourselves makes an important contribution to the national debate about educational policy in the humanities.

Hag-Seed

Hag-Seed

Author: Margaret Atwood

Publisher: Hogarth

Published: 2016-10-11

Total Pages: 309

ISBN-13: 0804141304

DOWNLOAD EBOOK

NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle


Book Synopsis Hag-Seed by : Margaret Atwood

Download or read book Hag-Seed written by Margaret Atwood and published by Hogarth. This book was released on 2016-10-11 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle

Citing Shakespeare

Citing Shakespeare

Author: Peter Erickson

Publisher: Palgrave Macmillan

Published: 2007-03-15

Total Pages: 224

ISBN-13: 9781403970541

DOWNLOAD EBOOK

This study finds a significant number of contemporary writers and artists who quote our most quotable author for the purpose of reconsidering and reformulating the twin themes of Shakespeare and race. The book examines Shakespeare quotation as a means of revision in the work of Nadine Gordimer, Rita Dove, Derek Walcott, Leon Forrest, Ishmael Reed, Caryl Phillips, Djanet Sears, Fred Wilson, and J. M. Coetzee. In addition, a pivotal chapter discusses Paul Robeson as an earlier figure whose performance of Othello poses the problem of race in Shakespeare and suggests the need for reinterpretation.


Book Synopsis Citing Shakespeare by : Peter Erickson

Download or read book Citing Shakespeare written by Peter Erickson and published by Palgrave Macmillan. This book was released on 2007-03-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study finds a significant number of contemporary writers and artists who quote our most quotable author for the purpose of reconsidering and reformulating the twin themes of Shakespeare and race. The book examines Shakespeare quotation as a means of revision in the work of Nadine Gordimer, Rita Dove, Derek Walcott, Leon Forrest, Ishmael Reed, Caryl Phillips, Djanet Sears, Fred Wilson, and J. M. Coetzee. In addition, a pivotal chapter discusses Paul Robeson as an earlier figure whose performance of Othello poses the problem of race in Shakespeare and suggests the need for reinterpretation.

Rewriting Shakespeare’s Plays For and By the Contemporary Stage

Rewriting Shakespeare’s Plays For and By the Contemporary Stage

Author: Michael Dobson

Publisher: Cambridge Scholars Publishing

Published: 2017-06-23

Total Pages: 195

ISBN-13: 1443878707

DOWNLOAD EBOOK

Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?


Book Synopsis Rewriting Shakespeare’s Plays For and By the Contemporary Stage by : Michael Dobson

Download or read book Rewriting Shakespeare’s Plays For and By the Contemporary Stage written by Michael Dobson and published by Cambridge Scholars Publishing. This book was released on 2017-06-23 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?

Adapting King Lear for the Stage

Adapting King Lear for the Stage

Author: Dr Lynne Bradley

Publisher: Ashgate Publishing, Ltd.

Published: 2013-04-28

Total Pages: 284

ISBN-13: 1409476162

DOWNLOAD EBOOK

Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.


Book Synopsis Adapting King Lear for the Stage by : Dr Lynne Bradley

Download or read book Adapting King Lear for the Stage written by Dr Lynne Bradley and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.

Elmore Leonard's 10 Rules of Writing

Elmore Leonard's 10 Rules of Writing

Author: Elmore Leonard

Publisher: Harper Collins

Published: 2009-10-13

Total Pages: 98

ISBN-13: 0061843393

DOWNLOAD EBOOK

"These are the rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story."—Elmore Leonard For aspiring writers and lovers of the written word, this concise guide breaks down the writing process with simplicity and clarity. From adjectives and exclamation points to dialect and hoopetedoodle, Elmore Leonard explains what to avoid, what to aspire to, and what to do when it sounds like "writing" (rewrite). Beautifully designed, filled with free-flowing, elegant illustrations and specially priced, Elmore Leonard's 10 Rules of Writing is the perfect writer's—and reader's—gift.


Book Synopsis Elmore Leonard's 10 Rules of Writing by : Elmore Leonard

Download or read book Elmore Leonard's 10 Rules of Writing written by Elmore Leonard and published by Harper Collins. This book was released on 2009-10-13 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: "These are the rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story."—Elmore Leonard For aspiring writers and lovers of the written word, this concise guide breaks down the writing process with simplicity and clarity. From adjectives and exclamation points to dialect and hoopetedoodle, Elmore Leonard explains what to avoid, what to aspire to, and what to do when it sounds like "writing" (rewrite). Beautifully designed, filled with free-flowing, elegant illustrations and specially priced, Elmore Leonard's 10 Rules of Writing is the perfect writer's—and reader's—gift.

The Sonnets

The Sonnets

Author: Sharmila Cohen

Publisher: Nightboat Books

Published: 2012

Total Pages: 247

ISBN-13: 9781937658076

DOWNLOAD EBOOK

154 contemporary poets offer their own startling and imaginative versions of Shakespeare's sonnets


Book Synopsis The Sonnets by : Sharmila Cohen

Download or read book The Sonnets written by Sharmila Cohen and published by Nightboat Books. This book was released on 2012 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: 154 contemporary poets offer their own startling and imaginative versions of Shakespeare's sonnets

White People in Shakespeare

White People in Shakespeare

Author: Arthur L. Little, Jr.

Publisher: Bloomsbury Publishing

Published: 2022-12-29

Total Pages: 321

ISBN-13: 1350283657

DOWNLOAD EBOOK

What part did Shakespeare play in the construction of a 'white people' and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare's work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare's plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, 'Shakespeare's White People' and 'White People's Shakespeare', it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.


Book Synopsis White People in Shakespeare by : Arthur L. Little, Jr.

Download or read book White People in Shakespeare written by Arthur L. Little, Jr. and published by Bloomsbury Publishing. This book was released on 2022-12-29 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: What part did Shakespeare play in the construction of a 'white people' and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare's work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare's plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, 'Shakespeare's White People' and 'White People's Shakespeare', it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.

Shakespeare and the Problem of Adaptation

Shakespeare and the Problem of Adaptation

Author: Margaret Jane Kidnie

Publisher: Taylor & Francis

Published: 2009

Total Pages: 234

ISBN-13: 0415308674

DOWNLOAD EBOOK

Kidnie brings current debates in performance criticism in contact with recent developments in textual studies to explore what it is that distinguishes Shakespearean work from its apparent other, the adaptation.


Book Synopsis Shakespeare and the Problem of Adaptation by : Margaret Jane Kidnie

Download or read book Shakespeare and the Problem of Adaptation written by Margaret Jane Kidnie and published by Taylor & Francis. This book was released on 2009 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kidnie brings current debates in performance criticism in contact with recent developments in textual studies to explore what it is that distinguishes Shakespearean work from its apparent other, the adaptation.

Women Reading Shakespeare, 1660-1900

Women Reading Shakespeare, 1660-1900

Author: Ann Thompson

Publisher: Manchester University Press

Published: 1997

Total Pages: 310

ISBN-13: 9780719047046

DOWNLOAD EBOOK

Comprehensively rediscovers a lost tradition of women's writing on Shakespeare.


Book Synopsis Women Reading Shakespeare, 1660-1900 by : Ann Thompson

Download or read book Women Reading Shakespeare, 1660-1900 written by Ann Thompson and published by Manchester University Press. This book was released on 1997 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensively rediscovers a lost tradition of women's writing on Shakespeare.