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"For twenty years now the Barbier-Mueller Museum has mounted exhibitions that have travelled throughout Europe, North America, and the Far East. To people everywhere the museum has presented its extensive collections of tribal art, brought together over three quarters of a century by three generations of a single family." "For the first time ever forty pieces of sculpture from New Ireland, selected for their beauty, rarity, and originality, are being brought out of the museum's storerooms where they have been conserved - several for over half a century - and put on display in the galleries of Paris's Foundation Bismarck, a unique event that ran from 28 April to 28 June 1997. Unlike traditional tribal sculpture, largely limited to a number of conventional forms which native craftsmen have little choice but to respect, the masks and statues of New Ireland are striking for their freedom of invention. Animal and humanlike motifs are combined with infinite variety according to rules laid down by the rites employing such objects."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Book Synopsis Ritual Arts of Oceania, New Ireland by : Michael Gunn
Download or read book Ritual Arts of Oceania, New Ireland written by Michael Gunn and published by . This book was released on 1997 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For twenty years now the Barbier-Mueller Museum has mounted exhibitions that have travelled throughout Europe, North America, and the Far East. To people everywhere the museum has presented its extensive collections of tribal art, brought together over three quarters of a century by three generations of a single family." "For the first time ever forty pieces of sculpture from New Ireland, selected for their beauty, rarity, and originality, are being brought out of the museum's storerooms where they have been conserved - several for over half a century - and put on display in the galleries of Paris's Foundation Bismarck, a unique event that ran from 28 April to 28 June 1997. Unlike traditional tribal sculpture, largely limited to a number of conventional forms which native craftsmen have little choice but to respect, the masks and statues of New Ireland are striking for their freedom of invention. Animal and humanlike motifs are combined with infinite variety according to rules laid down by the rites employing such objects."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Book Synopsis Revelation of the Malagans by : J. Peter Hallinan
Download or read book Revelation of the Malagans written by J. Peter Hallinan and published by . This book was released on 1990 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Shortlisted for the Katharine Briggs Folkore Award 2003 Malanggan are among the most treasured possessions in the Pacific, yet they continue to confound anthropologists. Central to funerals in New Ireland, these ‘death' figures are intended to decompose as symbolic representations of the dead. Wrapped in images that are conceived of as ‘skins', they are both visually complex and intriguing. This book is the first to interpret these mysterious agents of resemblance and connection as having a cognitive rather than a linguistic basis. Found in nearly every ethnographic museum in the world, Malanggan collections have been left virtually untouched. This original study begins by tracing the history of the collections and moves on to consider the role these artefacts play in sacrifice, ritual and exchange. What is the relationship between Malanggan and memory? How can Malanggan be understood as a life force as well as a vehicle for thought? In an analysis of the cognitive aspects of Malanggan, Küchler offers a highly original conceptualization of the centrality of the knot as a mode of being, thinking and binding in the Pacific. Malanggan: Art, Memory and Sacrifice is a groundbreaking study. Based on fifteen years of fieldwork and collection research, it provides an incisive new take on one of the Pacific's classic puzzles, as well as a wealth of new information and resources for anthropologists, collectors and curators alike.
Book Synopsis Malanggan by : Susanne Küchler
Download or read book Malanggan written by Susanne Küchler and published by Routledge. This book was released on 2020-08-23 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shortlisted for the Katharine Briggs Folkore Award 2003 Malanggan are among the most treasured possessions in the Pacific, yet they continue to confound anthropologists. Central to funerals in New Ireland, these ‘death' figures are intended to decompose as symbolic representations of the dead. Wrapped in images that are conceived of as ‘skins', they are both visually complex and intriguing. This book is the first to interpret these mysterious agents of resemblance and connection as having a cognitive rather than a linguistic basis. Found in nearly every ethnographic museum in the world, Malanggan collections have been left virtually untouched. This original study begins by tracing the history of the collections and moves on to consider the role these artefacts play in sacrifice, ritual and exchange. What is the relationship between Malanggan and memory? How can Malanggan be understood as a life force as well as a vehicle for thought? In an analysis of the cognitive aspects of Malanggan, Küchler offers a highly original conceptualization of the centrality of the knot as a mode of being, thinking and binding in the Pacific. Malanggan: Art, Memory and Sacrifice is a groundbreaking study. Based on fifteen years of fieldwork and collection research, it provides an incisive new take on one of the Pacific's classic puzzles, as well as a wealth of new information and resources for anthropologists, collectors and curators alike.
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
Book Synopsis Art and Performance in Oceania by : Barry Craig
Download or read book Art and Performance in Oceania written by Barry Craig and published by University of Hawaii Press. This book was released on 1999-12-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Book Synopsis Oceania by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Oceania written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2007 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth
Book Synopsis Hunting the Collectors by : Susan Cochrane
Download or read book Hunting the Collectors written by Susan Cochrane and published by Cambridge Scholars Publishing. This book was released on 2014-11-10 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth
The people of the Lihir Islands in Papua New Guinea have long held visions of a prosperous new future, often referred to by local leaders as the 'Lihir Destiny'. When large-scale gold mining activities commenced on the main island of Lihir in 1995, many hoped that this new world had finally arrived. The Lihir Destiny provides a nuanced account of the social structural and cultural transformations engendered by large-scale resource extraction. Tracing the history of Lihirian engagement with outside forces, from the colonial period through to recent mining activities, this book brings new light to bear on the bigger question of what 'development' means in contemporary Melanesia. The Lihir Destiny explores how Lihirian leaders devised future plans for a cultural revolution based upon the maximisation of mining activities and the influential philosophies of the Personal Viability movement. However, reaching the 'Lihir Destiny' is no simple affair, and many Lihirians find themselves negotiating divergent formulations of culture, sociality and economic engagement. The Lihir Destiny will appeal to readers interested in the social impacts of large-scale resource development, the processes of cultural continuity and change and the ways in which modernity is configured in local terms.
Book Synopsis The Lihir Destiny by : Nicholas A. Bainton
Download or read book The Lihir Destiny written by Nicholas A. Bainton and published by ANU E Press. This book was released on 2010-10-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: The people of the Lihir Islands in Papua New Guinea have long held visions of a prosperous new future, often referred to by local leaders as the 'Lihir Destiny'. When large-scale gold mining activities commenced on the main island of Lihir in 1995, many hoped that this new world had finally arrived. The Lihir Destiny provides a nuanced account of the social structural and cultural transformations engendered by large-scale resource extraction. Tracing the history of Lihirian engagement with outside forces, from the colonial period through to recent mining activities, this book brings new light to bear on the bigger question of what 'development' means in contemporary Melanesia. The Lihir Destiny explores how Lihirian leaders devised future plans for a cultural revolution based upon the maximisation of mining activities and the influential philosophies of the Personal Viability movement. However, reaching the 'Lihir Destiny' is no simple affair, and many Lihirians find themselves negotiating divergent formulations of culture, sociality and economic engagement. The Lihir Destiny will appeal to readers interested in the social impacts of large-scale resource development, the processes of cultural continuity and change and the ways in which modernity is configured in local terms.
Engendering objects explores social and cultural dynamics among Maisin people in Collingwood Bay (Papua New Guinea) through the lens of material culture. Focusing upon the visually stimulating decorated barkcloths that are used as male and female garments, gifts, and commodities, it explores the relationships between these cloths and Maisin people. The main question is how barkcloth, as an object made by women, engenders people’s identities, such as gender, personhood, clan and tribe, through its manufacturing and use. This book describes in detail how barkcloth (tapa) not only visualizes and expresses, but also materializes and defines, people’s multiple identities. By ‘following the object’ and how it is made and used in the performance of life-cycle rituals, in exchanges and in church festivities, this interaction between people and things, and how they are mutually constituted, becomes visible. How are women’s bodies and minds linked with the production of barkcloth? How do cloths produced by women both establish and contest clan identity? In what ways is the commodification of barkcloth related to gender dynamics? Barkcloth and its associated designs show how gender ideologies and the socio-material constructions of identity are performed and, as such, developed, established and contested. The narratives of both men and women reveal the ways in which barkcloth provides a link with the past and dreams for the future. The author argues that the cloths and their designs embody dynamics of Maisin culture and in particular of Maisin gender relations. In contributing to the current debates on the anthropology of ‘art’, this study offers an alternative way of understanding the significance of an object, like decorated barkcloth, in shaping and defining people’s identities within a local colonial and postcolonial setting of Papua New Guinea. “Engendering Objects is among the most comprehensive and innovative new works emerging from Melanesia examining the intimate connections between material culture, cultural identity and gendered personhood. Drawing upon extensive ethnographic fieldwork, archival research and examination of museum collections, Anna-Karina Hermkens traces the enduring yet innovative place of tapa (barkcloth) among the Maisin people. Written with warm compassion and immediacy, the book is a theoretically provocative, accessible and compelling portrait of changing life in a Papua New Guinean village society.” – John Barker, University of British Columbia “This book makes a most welcome contribution to the study of the materiality by showing how gender is performed in the sensuous terms of clothing, food, and the exchange of objects. Anna-Karina Hermkens accomplishes this with enviable care and intellectual resources, and a prose and ethnography that make the book a pleasure to read.” – David Morgan, Duke University “Anna-Karina Hermkens takes us to look at designs on bark cloth from Papua New Guinea through a magnifying glass. A fascinating perspective on material culture evolves. Beyond the art work we discover individuals – mainly women – painting their stories about who they and their beloved are as women and men, as traditional members of a clan, and also what they head for as strugglers in a new economy driven world.” – Christian Kaufmann, Honorary Research Associate, Sainsbury Reseach Unit, University of East Anglia, Norwich UK, former curator for Oceania at the Museum der Kulturen Basel
Book Synopsis Engendering objects by : Anna-Karina Hermkens
Download or read book Engendering objects written by Anna-Karina Hermkens and published by Sidestone Press. This book was released on 2013-07-01 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Engendering objects explores social and cultural dynamics among Maisin people in Collingwood Bay (Papua New Guinea) through the lens of material culture. Focusing upon the visually stimulating decorated barkcloths that are used as male and female garments, gifts, and commodities, it explores the relationships between these cloths and Maisin people. The main question is how barkcloth, as an object made by women, engenders people’s identities, such as gender, personhood, clan and tribe, through its manufacturing and use. This book describes in detail how barkcloth (tapa) not only visualizes and expresses, but also materializes and defines, people’s multiple identities. By ‘following the object’ and how it is made and used in the performance of life-cycle rituals, in exchanges and in church festivities, this interaction between people and things, and how they are mutually constituted, becomes visible. How are women’s bodies and minds linked with the production of barkcloth? How do cloths produced by women both establish and contest clan identity? In what ways is the commodification of barkcloth related to gender dynamics? Barkcloth and its associated designs show how gender ideologies and the socio-material constructions of identity are performed and, as such, developed, established and contested. The narratives of both men and women reveal the ways in which barkcloth provides a link with the past and dreams for the future. The author argues that the cloths and their designs embody dynamics of Maisin culture and in particular of Maisin gender relations. In contributing to the current debates on the anthropology of ‘art’, this study offers an alternative way of understanding the significance of an object, like decorated barkcloth, in shaping and defining people’s identities within a local colonial and postcolonial setting of Papua New Guinea. “Engendering Objects is among the most comprehensive and innovative new works emerging from Melanesia examining the intimate connections between material culture, cultural identity and gendered personhood. Drawing upon extensive ethnographic fieldwork, archival research and examination of museum collections, Anna-Karina Hermkens traces the enduring yet innovative place of tapa (barkcloth) among the Maisin people. Written with warm compassion and immediacy, the book is a theoretically provocative, accessible and compelling portrait of changing life in a Papua New Guinean village society.” – John Barker, University of British Columbia “This book makes a most welcome contribution to the study of the materiality by showing how gender is performed in the sensuous terms of clothing, food, and the exchange of objects. Anna-Karina Hermkens accomplishes this with enviable care and intellectual resources, and a prose and ethnography that make the book a pleasure to read.” – David Morgan, Duke University “Anna-Karina Hermkens takes us to look at designs on bark cloth from Papua New Guinea through a magnifying glass. A fascinating perspective on material culture evolves. Beyond the art work we discover individuals – mainly women – painting their stories about who they and their beloved are as women and men, as traditional members of a clan, and also what they head for as strugglers in a new economy driven world.” – Christian Kaufmann, Honorary Research Associate, Sainsbury Reseach Unit, University of East Anglia, Norwich UK, former curator for Oceania at the Museum der Kulturen Basel
An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture
Book Synopsis How to Read Oceanic Art by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book How to Read Oceanic Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Yale University Press. This book was released on 2014-09-02 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture
Download or read book Pacific Arts written by and published by . This book was released on 2006 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
