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This 2002 volume explores the often overlooked social networks of Romantic figures.
Book Synopsis Romantic Sociability by : Gillian Russell
Download or read book Romantic Sociability written by Gillian Russell and published by Cambridge University Press. This book was released on 2006-04-20 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2002 volume explores the often overlooked social networks of Romantic figures.
Andrew O. Winckles is Assistant Professor of CORE Curriculum (Interdisciplinary Studies) at Adrian College. Angela Rehbein is Associate Professor of English at West Liberty University.
Book Synopsis Women's Literary Networks and Romanticism by : Andrew O. Winckles
Download or read book Women's Literary Networks and Romanticism written by Andrew O. Winckles and published by Oxford University Press. This book was released on 2017 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrew O. Winckles is Assistant Professor of CORE Curriculum (Interdisciplinary Studies) at Adrian College. Angela Rehbein is Associate Professor of English at West Liberty University.
Ranging across literature, theater, history, and the visual arts, this collection of essays by leading scholars in the field explores the range of places where British Romantic-period sociability transpired. The book considers how sociability was shaped by place, by the rooms, buildings, landscapes and seascapes where people gathered to converse, to eat and drink, to work and to find entertainment. At the same time, it is clear that sociability shaped place, both in the deliberate construction and configuration of venues for people to gather, and in the way such gatherings transformed how place was experienced and understood. The essays highlight literary and aesthetic experience but also range through popular entertainment and ordinary forms of labor and leisure.
Book Synopsis Sociable Places by : Kevin Gilmartin
Download or read book Sociable Places written by Kevin Gilmartin and published by Cambridge University Press. This book was released on 2017-04-24 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging across literature, theater, history, and the visual arts, this collection of essays by leading scholars in the field explores the range of places where British Romantic-period sociability transpired. The book considers how sociability was shaped by place, by the rooms, buildings, landscapes and seascapes where people gathered to converse, to eat and drink, to work and to find entertainment. At the same time, it is clear that sociability shaped place, both in the deliberate construction and configuration of venues for people to gather, and in the way such gatherings transformed how place was experienced and understood. The essays highlight literary and aesthetic experience but also range through popular entertainment and ordinary forms of labor and leisure.
A highly illustrated and original contribution to the cultural history of sociability in the eighteenth century.
Book Synopsis Women, Sociability and Theatre in Georgian London by : Gillian Russell
Download or read book Women, Sociability and Theatre in Georgian London written by Gillian Russell and published by Cambridge University Press. This book was released on 2007-06-14 with total page 15 pages. Available in PDF, EPUB and Kindle. Book excerpt: A highly illustrated and original contribution to the cultural history of sociability in the eighteenth century.
Through an incisive analysis of the emerging debates surrounding urbanization in the Romantic period, together with close readings of poets including William Blake, William Wordsworth and Samuel Taylor Coleridge, Stephen Tedeschi explores the notion that the Romantic poets criticized the historical form that the process of urbanization had taken, rather than urbanization itself. The works of the Romantic poets are popularly considered in a rural context and often understood as hostile to urbanization - one of the most profound social transformations of the era. By focusing on the urban aspects of such writing Tedeschi re-orientates the relationship between urbanization and English Romantic poetry to deliver a study that discovers how the Romantic poets examined not only the influence of urbanization on poetry but also how poetry might help to reshape the form that urbanization could take.
Book Synopsis Urbanization and English Romantic Poetry by : Stephen Tedeschi
Download or read book Urbanization and English Romantic Poetry written by Stephen Tedeschi and published by Cambridge University Press. This book was released on 2017-10-19 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an incisive analysis of the emerging debates surrounding urbanization in the Romantic period, together with close readings of poets including William Blake, William Wordsworth and Samuel Taylor Coleridge, Stephen Tedeschi explores the notion that the Romantic poets criticized the historical form that the process of urbanization had taken, rather than urbanization itself. The works of the Romantic poets are popularly considered in a rural context and often understood as hostile to urbanization - one of the most profound social transformations of the era. By focusing on the urban aspects of such writing Tedeschi re-orientates the relationship between urbanization and English Romantic poetry to deliver a study that discovers how the Romantic poets examined not only the influence of urbanization on poetry but also how poetry might help to reshape the form that urbanization could take.
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
Book Synopsis Romanticism and Theatrical Experience by : Jonathan Mulrooney
Download or read book Romanticism and Theatrical Experience written by Jonathan Mulrooney and published by Cambridge University Press. This book was released on 2019-01-10 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Book Synopsis Album Verses and Romantic Literary Culture by : Samantha Matthews
Download or read book Album Verses and Romantic Literary Culture written by Samantha Matthews and published by Oxford University Press. This book was released on 2020-09-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Republics of Letters: Literary Communities in Australia is the first book to explore the notion of literary community or literary sociability in relation to Australian literature.
Book Synopsis Republics of Letters by : Peter Kirkpatrick
Download or read book Republics of Letters written by Peter Kirkpatrick and published by Sydney University Press. This book was released on 2018-08-30 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Republics of Letters: Literary Communities in Australia is the first book to explore the notion of literary community or literary sociability in relation to Australian literature.
Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has been on doctrines and denominations. In analysing the motif of devotion, Romantic Prayer shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer was much contested, poetry—a form with its own interlinked history with prayer—was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth and nineteenth-century moment. After laying out the details of prayer's historical position in the Romantic era across a spread of religious traditions, Romantic Prayer turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own denominational histories. Samuel Taylor Coleridge's work is analysed as part of a long engagement with the rationality of prayer, culminating in an explicit 'philosophy' of prayer; William Wordsworth—by contrast—keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist, and atheist critiques—what happens to prayer in poetry when prayer as a language traditionally conceived is becoming impossible to maintain?
Book Synopsis Romantic Prayer by : Christopher Stokes
Download or read book Romantic Prayer written by Christopher Stokes and published by Oxford University Press. This book was released on 2021-01-21 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has been on doctrines and denominations. In analysing the motif of devotion, Romantic Prayer shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer was much contested, poetry—a form with its own interlinked history with prayer—was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth and nineteenth-century moment. After laying out the details of prayer's historical position in the Romantic era across a spread of religious traditions, Romantic Prayer turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own denominational histories. Samuel Taylor Coleridge's work is analysed as part of a long engagement with the rationality of prayer, culminating in an explicit 'philosophy' of prayer; William Wordsworth—by contrast—keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist, and atheist critiques—what happens to prayer in poetry when prayer as a language traditionally conceived is becoming impossible to maintain?
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
Book Synopsis Romanticism by : Carmen Casaliggi
Download or read book Romanticism written by Carmen Casaliggi and published by Routledge. This book was released on 2016-05-12 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
