Satire in the Songs of Renart Le Nouvel

Satire in the Songs of Renart Le Nouvel

Author: John Dickinson Haines

Publisher: Librairie Droz

Published: 2010

Total Pages: 372

ISBN-13: 9782600013246

DOWNLOAD EBOOK

This book places the songs of Renart le nouvel in the broader context of this late medieval romance. As argued here, Renart le nouvel was written in two different stages, its first book around 1260 and its second around 1300. The first book presents situations and animals that stand for key events and characters in 1250s Flanders, mostly pertaining to the famous quarrel of the Avesnes and Dampierre families. The second book ushers in a more apocalyptic mood that reflects the deteriorating political situation in Flanders in the final decades of the thirteenth century. The songs of Renart le nouvel give voice both to a mounting apocalyptic mood and to a related cynicism towards courtly love. As the embodiment of duplicity, Renart the fox sings an especially cynical song, one that is ultimately passed on to an animal that makes a brief appearance in our romance but is soon destined for fame: Fauvel the ass. In particular, the emerging genre of the motet expresses the duplicitous and satirical spirits of the fox and the ass. French text.


Book Synopsis Satire in the Songs of Renart Le Nouvel by : John Dickinson Haines

Download or read book Satire in the Songs of Renart Le Nouvel written by John Dickinson Haines and published by Librairie Droz. This book was released on 2010 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book places the songs of Renart le nouvel in the broader context of this late medieval romance. As argued here, Renart le nouvel was written in two different stages, its first book around 1260 and its second around 1300. The first book presents situations and animals that stand for key events and characters in 1250s Flanders, mostly pertaining to the famous quarrel of the Avesnes and Dampierre families. The second book ushers in a more apocalyptic mood that reflects the deteriorating political situation in Flanders in the final decades of the thirteenth century. The songs of Renart le nouvel give voice both to a mounting apocalyptic mood and to a related cynicism towards courtly love. As the embodiment of duplicity, Renart the fox sings an especially cynical song, one that is ultimately passed on to an animal that makes a brief appearance in our romance but is soon destined for fame: Fauvel the ass. In particular, the emerging genre of the motet expresses the duplicitous and satirical spirits of the fox and the ass. French text.

Satire in the songs of Renart le nouvel

Satire in the songs of Renart le nouvel

Author: John Associate Professor Haines

Publisher: Librairie Droz

Published: 1905-07-02

Total Pages: 514

ISBN-13: 2600313249

DOWNLOAD EBOOK

Composé à deux périodes bien distinctes, Renart le nouvel, témoigne de l’actualité mouvante du bas moyen âge en Flandres. Le premier livre, daté des années 1260 met en scène des animaux et des situations qui font écho aux événements clefs et aux personnalités de la Flandre des années 1250, notamment la célèbre querelle des Avesnes et des Dampierre. Quant au second livre, il se réfère à la situation politique qui se délite durant les dernières décennies du XIIIe siècle, empruntant un ton plus sombre et traitant avec cynisme les thèmes de l’amour courtois. Ainsi les chansons prêtées à Renart, incarnation de l’être double, sont extrêmement satiriques. Un nouveau personnage, promis à un grand succès, fait ici son apparition, l’âne Fauvel. De même qu’une nouvelle forme poétique, le motet qui exprime la duplicité et l’essence satirique du renard et de l’âne.


Book Synopsis Satire in the songs of Renart le nouvel by : John Associate Professor Haines

Download or read book Satire in the songs of Renart le nouvel written by John Associate Professor Haines and published by Librairie Droz. This book was released on 1905-07-02 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composé à deux périodes bien distinctes, Renart le nouvel, témoigne de l’actualité mouvante du bas moyen âge en Flandres. Le premier livre, daté des années 1260 met en scène des animaux et des situations qui font écho aux événements clefs et aux personnalités de la Flandre des années 1250, notamment la célèbre querelle des Avesnes et des Dampierre. Quant au second livre, il se réfère à la situation politique qui se délite durant les dernières décennies du XIIIe siècle, empruntant un ton plus sombre et traitant avec cynisme les thèmes de l’amour courtois. Ainsi les chansons prêtées à Renart, incarnation de l’être double, sont extrêmement satiriques. Un nouveau personnage, promis à un grand succès, fait ici son apparition, l’âne Fauvel. De même qu’une nouvelle forme poétique, le motet qui exprime la duplicité et l’essence satirique du renard et de l’âne.

NEW REYNARD.

NEW REYNARD.

Author:

Publisher: Boydell & Brewer

Published: 2023-04-04

Total Pages: 223

ISBN-13: 1783277386

DOWNLOAD EBOOK

A translation of three works from the second half of the 13th century: Rutebeuf's Renart le Bestourné, the anonymous Le Couronnement de Renart and Jacquemart Gielée's Renart le Nouvel. These savage and highly entertaining satires are in a league of their own, and Renart le Nouvel contains important music which is reproduced in the text. Rarely can a medieval work have resonated with the mood of the present as uncannily as do these three satires. Acerbic, raging and finally apocalyptic, these poems from the second half of the thirteenth century, richly entertaining and wickedly comic though they are, express a vision of the world and its descent into corruption and disaster which mirrors our own state of rampant alarm. The animal tales of the 12th- and 13th-century Roman de Renart - the Romance of Reynard the Fox - were immensely popular. Any satire in those original tales was generally light of touch, but the characters created in them, fox and wolf and ass and lion to name but four, were an open invitation to anyone of a more scathing satirical bent. The poet Rutebeuf, in his short but startling Renart le Bestourné ('Reynard Transformed'), deploys the beasts to make a venomous attack on the mendicant orders and on 'Saint' Louis IX of France. The anonymous Le Couronnement de Renart ('Reynard Crowned') then has the Fox crowned king, establishing a reign of every vice. And most ambitiously of all, Jacquemart Gielée in his Renart le Nouvel ('The New Reynard'), gripped by an increasingly pervasive sense of apocalypse, ends his poem with the Fox, the epitome of deceit and lying, not merely crowned king, but seated in permanent, malign control of the world atop a chocked, unturning Fortune's Wheel. The New Reynard is of special interest not only to students of medieval literature but also to musicologists. Music, in the form of numerous songs, plays an important part in Renart le Nouvel's satirical and apocalyptic message, and the poem is renowned as the most abundant source of late medieval refrains. The notations have survived, and the music is edited in this volume by Matthew P. Thomson.


Book Synopsis NEW REYNARD. by :

Download or read book NEW REYNARD. written by and published by Boydell & Brewer. This book was released on 2023-04-04 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: A translation of three works from the second half of the 13th century: Rutebeuf's Renart le Bestourné, the anonymous Le Couronnement de Renart and Jacquemart Gielée's Renart le Nouvel. These savage and highly entertaining satires are in a league of their own, and Renart le Nouvel contains important music which is reproduced in the text. Rarely can a medieval work have resonated with the mood of the present as uncannily as do these three satires. Acerbic, raging and finally apocalyptic, these poems from the second half of the thirteenth century, richly entertaining and wickedly comic though they are, express a vision of the world and its descent into corruption and disaster which mirrors our own state of rampant alarm. The animal tales of the 12th- and 13th-century Roman de Renart - the Romance of Reynard the Fox - were immensely popular. Any satire in those original tales was generally light of touch, but the characters created in them, fox and wolf and ass and lion to name but four, were an open invitation to anyone of a more scathing satirical bent. The poet Rutebeuf, in his short but startling Renart le Bestourné ('Reynard Transformed'), deploys the beasts to make a venomous attack on the mendicant orders and on 'Saint' Louis IX of France. The anonymous Le Couronnement de Renart ('Reynard Crowned') then has the Fox crowned king, establishing a reign of every vice. And most ambitiously of all, Jacquemart Gielée in his Renart le Nouvel ('The New Reynard'), gripped by an increasingly pervasive sense of apocalypse, ends his poem with the Fox, the epitome of deceit and lying, not merely crowned king, but seated in permanent, malign control of the world atop a chocked, unturning Fortune's Wheel. The New Reynard is of special interest not only to students of medieval literature but also to musicologists. Music, in the form of numerous songs, plays an important part in Renart le Nouvel's satirical and apocalyptic message, and the poem is renowned as the most abundant source of late medieval refrains. The notations have survived, and the music is edited in this volume by Matthew P. Thomson.

The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry

The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry

Author: Jennifer Saltzstein

Publisher: DS Brewer

Published: 2013

Total Pages: 210

ISBN-13: 1843843498

DOWNLOAD EBOOK

A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.


Book Synopsis The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry by : Jennifer Saltzstein

Download or read book The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry written by Jennifer Saltzstein and published by DS Brewer. This book was released on 2013 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.

Medieval Song in Romance Languages

Medieval Song in Romance Languages

Author: John Dickinson Haines

Publisher: Cambridge University Press

Published: 2010-11-18

Total Pages: 321

ISBN-13: 0521765749

DOWNLOAD EBOOK

Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.


Book Synopsis Medieval Song in Romance Languages by : John Dickinson Haines

Download or read book Medieval Song in Romance Languages written by John Dickinson Haines and published by Cambridge University Press. This book was released on 2010-11-18 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.

Giving Voice to Love

Giving Voice to Love

Author: Judith A. Peraino

Publisher: OUP USA

Published: 2011-11-28

Total Pages: 371

ISBN-13: 0199757240

DOWNLOAD EBOOK

The lyrics of medieval "courtly love" songs are characteristically self-conscious. Giving Voice to Love investigates similar self-consciousness in the musical settings. Moments and examples where voice, melody, rhythm, form, and genre seem to comment on music itself tell us about musical responses to the courtly chanson tradition, and musical reflections on the complexity of self-expression.


Book Synopsis Giving Voice to Love by : Judith A. Peraino

Download or read book Giving Voice to Love written by Judith A. Peraino and published by OUP USA. This book was released on 2011-11-28 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: The lyrics of medieval "courtly love" songs are characteristically self-conscious. Giving Voice to Love investigates similar self-consciousness in the musical settings. Moments and examples where voice, melody, rhythm, form, and genre seem to comment on music itself tell us about musical responses to the courtly chanson tradition, and musical reflections on the complexity of self-expression.

The Malmariée in the Thirteenth-Century Motet

The Malmariée in the Thirteenth-Century Motet

Author: Dolores Pesce

Publisher: Taylor & Francis

Published: 2023-02-08

Total Pages: 159

ISBN-13: 1000826619

DOWNLOAD EBOOK

This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.


Book Synopsis The Malmariée in the Thirteenth-Century Motet by : Dolores Pesce

Download or read book The Malmariée in the Thirteenth-Century Motet written by Dolores Pesce and published by Taylor & Francis. This book was released on 2023-02-08 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.

The Cambridge History of Medieval Music

The Cambridge History of Medieval Music

Author: Mark Everist

Publisher: Cambridge University Press

Published: 2018-08-09

Total Pages:

ISBN-13: 1108577075

DOWNLOAD EBOOK

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.


Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Gender and Voice in Medieval French Literature and Song

Gender and Voice in Medieval French Literature and Song

Author: Rachel May Golden

Publisher: University Press of Florida

Published: 2021-10-12

Total Pages: 323

ISBN-13: 0813057922

DOWNLOAD EBOOK

This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky


Book Synopsis Gender and Voice in Medieval French Literature and Song by : Rachel May Golden

Download or read book Gender and Voice in Medieval French Literature and Song written by Rachel May Golden and published by University Press of Florida. This book was released on 2021-10-12 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky

A Companion to Guillaume de Machaut

A Companion to Guillaume de Machaut

Author: Deborah McGrady

Publisher: BRILL

Published: 2012-08-27

Total Pages: 435

ISBN-13: 9004225811

DOWNLOAD EBOOK

This collection provides a comprehensive reading of Machaut’s literary and musical corpus that privileges his engagement with contemporary political, ethical, and aesthetic concerns of late medieval culture as well as his reception by artists and thinkers, medieval and modern.


Book Synopsis A Companion to Guillaume de Machaut by : Deborah McGrady

Download or read book A Companion to Guillaume de Machaut written by Deborah McGrady and published by BRILL. This book was released on 2012-08-27 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection provides a comprehensive reading of Machaut’s literary and musical corpus that privileges his engagement with contemporary political, ethical, and aesthetic concerns of late medieval culture as well as his reception by artists and thinkers, medieval and modern.