Satyajit Ray's The Chess Players and Postcolonial Film Theory

Satyajit Ray's The Chess Players and Postcolonial Film Theory

Author: Reena Dube

Publisher: Springer

Published: 2005-05-04

Total Pages: 250

ISBN-13: 0230509665

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Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory. Her book treats film as part of the larger cultural production of India and provides a historical sense of the cross genre borrowings, traditions and debates that have deeply influenced Indian cinema and its viewers.


Book Synopsis Satyajit Ray's The Chess Players and Postcolonial Film Theory by : Reena Dube

Download or read book Satyajit Ray's The Chess Players and Postcolonial Film Theory written by Reena Dube and published by Springer. This book was released on 2005-05-04 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory. Her book treats film as part of the larger cultural production of India and provides a historical sense of the cross genre borrowings, traditions and debates that have deeply influenced Indian cinema and its viewers.


Satyajit Ray's The Chess Players and Postcolonial Film Theory

Satyajit Ray's The Chess Players and Postcolonial Film Theory

Author: Reena Dube

Publisher: Palgrave Macmillan

Published: 2005-07-22

Total Pages: 272

ISBN-13: 9781403946294

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This book explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labor in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory.


Book Synopsis Satyajit Ray's The Chess Players and Postcolonial Film Theory by : Reena Dube

Download or read book Satyajit Ray's The Chess Players and Postcolonial Film Theory written by Reena Dube and published by Palgrave Macmillan. This book was released on 2005-07-22 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labor in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory.


Postcolonial Theory and Avatar

Postcolonial Theory and Avatar

Author: Gautam Basu Thakur

Publisher: Bloomsbury Publishing USA

Published: 2015-11-19

Total Pages: 209

ISBN-13: 1628925655

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"An explanation of postcolonial film theory and how it explicates James Cameron's film"--


Book Synopsis Postcolonial Theory and Avatar by : Gautam Basu Thakur

Download or read book Postcolonial Theory and Avatar written by Gautam Basu Thakur and published by Bloomsbury Publishing USA. This book was released on 2015-11-19 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An explanation of postcolonial film theory and how it explicates James Cameron's film"--


Videogames and Postcolonialism

Videogames and Postcolonialism

Author: Souvik Mukherjee

Publisher: Springer

Published: 2017-07-24

Total Pages: 120

ISBN-13: 3319548220

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This book focuses on the almost entirely neglected treatment of empire and colonialism in videogames. From its inception in the nineties, Game Studies has kept away from these issues despite the early popularity of videogame franchises such as Civilization and Age of Empire. This book examines the complex ways in which some videogames construct conceptions of spatiality, political systems, ethics and society that are often deeply imbued with colonialism. Moving beyond questions pertaining to European and American gaming cultures, this book addresses issues that relate to a global audience – including, especially, the millions who play videogames in the formerly colonised countries, seeking to make a timely intervention by creating a larger awareness of global cultural issues in videogame research. Addressing a major gap in Game Studies research, this book will connect to discourses of post-colonial theory at large and thereby, provide another entry-point for this new medium of digital communication into larger Humanities discourses.


Book Synopsis Videogames and Postcolonialism by : Souvik Mukherjee

Download or read book Videogames and Postcolonialism written by Souvik Mukherjee and published by Springer. This book was released on 2017-07-24 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the almost entirely neglected treatment of empire and colonialism in videogames. From its inception in the nineties, Game Studies has kept away from these issues despite the early popularity of videogame franchises such as Civilization and Age of Empire. This book examines the complex ways in which some videogames construct conceptions of spatiality, political systems, ethics and society that are often deeply imbued with colonialism. Moving beyond questions pertaining to European and American gaming cultures, this book addresses issues that relate to a global audience – including, especially, the millions who play videogames in the formerly colonised countries, seeking to make a timely intervention by creating a larger awareness of global cultural issues in videogame research. Addressing a major gap in Game Studies research, this book will connect to discourses of post-colonial theory at large and thereby, provide another entry-point for this new medium of digital communication into larger Humanities discourses.


New Indian Cinema in Post-Independence India

New Indian Cinema in Post-Independence India

Author: Anuradha Needham

Publisher: Routledge

Published: 2013-11-26

Total Pages: 238

ISBN-13: 1135021341

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Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.


Book Synopsis New Indian Cinema in Post-Independence India by : Anuradha Needham

Download or read book New Indian Cinema in Post-Independence India written by Anuradha Needham and published by Routledge. This book was released on 2013-11-26 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.


Visual Difference

Visual Difference

Author: Elizabeth Heffelfinger

Publisher: Peter Lang

Published: 2011

Total Pages: 222

ISBN-13: 9781433105951

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To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization - intercultural, global, third, and accented - while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of «postcolonial» as a fraught and evolving theoretical stance.


Book Synopsis Visual Difference by : Elizabeth Heffelfinger

Download or read book Visual Difference written by Elizabeth Heffelfinger and published by Peter Lang. This book was released on 2011 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization - intercultural, global, third, and accented - while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of «postcolonial» as a fraught and evolving theoretical stance.


Cinema, Emergence, and the Films of Satyajit Ray

Cinema, Emergence, and the Films of Satyajit Ray

Author: Keya Ganguly

Publisher: Univ of California Press

Published: 2010-06-08

Total Pages: 272

ISBN-13: 0520946049

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Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.


Book Synopsis Cinema, Emergence, and the Films of Satyajit Ray by : Keya Ganguly

Download or read book Cinema, Emergence, and the Films of Satyajit Ray written by Keya Ganguly and published by Univ of California Press. This book was released on 2010-06-08 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.


Studying Indian Cinema

Studying Indian Cinema

Author: Omar Ahmed

Publisher: Liverpool University Press

Published: 2015-06-30

Total Pages: 291

ISBN-13: 1800347383

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This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).


Book Synopsis Studying Indian Cinema by : Omar Ahmed

Download or read book Studying Indian Cinema written by Omar Ahmed and published by Liverpool University Press. This book was released on 2015-06-30 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).


Freud's Drive: Psychoanalysis, Literature and Film

Freud's Drive: Psychoanalysis, Literature and Film

Author: Teresa De Lauretis

Publisher: Springer

Published: 2008-04-04

Total Pages: 190

ISBN-13: 0230583040

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Teresa De Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.


Book Synopsis Freud's Drive: Psychoanalysis, Literature and Film by : Teresa De Lauretis

Download or read book Freud's Drive: Psychoanalysis, Literature and Film written by Teresa De Lauretis and published by Springer. This book was released on 2008-04-04 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teresa De Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.


Literature and Film, Dispositioned

Literature and Film, Dispositioned

Author: Alice Gavin

Publisher: Springer

Published: 2014-09-23

Total Pages: 284

ISBN-13: 1137295457

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Literature and Film, Dispositioned looks to twentieth-century literature's encounter with film as a means to thinking about the locations of thought in literature and literature's location in the world. It includes readings of works by James Joyce, Henry James, and Samuel Beckett, whose Film (1965) forms a concluding focus.


Book Synopsis Literature and Film, Dispositioned by : Alice Gavin

Download or read book Literature and Film, Dispositioned written by Alice Gavin and published by Springer. This book was released on 2014-09-23 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literature and Film, Dispositioned looks to twentieth-century literature's encounter with film as a means to thinking about the locations of thought in literature and literature's location in the world. It includes readings of works by James Joyce, Henry James, and Samuel Beckett, whose Film (1965) forms a concluding focus.