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The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.
Book Synopsis Screening The Novel by : Keith Selby
Download or read book Screening The Novel written by Keith Selby and published by Springer. This book was released on 2016-07-27 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.
"Thrilling.... PRIVATE SCREENING succeeds on all counts. It's a footrace of a read, daring you to put it down." ATLANTA JOURNAL & CONSTITUTION The nation is stunned silent when presidential hopeful James Kilcannon is shot dead in front of his rock-star girlfriend Stacy Tarrant. Fiercely independent attorney Tony Lord dares to defend the shooter, but the already bizarre plot takes another twist. As America watches, a mysterious and ruthless figure, known only as Phoenix, takes to the airwaves-- and takes the wife of a wealthy newspaper mogul and Stacy's manager as his hostages. Phoenix mounts a televised trial of his own--in which Stacy Tarrant and Tony Lord are helpless defendents, millions of viewers are jurors, and--unless his chilling demands are met--Pheonix is the unstoppable executioner....
Book Synopsis Private Screening by : Richard North Patterson
Download or read book Private Screening written by Richard North Patterson and published by Ballantine Books. This book was released on 1986-06-12 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Thrilling.... PRIVATE SCREENING succeeds on all counts. It's a footrace of a read, daring you to put it down." ATLANTA JOURNAL & CONSTITUTION The nation is stunned silent when presidential hopeful James Kilcannon is shot dead in front of his rock-star girlfriend Stacy Tarrant. Fiercely independent attorney Tony Lord dares to defend the shooter, but the already bizarre plot takes another twist. As America watches, a mysterious and ruthless figure, known only as Phoenix, takes to the airwaves-- and takes the wife of a wealthy newspaper mogul and Stacy's manager as his hostages. Phoenix mounts a televised trial of his own--in which Stacy Tarrant and Tony Lord are helpless defendents, millions of viewers are jurors, and--unless his chilling demands are met--Pheonix is the unstoppable executioner....
This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.
Book Synopsis Screening Space by : Vivian Carol Sobchack
Download or read book Screening Space written by Vivian Carol Sobchack and published by Rutgers University Press. This book was released on 1997 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.
Some of the most memorable movies of Hollywood's Golden Age were based on novels that never received the acclaim they deserved. No-one who saw Rod Steiger in The Pawnbroker could forget the actor's wrenching performance but does anyone remember the author of the book on which the film was based? The same can be said of Jane Fonda in They Shoot Horses, Don't They?, Greta Garbo in Susan Lenox, and Humphrey Bogart in The Treasure of the Sierra Madre. This book retrieves these novels and re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors – among them Stanley Kubrick, Sidney Lumet, John Huston and Sidney Pollack. Each chapter offers detailed analysis on both the original text and the resulting movie. Taken together, the double examination of novel and film raises some important questions about the nature and problems of cinematic adaptation.
Book Synopsis Screening the Novel by : Gabriel Miller
Download or read book Screening the Novel written by Gabriel Miller and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Some of the most memorable movies of Hollywood's Golden Age were based on novels that never received the acclaim they deserved. No-one who saw Rod Steiger in The Pawnbroker could forget the actor's wrenching performance but does anyone remember the author of the book on which the film was based? The same can be said of Jane Fonda in They Shoot Horses, Don't They?, Greta Garbo in Susan Lenox, and Humphrey Bogart in The Treasure of the Sierra Madre. This book retrieves these novels and re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors – among them Stanley Kubrick, Sidney Lumet, John Huston and Sidney Pollack. Each chapter offers detailed analysis on both the original text and the resulting movie. Taken together, the double examination of novel and film raises some important questions about the nature and problems of cinematic adaptation.
From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles. Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory. Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.
Book Synopsis Screening the Past by : Pam Cook
Download or read book Screening the Past written by Pam Cook and published by Routledge. This book was released on 2004-08-02 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles. Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory. Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.
American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the New York Police Department, the medium was a means of making the agency world-famous as early as 1896. Beat cops became movie stars. Police chiefs made their own documentaries. And from Maine to California, state and local law enforcement agencies regularly fingerprinted filmgoers for decades, amassing enormous records as they infiltrated theatres both big and small. As author Noah Tsika demonstrates, understanding the scope of police power in the United States requires attention to an aspect of film history that has long been ignored. Screening the Police reveals the extent to which American cinema has overlapped with the politics and practices of law enforcement.
Book Synopsis Screening the Police by : Noah Tsika
Download or read book Screening the Police written by Noah Tsika and published by Oxford University Press. This book was released on 2021-07-28 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the New York Police Department, the medium was a means of making the agency world-famous as early as 1896. Beat cops became movie stars. Police chiefs made their own documentaries. And from Maine to California, state and local law enforcement agencies regularly fingerprinted filmgoers for decades, amassing enormous records as they infiltrated theatres both big and small. As author Noah Tsika demonstrates, understanding the scope of police power in the United States requires attention to an aspect of film history that has long been ignored. Screening the Police reveals the extent to which American cinema has overlapped with the politics and practices of law enforcement.
From Hollywood classics like Jane Eyre or Wuthering Heights to the 1990s wave of Jane Austen films, adaptations of the British Nineteenth-century novel have been sensationally popular. This book examines how British and American filmmakers used the domestic novels of the past to construct stable gender ideals for the present.
Book Synopsis Screening Novel Women by : Liora Brosh
Download or read book Screening Novel Women written by Liora Brosh and published by Springer. This book was released on 2008-02-14 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Hollywood classics like Jane Eyre or Wuthering Heights to the 1990s wave of Jane Austen films, adaptations of the British Nineteenth-century novel have been sensationally popular. This book examines how British and American filmmakers used the domestic novels of the past to construct stable gender ideals for the present.
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
Book Synopsis Screening Text by : Shannon Wells-Lassagne
Download or read book Screening Text written by Shannon Wells-Lassagne and published by McFarland. This book was released on 2013-02-07 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
Here, leading contributors from the forefront of this exciting technology present authoritative and timely reviews on the state of the art of biocatalysis. They cover the whole spectrum from the discovery of novel enzymes - by modern screening, evolutionary or immunological approaches - through immobilization techniques for technical processes, to their use in the asymmetric synthesis of important target compounds.
Book Synopsis Biocatalysis by : W.-D. Fessner
Download or read book Biocatalysis written by W.-D. Fessner and published by Springer Science & Business Media. This book was released on 2000-02-14 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, leading contributors from the forefront of this exciting technology present authoritative and timely reviews on the state of the art of biocatalysis. They cover the whole spectrum from the discovery of novel enzymes - by modern screening, evolutionary or immunological approaches - through immobilization techniques for technical processes, to their use in the asymmetric synthesis of important target compounds.
As the subtitle indicates, this book has three majors concerns. The first and most important concern is an examination of the film adaptations of Woolf’s novels—To the Lighthouse, Orlando, and Mrs. Dalloway—in the order the films were released. This is the heart of the matter, a fairly conventional effort to acknowledge film reviews as well as the criticism of academicians in film or literature as a starting point for a fresh view of these three film adaptations. Since many film specialists prefer that no film ever be adapted from literary fiction and many literature specialists have similarly wished that their favorite novels had never been filmed, the effort to mediate the two sides can be challenging. Of the three films, To the Lighthouse is the least successful, tending toward the old Masterpiece Theater mode of attempting to be faithful to the “source text,” to use the term of the film theorist Robert Stam, but missing the essence of the novel. Director Sally Potter’s Orlando is cinematically the most venturesome and attractive, although some Woolf readers condemn Potter’s erasure of Woolf’s intent to celebrate her affair with Vita Sackville-West (whose son Nigel Nicolson called Woolf's Orlando “the longest and most charming love-letter in literature”). Mrs. Dalloway tends toward the Merchant/Ivory style of treating literary masterworks—indeed, the film credits include a debt of gratitude to the producer/director partnership—and is generally carried by the star power of Vanessa Redgrave, although it is difficult to imagine her having a crush on another young woman, even at eighteen. The book’s second concern is Woolf’s interest in what she would call “the cinema.” As a member of Bloomsbury, she saw and participated in the discussion of the cinema, especially avant-garde films, which she considered to be more the future of cinema than film adaptations, upon which she heaped great scorn for their ravenous, if not rapacious, consumption of vulnerable literary fiction such as Leo Tolstoy’s Anna Karenina. Woolf specialists such as Leslie Hankins proclaim her one of the earliest and most significant British film theorists for the brilliant essay “The Cinema” (1925), as film was just beginning to establish itself as art and not merely popular entertainment. The third concern is a complex effort to explore the David Hare/Stephen Daldry film adaptation of Michael Cunningham’s Pulitzer Prize–winning novel The Hours, an homage to Mrs. Dalloway in which Virginia Woolf has a starring role, as portrayed by Oscar winner Nicole Kidman. The film and Kidman’s prosthetic nose produced a violent division among the Woolfians who either commended its bringing legions of new readers to Mrs. Dalloway and potentially to “Woolf”—Mrs. Dalloway becoming the best-seller it could not have been in her lifetime—or were outraged by the film’s diminishment of probably the most important female British novelist of the 20th century. Even Nobel Laureate Doris Lessing spoke out against the travesty of a novelist she considered a foremother of later 20th-century writers.
Book Synopsis Screening Woolf by : Earl G. Ingersoll
Download or read book Screening Woolf written by Earl G. Ingersoll and published by Rowman & Littlefield. This book was released on 2016-12-06 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the subtitle indicates, this book has three majors concerns. The first and most important concern is an examination of the film adaptations of Woolf’s novels—To the Lighthouse, Orlando, and Mrs. Dalloway—in the order the films were released. This is the heart of the matter, a fairly conventional effort to acknowledge film reviews as well as the criticism of academicians in film or literature as a starting point for a fresh view of these three film adaptations. Since many film specialists prefer that no film ever be adapted from literary fiction and many literature specialists have similarly wished that their favorite novels had never been filmed, the effort to mediate the two sides can be challenging. Of the three films, To the Lighthouse is the least successful, tending toward the old Masterpiece Theater mode of attempting to be faithful to the “source text,” to use the term of the film theorist Robert Stam, but missing the essence of the novel. Director Sally Potter’s Orlando is cinematically the most venturesome and attractive, although some Woolf readers condemn Potter’s erasure of Woolf’s intent to celebrate her affair with Vita Sackville-West (whose son Nigel Nicolson called Woolf's Orlando “the longest and most charming love-letter in literature”). Mrs. Dalloway tends toward the Merchant/Ivory style of treating literary masterworks—indeed, the film credits include a debt of gratitude to the producer/director partnership—and is generally carried by the star power of Vanessa Redgrave, although it is difficult to imagine her having a crush on another young woman, even at eighteen. The book’s second concern is Woolf’s interest in what she would call “the cinema.” As a member of Bloomsbury, she saw and participated in the discussion of the cinema, especially avant-garde films, which she considered to be more the future of cinema than film adaptations, upon which she heaped great scorn for their ravenous, if not rapacious, consumption of vulnerable literary fiction such as Leo Tolstoy’s Anna Karenina. Woolf specialists such as Leslie Hankins proclaim her one of the earliest and most significant British film theorists for the brilliant essay “The Cinema” (1925), as film was just beginning to establish itself as art and not merely popular entertainment. The third concern is a complex effort to explore the David Hare/Stephen Daldry film adaptation of Michael Cunningham’s Pulitzer Prize–winning novel The Hours, an homage to Mrs. Dalloway in which Virginia Woolf has a starring role, as portrayed by Oscar winner Nicole Kidman. The film and Kidman’s prosthetic nose produced a violent division among the Woolfians who either commended its bringing legions of new readers to Mrs. Dalloway and potentially to “Woolf”—Mrs. Dalloway becoming the best-seller it could not have been in her lifetime—or were outraged by the film’s diminishment of probably the most important female British novelist of the 20th century. Even Nobel Laureate Doris Lessing spoke out against the travesty of a novelist she considered a foremother of later 20th-century writers.
