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By the late 1970s the Punk explosion and the Punk aesthetic spread out from Britain to New York, Los Angeles and San Francisco, and into music, film, fashion and writing. The American Punk scene, far from being a poor impersonation of the British movement, soon developed an energy and talent of its own, which was documented in its own home-grown magazine, Search and Destroy, edited by V. Vale between 1977 and 1979.
Book Synopsis Search & Destroy #1-6 by : V. Vale
Download or read book Search & Destroy #1-6 written by V. Vale and published by V/Search. This book was released on 1996 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the late 1970s the Punk explosion and the Punk aesthetic spread out from Britain to New York, Los Angeles and San Francisco, and into music, film, fashion and writing. The American Punk scene, far from being a poor impersonation of the British movement, soon developed an energy and talent of its own, which was documented in its own home-grown magazine, Search and Destroy, edited by V. Vale between 1977 and 1979.
Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Book Synopsis Damaged by : Evan Rapport
Download or read book Damaged written by Evan Rapport and published by Univ. Press of Mississippi. This book was released on 2020-11-24 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
"Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II
Book Synopsis This Ain't the Summer of Love by : Steve Waksman
Download or read book This Ain't the Summer of Love written by Steve Waksman and published by Univ of California Press. This book was released on 2009-02-04 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II
This is the other side of the Google story, the unauthorized book that Google does not want you to read. In it, the author, a Google expert shows that the world's most powerful company is not who it pretends to be. Google pretends to be a harmless lamb, but chose a full size model of a Tyrannosaurus Rex as its mascot. Beware the T Rex in sheep's clothing. Google has acquired far more information, both public and private, and has invented more ways to use it, than anyone in history. Information is power, and in Google's case, it is the power to influence and control virtually everything the Internet touches. Google's power is largely unchecked, unaccountable, and grossly underestimated. Google is the Internet's lone superpower, the new master of the digital information universe. And Google's power depends almost entirely on the blind trust it has gained through masterful duplicity. Google routinely says one thing and does another. The author proves the world's number one brand untrustworthy. He exposes the unethical company hiding behind a "don't be evil" slogan. He uncovers Google's hidden political agenda. And he reveals how Google's famed mission to organize the world's information is destructive and wrong. He critically examines where Google is leading us, explain why we do not want to go there, and proposes solutions. Google's centralization of power over the world's information is corrupting both Google and the Internet, a natural result of unchecked power. Google is evolving from an information servant to master, from working for users, to making users work for the Internet behemoth. This book demonstrates that Google's goal is to change the world by influencing and controlling information access. Ultimately, Google's immense unchecked power is destructive precisely because Google is so political, unethical and untrustworthy. Learn how Google's pervasive tracking and profiling destroys privacy and individualism; Discover how Google Inc. uses its "Don't be evil" slogan to mask unethical business practices; Learn how Google's market dominance and free products threaten competition, innovation, job creation, and economic growth; Discover how Google's hidden political agenda threatens individual freedom, democracy, and national sovereignty; Understand the ramifications of Google imposing its radical values and ideology on the world.
Book Synopsis Search & Destroy by : Scott Cleland
Download or read book Search & Destroy written by Scott Cleland and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the other side of the Google story, the unauthorized book that Google does not want you to read. In it, the author, a Google expert shows that the world's most powerful company is not who it pretends to be. Google pretends to be a harmless lamb, but chose a full size model of a Tyrannosaurus Rex as its mascot. Beware the T Rex in sheep's clothing. Google has acquired far more information, both public and private, and has invented more ways to use it, than anyone in history. Information is power, and in Google's case, it is the power to influence and control virtually everything the Internet touches. Google's power is largely unchecked, unaccountable, and grossly underestimated. Google is the Internet's lone superpower, the new master of the digital information universe. And Google's power depends almost entirely on the blind trust it has gained through masterful duplicity. Google routinely says one thing and does another. The author proves the world's number one brand untrustworthy. He exposes the unethical company hiding behind a "don't be evil" slogan. He uncovers Google's hidden political agenda. And he reveals how Google's famed mission to organize the world's information is destructive and wrong. He critically examines where Google is leading us, explain why we do not want to go there, and proposes solutions. Google's centralization of power over the world's information is corrupting both Google and the Internet, a natural result of unchecked power. Google is evolving from an information servant to master, from working for users, to making users work for the Internet behemoth. This book demonstrates that Google's goal is to change the world by influencing and controlling information access. Ultimately, Google's immense unchecked power is destructive precisely because Google is so political, unethical and untrustworthy. Learn how Google's pervasive tracking and profiling destroys privacy and individualism; Discover how Google Inc. uses its "Don't be evil" slogan to mask unethical business practices; Learn how Google's market dominance and free products threaten competition, innovation, job creation, and economic growth; Discover how Google's hidden political agenda threatens individual freedom, democracy, and national sovereignty; Understand the ramifications of Google imposing its radical values and ideology on the world.
SeaLion Supremacy is World War 2 tabletop naval wargaming delivered in a format to use for both experienced wargamers, but also those new to the naval wargaming scene. Designed by a long term fan and user of other naval wargaming rules to present his own take on the genre. Designed to be used with our range of WW2 hex counters and basemaps, players don’t have to invest in expensive physical miniatures and can use counters (see seperate products) that are cheap to produce. The rules can be used with larger hex grids and physical miniatures if users decide to play it that way. The rules include fleet ship specs for many popular ships from the following Word War 2 navies: • British • French • German • Italy • Japan • United States Also included are specifications for various aircraft that would be involved in these naval battles. Designed to be used with d6 dice. Our printable product WW2 Naval warship hex counters expansion pack 2 contain the main counters for smokescreens, torpedoes and the likes used for these rules. This rulebook contains a mini A4 printable hex base for use in gaming if you don’t get one of our A3 sea hex map products.
Book Synopsis SeaLion Supremacy by : Philip Warnes
Download or read book SeaLion Supremacy written by Philip Warnes and published by FSpace Publications. This book was released on 2017-06-01 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: SeaLion Supremacy is World War 2 tabletop naval wargaming delivered in a format to use for both experienced wargamers, but also those new to the naval wargaming scene. Designed by a long term fan and user of other naval wargaming rules to present his own take on the genre. Designed to be used with our range of WW2 hex counters and basemaps, players don’t have to invest in expensive physical miniatures and can use counters (see seperate products) that are cheap to produce. The rules can be used with larger hex grids and physical miniatures if users decide to play it that way. The rules include fleet ship specs for many popular ships from the following Word War 2 navies: • British • French • German • Italy • Japan • United States Also included are specifications for various aircraft that would be involved in these naval battles. Designed to be used with d6 dice. Our printable product WW2 Naval warship hex counters expansion pack 2 contain the main counters for smokescreens, torpedoes and the likes used for these rules. This rulebook contains a mini A4 printable hex base for use in gaming if you don’t get one of our A3 sea hex map products.
RICK WARD WANTS TO GO TO WAR. And he's not sure why. Maybe he's running from his dad and his crazy temper. Maybe he's running from his girl, who seems to think he's more of a joke than a man. Or maybe he's just running -- to find himself. But after Rick ventures into the Vietnam jungle, he discovers that no one -- not protestors, politicians, or writers -- has got a clue. War is far bigger, scarier, and more complicated than anything he ever could have imagined.
Book Synopsis Search and Destroy by : Dean Hughes
Download or read book Search and Destroy written by Dean Hughes and published by Simon and Schuster. This book was released on 2015-07-21 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: RICK WARD WANTS TO GO TO WAR. And he's not sure why. Maybe he's running from his dad and his crazy temper. Maybe he's running from his girl, who seems to think he's more of a joke than a man. Or maybe he's just running -- to find himself. But after Rick ventures into the Vietnam jungle, he discovers that no one -- not protestors, politicians, or writers -- has got a clue. War is far bigger, scarier, and more complicated than anything he ever could have imagined.
"After the blast, Kurt Cobain's body slumped. Next to his corpse lay a piece of paper with his last words. At the time the bullet seared his head, Cobain was a rock star, his grizzled face graced the covers of slick music industry magazines, his songs received mainstream radio play, his band Nirvana performed in huge arenas. But he had been thinking an awful lot about what he called the "punk rock world" that saved his life during his teen years and that he had subsequently abandoned for stardom. He first encountered this world in the summer of 1983, at a free show the Melvins held in a Thriftway parking lot. After hearing the guttural sounds and watching kids dance by slamming against one another, he ran home and wrote in his journal: "This was what I was looking for," underlined twice. As he dove into this world, he recognized its blistering music played in odd venues, but also a wider array of creativity, like self-made zines, poetry, fiction, movies, artwork on flyers and record jackets, and even politics. This too: how all of these things opened up spaces for ideas and arguments. Now in his suicide note he reflected on his "punk rock 101 courses," where he learned "ethics involved with independence and the embracement of your community."2 There are people who can recount where they were when Cobain's suicide became news. I was in Ithaca, NY, finishing up my dissertation... but my mind immediately hurled backwards to growing up in Washington, D.C.'s "metropolitan area" (euphemism for suburban sprawl). I started to remember the first time I entered this "punk rock world." Around a year or two before Cobain went to the Thriftway parking lot, I opened the doors of the Chancery, a small club in Washington, D.C., and witnessed a tiny little stage, maybe a foot and a half off the ground. Suddenly, a small kid about my age (fifteen), his hair bleached into a shade of white that glowed in the lights, jumped up. I remember it being brighter than expected (unlike my earlier, wee-boy experiences in darkened, cavernous arenas where bands like Kiss or Cheap Trick would play to me and thousands of stoned audience members). This kid with the blond hair might have said something, I don't remember, what I recall is that his band broke into the fastest, most vicious sounding music I had ever heard. Suddenly bodies started flying through the air, young men (mostly) propelling themselves off the ground into the space between one another, flailing their arms, skin smacking skin. Control was lost, for when a body moved in one direction, another body collided into its path. When someone fell over, another would pick him up. The bodies got pushed onto the stage, making it hard to differentiate performer from audience member. At one moment it appeared the singer had been tackled by a clump of kids, and he seemed to smile. Sometimes, I could even make out what the fifteen-year old was shouting, especially, "I'm going to make their society bleed!" Overwhelmed, I rushed outside to clear my head"--
Book Synopsis We're Not Here to Entertain by : Kevin Mattson
Download or read book We're Not Here to Entertain written by Kevin Mattson and published by Oxford University Press, USA. This book was released on 2020 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: "After the blast, Kurt Cobain's body slumped. Next to his corpse lay a piece of paper with his last words. At the time the bullet seared his head, Cobain was a rock star, his grizzled face graced the covers of slick music industry magazines, his songs received mainstream radio play, his band Nirvana performed in huge arenas. But he had been thinking an awful lot about what he called the "punk rock world" that saved his life during his teen years and that he had subsequently abandoned for stardom. He first encountered this world in the summer of 1983, at a free show the Melvins held in a Thriftway parking lot. After hearing the guttural sounds and watching kids dance by slamming against one another, he ran home and wrote in his journal: "This was what I was looking for," underlined twice. As he dove into this world, he recognized its blistering music played in odd venues, but also a wider array of creativity, like self-made zines, poetry, fiction, movies, artwork on flyers and record jackets, and even politics. This too: how all of these things opened up spaces for ideas and arguments. Now in his suicide note he reflected on his "punk rock 101 courses," where he learned "ethics involved with independence and the embracement of your community."2 There are people who can recount where they were when Cobain's suicide became news. I was in Ithaca, NY, finishing up my dissertation... but my mind immediately hurled backwards to growing up in Washington, D.C.'s "metropolitan area" (euphemism for suburban sprawl). I started to remember the first time I entered this "punk rock world." Around a year or two before Cobain went to the Thriftway parking lot, I opened the doors of the Chancery, a small club in Washington, D.C., and witnessed a tiny little stage, maybe a foot and a half off the ground. Suddenly, a small kid about my age (fifteen), his hair bleached into a shade of white that glowed in the lights, jumped up. I remember it being brighter than expected (unlike my earlier, wee-boy experiences in darkened, cavernous arenas where bands like Kiss or Cheap Trick would play to me and thousands of stoned audience members). This kid with the blond hair might have said something, I don't remember, what I recall is that his band broke into the fastest, most vicious sounding music I had ever heard. Suddenly bodies started flying through the air, young men (mostly) propelling themselves off the ground into the space between one another, flailing their arms, skin smacking skin. Control was lost, for when a body moved in one direction, another body collided into its path. When someone fell over, another would pick him up. The bodies got pushed onto the stage, making it hard to differentiate performer from audience member. At one moment it appeared the singer had been tackled by a clump of kids, and he seemed to smile. Sometimes, I could even make out what the fifteen-year old was shouting, especially, "I'm going to make their society bleed!" Overwhelmed, I rushed outside to clear my head"--
Book Synopsis The Bible Students Guide to the More Correct Understanding of the English Translation of the Old Testament, by Reference to the Original Hebrew by : William Wilson
Download or read book The Bible Students Guide to the More Correct Understanding of the English Translation of the Old Testament, by Reference to the Original Hebrew written by William Wilson and published by . This book was released on 1870 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt:
World War I was the crucible of antisubmarine warfare (ASW), and the years of trial and error between 1914 and 1918 gave rise to the weapons and tactics used by today's ASW forces. With this study, military historian Dwight Messimer examines the weapons, tactics, and organization used by all the belligerents during the war and provides some surprising findings. Because he draws heavily from personal accounts as well as from official records, his book will appeal to both serious readers seeking hard facts and to general readers who like stories about war at sea. Messimer tells the story from both sides. German survivors who escaped from sunken U-boats explain what it was like to face the newly developed ASW weapons beneath the surface, and pilots tell what it was like from above. The author describes the German's well-organized and efficient ASW organization in the Baltic and the Helgoland Bight. He also discusses the weapons developed during the war that proved to be largely ineffective or outright failures. While his evaluations of the contributions made by aircraft and Q-ships put them in the category of only marginally effective, his analysis of the effectiveness of politics deems that ASW "weapon" the most effective of all. Solidly grounded in the best primary sources available in England, the United States, and Germany, this book is the first to address the ASW of all World War I belligerents.
Book Synopsis Find and Destroy by : Dwight R. Messimer
Download or read book Find and Destroy written by Dwight R. Messimer and published by US Naval Institute Press. This book was released on 2001 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: World War I was the crucible of antisubmarine warfare (ASW), and the years of trial and error between 1914 and 1918 gave rise to the weapons and tactics used by today's ASW forces. With this study, military historian Dwight Messimer examines the weapons, tactics, and organization used by all the belligerents during the war and provides some surprising findings. Because he draws heavily from personal accounts as well as from official records, his book will appeal to both serious readers seeking hard facts and to general readers who like stories about war at sea. Messimer tells the story from both sides. German survivors who escaped from sunken U-boats explain what it was like to face the newly developed ASW weapons beneath the surface, and pilots tell what it was like from above. The author describes the German's well-organized and efficient ASW organization in the Baltic and the Helgoland Bight. He also discusses the weapons developed during the war that proved to be largely ineffective or outright failures. While his evaluations of the contributions made by aircraft and Q-ships put them in the category of only marginally effective, his analysis of the effectiveness of politics deems that ASW "weapon" the most effective of all. Solidly grounded in the best primary sources available in England, the United States, and Germany, this book is the first to address the ASW of all World War I belligerents.
This is the first ever compilation on Internet television and provides details of 405 programs from 1998 to 2013. Each entry contains the storyline, descriptive episode listings, cast and crew lists, the official website and comments. An index of personnel and programs concludes the book. From Barry the Demon Hunter to Time Traveling Lesbian to Hamilton Carver, Zombie P.I., it is a previously undocumented entertainment medium that is just now coming into focus. Forty-eight photos accompany the text.
Book Synopsis Internet Horror, Science Fiction and Fantasy Television Series, 1998-2013 by : Vincent Terrace
Download or read book Internet Horror, Science Fiction and Fantasy Television Series, 1998-2013 written by Vincent Terrace and published by McFarland. This book was released on 2014-05-14 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first ever compilation on Internet television and provides details of 405 programs from 1998 to 2013. Each entry contains the storyline, descriptive episode listings, cast and crew lists, the official website and comments. An index of personnel and programs concludes the book. From Barry the Demon Hunter to Time Traveling Lesbian to Hamilton Carver, Zombie P.I., it is a previously undocumented entertainment medium that is just now coming into focus. Forty-eight photos accompany the text.
