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When it comes to creating breathtaking landscapes, capturing the beauty of nature can be tricky. This step-by-step guide takes the guesswork out of the equation, offering 14 easy formulas for translating eye-catching details in your own work. You'll come away with all the knowledge you need to create stunning works of art.
Book Synopsis Secrets to Composition by : Barbara Nuss
Download or read book Secrets to Composition written by Barbara Nuss and published by Echo Point Books & Media. This book was released on 2018-10-26 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: When it comes to creating breathtaking landscapes, capturing the beauty of nature can be tricky. This step-by-step guide takes the guesswork out of the equation, offering 14 easy formulas for translating eye-catching details in your own work. You'll come away with all the knowledge you need to create stunning works of art.
Now you can capture all the beauty of nature with a composition that works every time. No matter what medium you work in, this easy-to-follow guide shows you precisely how to put together breathtaking landscapes. You'll learn 14 easy formulas for translating what you see in nature into eye-catching paintings. These strategies work on everything from sunsets and ocean views to trees and wildflowers. You can paint exactly what inspires you better than you ever thought possible. With clear step-by-step demonstrations in oil and watercolor, it doesn't take long to master every valuable lesson. You'll discover the art of moving or eliminating real-world objects to best suit your paintings. These simple techniques will add more drama and life to your work. From first sketch to final brushstroke, this is the only book you need to create fabulous landscapes. Take your art to the next level today! As an artist, there are few things more thrilling than re-creating the beauty of nature. It's the ultimate creative goal turn a gorgeous real-life scene into an even more breathtaking landscape painting. The 14 formulas in this book show you exactly how to make that happen. You'll learn all the tips, tricks and techniques you need to paint fabulous landscapes, no matter what medium you work in. This is the essential guide for capturing your favorite outdoor scenes. Book jacket.
Book Synopsis 14 Formulas for Painting Fabulous Landscapes by : Barbara Nuss
Download or read book 14 Formulas for Painting Fabulous Landscapes written by Barbara Nuss and published by Northlight. This book was released on 2004 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now you can capture all the beauty of nature with a composition that works every time. No matter what medium you work in, this easy-to-follow guide shows you precisely how to put together breathtaking landscapes. You'll learn 14 easy formulas for translating what you see in nature into eye-catching paintings. These strategies work on everything from sunsets and ocean views to trees and wildflowers. You can paint exactly what inspires you better than you ever thought possible. With clear step-by-step demonstrations in oil and watercolor, it doesn't take long to master every valuable lesson. You'll discover the art of moving or eliminating real-world objects to best suit your paintings. These simple techniques will add more drama and life to your work. From first sketch to final brushstroke, this is the only book you need to create fabulous landscapes. Take your art to the next level today! As an artist, there are few things more thrilling than re-creating the beauty of nature. It's the ultimate creative goal turn a gorgeous real-life scene into an even more breathtaking landscape painting. The 14 formulas in this book show you exactly how to make that happen. You'll learn all the tips, tricks and techniques you need to paint fabulous landscapes, no matter what medium you work in. This is the essential guide for capturing your favorite outdoor scenes. Book jacket.
Create art that's more attractive, interesting and eye-catching! Even if your perspective is accurate, your subject realistic and colors vibrant, a weak composition - predictable, repetitious or monotonous - means a weak painting. The Simple Secret to Better Painting ensures that your compositions work every time. It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same. You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point. Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more. You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.
Book Synopsis The Simple Secret to Better Painting by : Greg Albert
Download or read book The Simple Secret to Better Painting written by Greg Albert and published by Penguin. This book was released on 2003-04-23 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Create art that's more attractive, interesting and eye-catching! Even if your perspective is accurate, your subject realistic and colors vibrant, a weak composition - predictable, repetitious or monotonous - means a weak painting. The Simple Secret to Better Painting ensures that your compositions work every time. It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same. You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point. Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more. You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.
What are the secrets of great landscape painting? Discover them in a straightforward, highly visual and enjoyable way with this unique handbook that will quickly become an indispensable companion for painting landscapes in oils, acrylics, pastels etc. Designed as much for beginners as for experienced artists, it is a complete and engaging practical guide to landscape painting. Highly visual, straightforward and easy to use, this manual is an indispensable tool in discovering the secrets hidden beneath great paintings and how to apply them to your own work. Designed both for those new to landscape painting and artists experienced within the genre, this is a comprehensive practical guide that is engaging and inspiring. Illustrated in collaboration with some of the best contemporary landscape painters, the book has hundreds of images and diagrams, as well as QR links to complementing videos , which help readers understand and put to use the techniques and information set out in each chapter. You will discover composition as your greatest ally in depicting landscapes at their most engaging as well as how to maximise your creative experience and process. You will: Get to know and learn to use essential compositional resources for successful paintings. Improve the spatial depth and three-dimensionality of your landscapes Establish visual pathways through your paintings to attract and hold the viewer ́s attention. Identify which types of landscapes are interesting to paint. Discover better formats, framing and view-points. You will also learn how to: In summary - an essential guide for learning to paint and to appreciate landscapes. Create and reinforce a focal point to increase a painting ́s intensity. Highlight or adjust elements of a landscape, depending on what you wish to express. Master the different perspective types applicable to landscapes. Decide the most appropriate pictorial treatment for each area of a painting, depending on its role within the painting. José Payá is the director of "Gaia, Centro de Estudios de Arte y Restauración" (Gaia Centre for the Study of Art and Restauration), the most prestigious art school in Valencia (Spain) and has taught landscape painting since 1992. As a result of his desire to improve amateur learning and to address shortcomings he has detected in the range of books available teaching landscape painting, his series ̈The Secrets of Landscape Painting: Landscape Painting and Composition) was born. This is the first volume, to be followed by six additional titles. His work is available to view and purchase at www.josepaya.es.
Book Synopsis Landscape Painting and Composition by : José Payá Zaforteza
Download or read book Landscape Painting and Composition written by José Payá Zaforteza and published by . This book was released on 2021-07-20 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: What are the secrets of great landscape painting? Discover them in a straightforward, highly visual and enjoyable way with this unique handbook that will quickly become an indispensable companion for painting landscapes in oils, acrylics, pastels etc. Designed as much for beginners as for experienced artists, it is a complete and engaging practical guide to landscape painting. Highly visual, straightforward and easy to use, this manual is an indispensable tool in discovering the secrets hidden beneath great paintings and how to apply them to your own work. Designed both for those new to landscape painting and artists experienced within the genre, this is a comprehensive practical guide that is engaging and inspiring. Illustrated in collaboration with some of the best contemporary landscape painters, the book has hundreds of images and diagrams, as well as QR links to complementing videos , which help readers understand and put to use the techniques and information set out in each chapter. You will discover composition as your greatest ally in depicting landscapes at their most engaging as well as how to maximise your creative experience and process. You will: Get to know and learn to use essential compositional resources for successful paintings. Improve the spatial depth and three-dimensionality of your landscapes Establish visual pathways through your paintings to attract and hold the viewer ́s attention. Identify which types of landscapes are interesting to paint. Discover better formats, framing and view-points. You will also learn how to: In summary - an essential guide for learning to paint and to appreciate landscapes. Create and reinforce a focal point to increase a painting ́s intensity. Highlight or adjust elements of a landscape, depending on what you wish to express. Master the different perspective types applicable to landscapes. Decide the most appropriate pictorial treatment for each area of a painting, depending on its role within the painting. José Payá is the director of "Gaia, Centro de Estudios de Arte y Restauración" (Gaia Centre for the Study of Art and Restauration), the most prestigious art school in Valencia (Spain) and has taught landscape painting since 1992. As a result of his desire to improve amateur learning and to address shortcomings he has detected in the range of books available teaching landscape painting, his series ̈The Secrets of Landscape Painting: Landscape Painting and Composition) was born. This is the first volume, to be followed by six additional titles. His work is available to view and purchase at www.josepaya.es.
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Book Synopsis Problem Solving for Oil Painters by : Gregg Kreutz
Download or read book Problem Solving for Oil Painters written by Gregg Kreutz and published by Watson-Guptill. This book was released on 1997-04-01 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Book Synopsis Hints on Light and Shadow, Composition, Etc by : Samuel Prout
Download or read book Hints on Light and Shadow, Composition, Etc written by Samuel Prout and published by . This book was released on 1838 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Book Synopsis Courbet and the Modern Landscape by :
Download or read book Courbet and the Modern Landscape written by and published by Getty Publications. This book was released on 2006 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Book Synopsis Historical Painting Techniques, Materials, and Studio Practice by : Arie Wallert
Download or read book Historical Painting Techniques, Materials, and Studio Practice written by Arie Wallert and published by Getty Publications. This book was released on 1995-08-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--
Book Synopsis The Landscape Painter's Workbook by : Mitchell Albala
Download or read book The Landscape Painter's Workbook written by Mitchell Albala and published by For Artists. This book was released on 2022-01-25 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--
Whether you are a beginner or a professional, composition is one of the greatest and most fundamental challenges an artist faces. Start your painting with a strong composition and odds are high your painting will sing. But lessons learned from The Simple Secret to Better Painting don't stop at basic composition; they also apply to color, shapes, and tonal values. In this concise, comprehensive work, author, artist, and educator Greg Albert reveals the simple keys to unlock the door to better paintings. In his own words, "applied consistently, one rule of composition will eliminate all the most subtle design flaws. The ONE RULE is: Never make any two intervals the same." These intervals may include distance between lines, gradation of color, tonal value, and shapes.
Book Synopsis The Simple Secret to Better Painting by : Greg Albert
Download or read book The Simple Secret to Better Painting written by Greg Albert and published by . This book was released on 2021 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether you are a beginner or a professional, composition is one of the greatest and most fundamental challenges an artist faces. Start your painting with a strong composition and odds are high your painting will sing. But lessons learned from The Simple Secret to Better Painting don't stop at basic composition; they also apply to color, shapes, and tonal values. In this concise, comprehensive work, author, artist, and educator Greg Albert reveals the simple keys to unlock the door to better paintings. In his own words, "applied consistently, one rule of composition will eliminate all the most subtle design flaws. The ONE RULE is: Never make any two intervals the same." These intervals may include distance between lines, gradation of color, tonal value, and shapes.
