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Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Senecan Tragedy and the Reception of Augustan Poetry reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him.
Book Synopsis Senecan Tragedy and the Reception of Augustan Poetry by : Christopher V. Trinacty
Download or read book Senecan Tragedy and the Reception of Augustan Poetry written by Christopher V. Trinacty and published by Oxford University Press, USA. This book was released on 2014 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Senecan Tragedy and the Reception of Augustan Poetry reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him.
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
Book Synopsis Shakespeare and Senecan Tragedy by : Curtis Perry
Download or read book Shakespeare and Senecan Tragedy written by Curtis Perry and published by Cambridge University Press. This book was released on 2020-10-15 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
This volume is the first systematic study of Seneca’s interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once groundbreaking and stimulating to further study. Focusing on the Dialogues, the Naturales quaestiones, and the Moral Epistles, the volume includes multi- perspectival studies of Seneca’s interaction with all the great Latin epics (Lucretius, Vergil and Ovid), and discussions of how Seneca’s philosophical thought is informed by Hellenistic doxography, forensic rhetoric and declamation, the Homeric tradition, Euripidean tragedy and Greco-Roman mythology. The studies analyzes the philosophy behind Seneca’s incorporating exact quotations from earlier tradition (including his criteria of selectivity) and Seneca’s interaction with ideas, trends and techniques from different sources, in order to elucidate his philosophical ideas and underscore his original contribution to the discussion of established philosophical traditions. They also provide a fresh interpretation of moral issues with particular application to the Roman worldview as fashioned by the mos maiorum. The volume, finally, features detailed discussion of the ways in which Seneca, the author of philosophical prose, puts forward his stance towards poetics and figures himself as a poet. Intertextuality in Seneca’s Philosophical Writings will be of interest not only to those working on Seneca’s philosophical works, but also to anyone working on Latin literature and intertextuality in the ancient world.
Book Synopsis Intertextuality in Seneca’s Philosophical Writings by : Myrto Garani
Download or read book Intertextuality in Seneca’s Philosophical Writings written by Myrto Garani and published by Routledge. This book was released on 2020-03-19 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first systematic study of Seneca’s interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once groundbreaking and stimulating to further study. Focusing on the Dialogues, the Naturales quaestiones, and the Moral Epistles, the volume includes multi- perspectival studies of Seneca’s interaction with all the great Latin epics (Lucretius, Vergil and Ovid), and discussions of how Seneca’s philosophical thought is informed by Hellenistic doxography, forensic rhetoric and declamation, the Homeric tradition, Euripidean tragedy and Greco-Roman mythology. The studies analyzes the philosophy behind Seneca’s incorporating exact quotations from earlier tradition (including his criteria of selectivity) and Seneca’s interaction with ideas, trends and techniques from different sources, in order to elucidate his philosophical ideas and underscore his original contribution to the discussion of established philosophical traditions. They also provide a fresh interpretation of moral issues with particular application to the Roman worldview as fashioned by the mos maiorum. The volume, finally, features detailed discussion of the ways in which Seneca, the author of philosophical prose, puts forward his stance towards poetics and figures himself as a poet. Intertextuality in Seneca’s Philosophical Writings will be of interest not only to those working on Seneca’s philosophical works, but also to anyone working on Latin literature and intertextuality in the ancient world.
The first full-length study of fictional character in Senecan tragedy, focusing on issues of coherence, imitation, appearance and autonomy.
Book Synopsis Seneca's Characters by : Erica M. Bexley
Download or read book Seneca's Characters written by Erica M. Bexley and published by Cambridge University Press. This book was released on 2022-07-07 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study of fictional character in Senecan tragedy, focusing on issues of coherence, imitation, appearance and autonomy.
This book examines the life and political career of Albertino Mussato (1261–1329), a Paduan poet, historian and politician. Mussato was one of the first writers of the late medieval period to begin reviving classical Latin in his works. His classical style tragic drama Ecerinis, inspired by the writings of Seneca, paved the way for him to be crowned as the first poet laureate since antiquity. This work outlines how Mussato depicted the course of his own career, from being an impoverished teenager of insignificant birth to becoming a celebrated poet and scholar, as well as an influential political figure. It looks specifically at the years leading up to Mussato’s public coronation, on 3rd December 1315, as poet laureate for his city. His writings are a key component of his political manoeuvres as he tried to navigate through the troubled waters of northern Italian politics. The book demonstrates how the sources pertaining to Mussato’s life and career are part of an exercise in self-promotion and self-fashioning, intended to secure his position within factional politics, but rooted in a philosophical approach derived from his early classical studies. Accordingly, this book acts as a fully-fledged account of the interaction between Mussato’s writings and his political career, and how this contributed to his rise to fame.
Book Synopsis Albertino Mussato: The Making of a Poet Laureate by : Aislinn McCabe
Download or read book Albertino Mussato: The Making of a Poet Laureate written by Aislinn McCabe and published by Routledge. This book was released on 2022-01-27 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the life and political career of Albertino Mussato (1261–1329), a Paduan poet, historian and politician. Mussato was one of the first writers of the late medieval period to begin reviving classical Latin in his works. His classical style tragic drama Ecerinis, inspired by the writings of Seneca, paved the way for him to be crowned as the first poet laureate since antiquity. This work outlines how Mussato depicted the course of his own career, from being an impoverished teenager of insignificant birth to becoming a celebrated poet and scholar, as well as an influential political figure. It looks specifically at the years leading up to Mussato’s public coronation, on 3rd December 1315, as poet laureate for his city. His writings are a key component of his political manoeuvres as he tried to navigate through the troubled waters of northern Italian politics. The book demonstrates how the sources pertaining to Mussato’s life and career are part of an exercise in self-promotion and self-fashioning, intended to secure his position within factional politics, but rooted in a philosophical approach derived from his early classical studies. Accordingly, this book acts as a fully-fledged account of the interaction between Mussato’s writings and his political career, and how this contributed to his rise to fame.
This volume examines emotional trauma in the ancient world, focusing on literary texts from different genres (epic, theatre, lyric poetry, philosophy, historiography) and archaeological evidence. The material covered spans geographically from Greece and Rome to Judaea, with a chronological range from about 8th c. bce to 1st c. ce. The collection is organized according to broad themes to showcase the wide range of possibilities that trauma theory offers as a theoretical framework for a new analysis of ancient sources. It also demonstrates the various ways in which ancient texts illuminate contemporary problems and debates in trauma studies.
Book Synopsis Emotional Trauma in Greece and Rome by : Andromache Karanika
Download or read book Emotional Trauma in Greece and Rome written by Andromache Karanika and published by Routledge. This book was released on 2019-11-28 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines emotional trauma in the ancient world, focusing on literary texts from different genres (epic, theatre, lyric poetry, philosophy, historiography) and archaeological evidence. The material covered spans geographically from Greece and Rome to Judaea, with a chronological range from about 8th c. bce to 1st c. ce. The collection is organized according to broad themes to showcase the wide range of possibilities that trauma theory offers as a theoretical framework for a new analysis of ancient sources. It also demonstrates the various ways in which ancient texts illuminate contemporary problems and debates in trauma studies.
Hercules is a tragedy of great theatrical, poetic, and cultural value. Written probably at the intersection of the principates of Claudius and Nero, it addresses central issues of early imperial Rome, even as it speaks profoundly to our times. Among its concerns are violence and madness; imperatives of family and self; Rome, identity and place; the nature of virtue; the longing for immortality; the theatre of rage; and the empire of death. The play is dramatically innovative, spectacular, and arresting: from its fiery, monumental god-prologue (the only one in Senecan tragedy), through meditative soliloquies, impassioned speeches, trenchant dialogue, a failed wooing scene with an impressive after-life in Tudor drama, a stunning entrance for Hercules and his captured hellhound, Theseus' ecphrastic narrative of the hero's infernal 'labour', to a familicidal madness scene and an emotionally turbulent, non-violent finale, in which the instinct for self-punitive suicide is thwarted by the claims of kinship and the acceptance of intolerable suffering. The whole is bound together by some of Seneca's most affective choral lyrics, as intellectually engaging as they are emotionally potent. Hercules is A. J. Boyle's sixth, full-scale edition for OUP of a play by or attributed to Seneca. It offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and academic study, and a detailed exegetic, analytic, and interpretative commentary. The aim has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and the ensuing literary and dramatic tradition. As such, its substantial influence on European drama from the sixteenth to the twenty-first centuries is given emphasis throughout; this and the accessibility of the commentary to Latinless readers make the edition particularly useful to scholars and students not only of classics, but also of comparative literature and drama, and to anyone interested in the cultural dynamics of literary reception and the interplay between theatre and history.
Book Synopsis Seneca Hercules by :
Download or read book Seneca Hercules written by and published by Oxford University Press. This book was released on 2023-07-06 with total page 806 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hercules is a tragedy of great theatrical, poetic, and cultural value. Written probably at the intersection of the principates of Claudius and Nero, it addresses central issues of early imperial Rome, even as it speaks profoundly to our times. Among its concerns are violence and madness; imperatives of family and self; Rome, identity and place; the nature of virtue; the longing for immortality; the theatre of rage; and the empire of death. The play is dramatically innovative, spectacular, and arresting: from its fiery, monumental god-prologue (the only one in Senecan tragedy), through meditative soliloquies, impassioned speeches, trenchant dialogue, a failed wooing scene with an impressive after-life in Tudor drama, a stunning entrance for Hercules and his captured hellhound, Theseus' ecphrastic narrative of the hero's infernal 'labour', to a familicidal madness scene and an emotionally turbulent, non-violent finale, in which the instinct for self-punitive suicide is thwarted by the claims of kinship and the acceptance of intolerable suffering. The whole is bound together by some of Seneca's most affective choral lyrics, as intellectually engaging as they are emotionally potent. Hercules is A. J. Boyle's sixth, full-scale edition for OUP of a play by or attributed to Seneca. It offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and academic study, and a detailed exegetic, analytic, and interpretative commentary. The aim has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and the ensuing literary and dramatic tradition. As such, its substantial influence on European drama from the sixteenth to the twenty-first centuries is given emphasis throughout; this and the accessibility of the commentary to Latinless readers make the edition particularly useful to scholars and students not only of classics, but also of comparative literature and drama, and to anyone interested in the cultural dynamics of literary reception and the interplay between theatre and history.
This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
Book Synopsis Horace and Seneca by : Martin Stöckinger
Download or read book Horace and Seneca written by Martin Stöckinger and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-12-04 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.
Book Synopsis Intratextuality and Latin Literature by : Stephen Harrison
Download or read book Intratextuality and Latin Literature written by Stephen Harrison and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-10-08 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.
Oedipus, king of Thebes, is one of the giant figures of ancient mythology. Through the centuries, his story has inspired works of epic poetry, lyric poetry, tragedy, opera, a gospel musical and more. The myth has been famously deployed in psychology by Sigmund Freud. It may not be too bold to claim that Oedipus is the name from Greco-Roman mythology best known beyond the academy at the present time, thanks to Freud's famous phrase 'the Oedipus complex'. The most famous version of the Oedipus myth from antiquity is the Greek play by Sophocles. But there is another version, the Latin drama by the Roman philosopher and politician Seneca. Seneca's version is an entirely different treatment from that of Sophocles and reflects concerns special to the author and his Roman audience in the first century AD. Moreover, the play actually exercised a much greater influence on European literature and thought than has usually been suspected. This book offers a compact and incisive study of the multi-faceted Oedipus myth, of Seneca as dramatist, of the distinctive characteristics of Seneca's play and of the most important aspects of the reception of the play in European drama and culture. The scope of the book ranges chronologically from Homer's treatment of Oedipus myth in the Odyssey down to a twenty-first century Senecan treatment by a Lebanese Canadian dramatist. No knowledge of Latin or other foreign languages is required.
Book Synopsis Seneca: Oedipus by : Susanna Braund
Download or read book Seneca: Oedipus written by Susanna Braund and published by Bloomsbury Publishing. This book was released on 2015-12-17 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Oedipus, king of Thebes, is one of the giant figures of ancient mythology. Through the centuries, his story has inspired works of epic poetry, lyric poetry, tragedy, opera, a gospel musical and more. The myth has been famously deployed in psychology by Sigmund Freud. It may not be too bold to claim that Oedipus is the name from Greco-Roman mythology best known beyond the academy at the present time, thanks to Freud's famous phrase 'the Oedipus complex'. The most famous version of the Oedipus myth from antiquity is the Greek play by Sophocles. But there is another version, the Latin drama by the Roman philosopher and politician Seneca. Seneca's version is an entirely different treatment from that of Sophocles and reflects concerns special to the author and his Roman audience in the first century AD. Moreover, the play actually exercised a much greater influence on European literature and thought than has usually been suspected. This book offers a compact and incisive study of the multi-faceted Oedipus myth, of Seneca as dramatist, of the distinctive characteristics of Seneca's play and of the most important aspects of the reception of the play in European drama and culture. The scope of the book ranges chronologically from Homer's treatment of Oedipus myth in the Odyssey down to a twenty-first century Senecan treatment by a Lebanese Canadian dramatist. No knowledge of Latin or other foreign languages is required.
