Download Seven Mozart Librettos full books in PDF, epub, and Kindle. Read online Seven Mozart Librettos ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Presents translations of librettos into verse of seven of Mozart's operas, including "The Marriage of Figaro," "Don Giovanni," and "Cosi Fan Tutte," featuring a history of each opera, dramatic recaps of the plots, and character lists.
Book Synopsis Seven Mozart Librettos by : Wolfgang Amadeus Mozart
Download or read book Seven Mozart Librettos written by Wolfgang Amadeus Mozart and published by W. W. Norton & Company. This book was released on 2011 with total page 1177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents translations of librettos into verse of seven of Mozart's operas, including "The Marriage of Figaro," "Don Giovanni," and "Cosi Fan Tutte," featuring a history of each opera, dramatic recaps of the plots, and character lists.
Book Synopsis Mozart's Librettos by : Wolfgang Amadeus Mozart
Download or read book Mozart's Librettos written by Wolfgang Amadeus Mozart and published by . This book was released on 1967 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt:
In honor of the worldwide, year-long bicentennial celebration of Mozart, here are new English translations and the original librettos of Wolfgang Amadeus Mozart's seven most popular operas. With photographs from the Met's archives, essays and performance histories for each operatic masterpiece, this is a celebratory work of the highest order and interest. Black-and-white photographs.
Book Synopsis The Metropolitan Opera Book of Mozart Operas by : Wolfgang Amadeus Mozart
Download or read book The Metropolitan Opera Book of Mozart Operas written by Wolfgang Amadeus Mozart and published by HarperCollins Publishers. This book was released on 1991 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: In honor of the worldwide, year-long bicentennial celebration of Mozart, here are new English translations and the original librettos of Wolfgang Amadeus Mozart's seven most popular operas. With photographs from the Met's archives, essays and performance histories for each operatic masterpiece, this is a celebratory work of the highest order and interest. Black-and-white photographs.
Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Book Synopsis Mozart's Operas by : Daniel Heartz
Download or read book Mozart's Operas written by Daniel Heartz and published by Univ of California Press. This book was released on 1990 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Book Synopsis The Librettos of Mozart's operas by : Wolfgang Amadeus Mozart
Download or read book The Librettos of Mozart's operas written by Wolfgang Amadeus Mozart and published by . This book was released on 1992 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Verdi, like most great opera composers, attached supreme importance to the words he was setting to music.
Book Synopsis Seven Verdi Librettos : with the original italian by : Giuseppe Verdi
Download or read book Seven Verdi Librettos : with the original italian written by Giuseppe Verdi and published by W. W. Norton & Company. This book was released on 1977 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: Verdi, like most great opera composers, attached supreme importance to the words he was setting to music.
Book Synopsis Mozart's Opera Marriage of Figaro by : Wolfgang Amadeus Mozart
Download or read book Mozart's Opera Marriage of Figaro written by Wolfgang Amadeus Mozart and published by . This book was released on 1888 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Great Operas of Mozart by : Wolfgang Amadeus Mozart
Download or read book The Great Operas of Mozart written by Wolfgang Amadeus Mozart and published by . This book was released on 1962 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Handy practical guide to three of Mozart's most popular operas. Excellent line-for-line English translations face the Italian texts. Also introductions, plot synopses, and lists of characters for each opera.
Book Synopsis Three Mozart Libretti by : Wolfgang Amadeus Mozart
Download or read book Three Mozart Libretti written by Wolfgang Amadeus Mozart and published by Courier Corporation. This book was released on 1993-01-01 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Handy practical guide to three of Mozart's most popular operas. Excellent line-for-line English translations face the Italian texts. Also introductions, plot synopses, and lists of characters for each opera.
Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.
Book Synopsis Opera in Performance by : Clemens Risi
Download or read book Opera in Performance written by Clemens Risi and published by Routledge. This book was released on 2021-09-27 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.