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This collection of essays is the first to reassess a range of Shakespeare's plays in relation to carnivalesque theory. Contributors re-historicize the carnivalesque in different ways, offering both a developed application, or critique of, Bakhtin's thought.
Book Synopsis Shakespeare and Carnival by : R. Knowles
Download or read book Shakespeare and Carnival written by R. Knowles and published by Springer. This book was released on 1998-05-11 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays is the first to reassess a range of Shakespeare's plays in relation to carnivalesque theory. Contributors re-historicize the carnivalesque in different ways, offering both a developed application, or critique of, Bakhtin's thought.
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Book Synopsis Shakespeare and the Culture of Paradox by : Peter G. Platt
Download or read book Shakespeare and the Culture of Paradox written by Peter G. Platt and published by Routledge. This book was released on 2016-04-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.
Book Synopsis Serial Shakespeare by : Elisabeth Bronfen
Download or read book Serial Shakespeare written by Elisabeth Bronfen and published by Manchester University Press. This book was released on 2020-10-27 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare’s preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary.
The Bottom Translation represents the first critical attempt at applying the ideas and methods of the great Russian critic, Mikhail Bakhtin, to the works of Shakespeare and other Elizabethans. Professor Kott uncovers the cultural and mythopoetic traditions underlying A Midsummer Night's Dream, The Tempest, Dr. Faustus, and other plays. His method draws him to interpret these works in the light of the carnival and popular tradition as it was set forth by Bakhtin. The Bottom Translation breaks new ground in critical thinking and theatrical vision and is an invaluable source of new ideas and perspectives. Included in this volume is also an extraordinary essay on Kurosawa's "Ran" in which the Japanese filmmaker recreates King Lear.
Book Synopsis The Bottom Translation by : Jan Kott
Download or read book The Bottom Translation written by Jan Kott and published by Northwestern University Press. This book was released on 1987 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bottom Translation represents the first critical attempt at applying the ideas and methods of the great Russian critic, Mikhail Bakhtin, to the works of Shakespeare and other Elizabethans. Professor Kott uncovers the cultural and mythopoetic traditions underlying A Midsummer Night's Dream, The Tempest, Dr. Faustus, and other plays. His method draws him to interpret these works in the light of the carnival and popular tradition as it was set forth by Bakhtin. The Bottom Translation breaks new ground in critical thinking and theatrical vision and is an invaluable source of new ideas and perspectives. Included in this volume is also an extraordinary essay on Kurosawa's "Ran" in which the Japanese filmmaker recreates King Lear.
Book Synopsis A Midsummer-night's Dream by : William Shakespeare
Download or read book A Midsummer-night's Dream written by William Shakespeare and published by . This book was released on 1874 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him.
Book Synopsis Shakespeare's Clown by : David Wiles
Download or read book Shakespeare's Clown written by David Wiles and published by Cambridge University Press. This book was released on 2005-06-30 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him.
A summer by the seashore turns into a fantastical adventure for Tess & Max in this magical tale filled with excitement, acrobatics, hypnosis, and wonder. Tess and Max are back in England for another summer with their Aunt Evie--this time by the seashore in South Devon. And they're incredibly excited about the travelling carnival that's come to town. There are rides, games, acrobats, The House of Mirrors--and even a psychic, with a beautiful wagon all her own. In a visit to the psychic's wagon, while Tess is being hypnotized, the wagon seems to move. Before Tess can shake herself out of the hypnosis, before Max can do anything, they seem to be travelling--along with the rest of the carnival--too quickly for the two of them to jump out. But where are they going and what awaits them? Will they be caught in a world different from their own? And do the Baranova twins, acrobats who miss their sister almost as much as Tess and Max miss their family, hold the keys to the mystery? Internationally bestselling author Amy Ephron returns with a companion novel to The Castle in the Mist and creates a magical tale filled with adventure, mystery, fantasy, family, and fun. Praise for Carnival Magic: "Full of wonder and real-life enchantment, Amy Ephron's Carnival Magic is a charming adventure that will make a believer out of anyone!" —Rachel Vail, author of Well, That Was Awkward and the Friendship Ring series "Tess is a thoroughly modern heroine: She's athletic, impulsive, and fearless . . . The siblings are authentic children [and] the fantastic elements are the stuff of daydreams. Perfect for classroom read-alouds." —Kirkus Reviews "The short chapters filled with mystery and action will have readers eagerly continuing to discover the secrets that await them. . . . Fans of the first book will be eager for this fun middle-grade fantasy with a classic sensibility." —Booklist "The setting is contemporary—yet the language and tone feel distinctly nostalgic. This novel, which works as a stand alone, will captivate readers who enjoy their whimsy with a dash of risk." —School Library Journal "[Carnival Magic is] a softer otherworldly take on childhood mystery, reminiscent of classics like A Secret Garden . . . [it] is in itself an escape. Tess especially follows in that lineage of strong, intelligent female characters – a sort of Lucy Pevensie/Hermione Granger hybrid who is a leader, who believes in magic." —Teen Vogue "Amy Ephron has always been a magical storyteller. . . . In Carnival Magic, the companion book to Ephron’s successful The Castle in the Mist . . . Tess and Max are teaching children and their parents about the power of thoughtful decision-making, loyalty, and self-confidence. Life lessons and carnival rides . . . the perfect beach read for all ages." —Parade “Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this ‘alternate universe’ it is possible for us to come together and ‘touch the sky.’” —Jewish Journal
Book Synopsis Carnival Magic by : Amy Ephron
Download or read book Carnival Magic written by Amy Ephron and published by Penguin. This book was released on 2018-05-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: A summer by the seashore turns into a fantastical adventure for Tess & Max in this magical tale filled with excitement, acrobatics, hypnosis, and wonder. Tess and Max are back in England for another summer with their Aunt Evie--this time by the seashore in South Devon. And they're incredibly excited about the travelling carnival that's come to town. There are rides, games, acrobats, The House of Mirrors--and even a psychic, with a beautiful wagon all her own. In a visit to the psychic's wagon, while Tess is being hypnotized, the wagon seems to move. Before Tess can shake herself out of the hypnosis, before Max can do anything, they seem to be travelling--along with the rest of the carnival--too quickly for the two of them to jump out. But where are they going and what awaits them? Will they be caught in a world different from their own? And do the Baranova twins, acrobats who miss their sister almost as much as Tess and Max miss their family, hold the keys to the mystery? Internationally bestselling author Amy Ephron returns with a companion novel to The Castle in the Mist and creates a magical tale filled with adventure, mystery, fantasy, family, and fun. Praise for Carnival Magic: "Full of wonder and real-life enchantment, Amy Ephron's Carnival Magic is a charming adventure that will make a believer out of anyone!" —Rachel Vail, author of Well, That Was Awkward and the Friendship Ring series "Tess is a thoroughly modern heroine: She's athletic, impulsive, and fearless . . . The siblings are authentic children [and] the fantastic elements are the stuff of daydreams. Perfect for classroom read-alouds." —Kirkus Reviews "The short chapters filled with mystery and action will have readers eagerly continuing to discover the secrets that await them. . . . Fans of the first book will be eager for this fun middle-grade fantasy with a classic sensibility." —Booklist "The setting is contemporary—yet the language and tone feel distinctly nostalgic. This novel, which works as a stand alone, will captivate readers who enjoy their whimsy with a dash of risk." —School Library Journal "[Carnival Magic is] a softer otherworldly take on childhood mystery, reminiscent of classics like A Secret Garden . . . [it] is in itself an escape. Tess especially follows in that lineage of strong, intelligent female characters – a sort of Lucy Pevensie/Hermione Granger hybrid who is a leader, who believes in magic." —Teen Vogue "Amy Ephron has always been a magical storyteller. . . . In Carnival Magic, the companion book to Ephron’s successful The Castle in the Mist . . . Tess and Max are teaching children and their parents about the power of thoughtful decision-making, loyalty, and self-confidence. Life lessons and carnival rides . . . the perfect beach read for all ages." —Parade “Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this ‘alternate universe’ it is possible for us to come together and ‘touch the sky.’” —Jewish Journal
Book Synopsis Shakespeare and Folklore by : Enyedi Ágnes
Download or read book Shakespeare and Folklore written by Enyedi Ágnes and published by . This book was released on 2011 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Comedy of Errors by : William Shakespeare
Download or read book The Comedy of Errors written by William Shakespeare and published by . This book was released on 1904 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:
With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight. In a detailed reading of Thomas More's Utopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class. Utopia, Carnival, and Commonwealth in Renaissance England makes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general.
Book Synopsis Utopia, Carnival, and Commonwealth in Renaissance England by : Christopher Kendrick
Download or read book Utopia, Carnival, and Commonwealth in Renaissance England written by Christopher Kendrick and published by University of Toronto Press. This book was released on 2004-01-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight. In a detailed reading of Thomas More's Utopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class. Utopia, Carnival, and Commonwealth in Renaissance England makes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general.
