Shakespeare and the Theatre of Wonder

Shakespeare and the Theatre of Wonder

Author: T. G. Bishop

Publisher: Cambridge University Press

Published: 1996-01-18

Total Pages: 238

ISBN-13: 0521550866

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Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.


Book Synopsis Shakespeare and the Theatre of Wonder by : T. G. Bishop

Download or read book Shakespeare and the Theatre of Wonder written by T. G. Bishop and published by Cambridge University Press. This book was released on 1996-01-18 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.

Wonder in Shakespeare

Wonder in Shakespeare

Author: A. Cohen

Publisher: Springer

Published: 2012-01-30

Total Pages: 369

ISBN-13: 1137011629

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In the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.


Book Synopsis Wonder in Shakespeare by : A. Cohen

Download or read book Wonder in Shakespeare written by A. Cohen and published by Springer. This book was released on 2012-01-30 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.

Wonder in Shakespeare

Wonder in Shakespeare

Author: A. Cohen

Publisher: Springer

Published: 2012-01-30

Total Pages: 226

ISBN-13: 1137011629

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In the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.


Book Synopsis Wonder in Shakespeare by : A. Cohen

Download or read book Wonder in Shakespeare written by A. Cohen and published by Springer. This book was released on 2012-01-30 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.

Theatre, Magic and Philosophy

Theatre, Magic and Philosophy

Author: Gabriela Dragnea Horvath

Publisher: Taylor & Francis

Published: 2017-07-06

Total Pages: 256

ISBN-13: 1134767714

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Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.


Book Synopsis Theatre, Magic and Philosophy by : Gabriela Dragnea Horvath

Download or read book Theatre, Magic and Philosophy written by Gabriela Dragnea Horvath and published by Taylor & Francis. This book was released on 2017-07-06 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

A Shakespearean Theatre

A Shakespearean Theatre

Author: Jacqueline Morley

Publisher: Scribo

Published: 2007

Total Pages: 0

ISBN-13: 9781905638598

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Elizabethan London was a vibrant, growing city and theater, especially that of William Shakespeare, played a major role in its lively culture. There was even a different play every day of the week Here's your ticket to the Globe, the legendary 20-sided building where Shakespeare's plays were staged. Go backstage to discover how the theater was run, who chose the actors, how big an audience it could hold, and why it was build on the banks of the Thames. Extraordinary illustrations give a dramatic look at life and art in the sixteenth century. "


Book Synopsis A Shakespearean Theatre by : Jacqueline Morley

Download or read book A Shakespearean Theatre written by Jacqueline Morley and published by Scribo. This book was released on 2007 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elizabethan London was a vibrant, growing city and theater, especially that of William Shakespeare, played a major role in its lively culture. There was even a different play every day of the week Here's your ticket to the Globe, the legendary 20-sided building where Shakespeare's plays were staged. Go backstage to discover how the theater was run, who chose the actors, how big an audience it could hold, and why it was build on the banks of the Thames. Extraordinary illustrations give a dramatic look at life and art in the sixteenth century. "

Shakespeare on the American Yiddish Stage

Shakespeare on the American Yiddish Stage

Author: Joel Berkowitz

Publisher: University of Iowa Press

Published: 2005-04

Total Pages: 305

ISBN-13: 1587294087

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The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture. The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.


Book Synopsis Shakespeare on the American Yiddish Stage by : Joel Berkowitz

Download or read book Shakespeare on the American Yiddish Stage written by Joel Berkowitz and published by University of Iowa Press. This book was released on 2005-04 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture. The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.

Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama

Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama

Author: Nandini Das

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 194

ISBN-13: 1317290682

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This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.


Book Synopsis Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama by : Nandini Das

Download or read book Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama written by Nandini Das and published by Taylor & Francis. This book was released on 2016-12-08 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.

Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Author: Stephen Greenblatt

Publisher: W. W. Norton & Company

Published: 2010-05-03

Total Pages: 441

ISBN-13: 0393079848

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Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.


Book Synopsis Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition) by : Stephen Greenblatt

Download or read book Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition) written by Stephen Greenblatt and published by W. W. Norton & Company. This book was released on 2010-05-03 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

Folger Library, Two Decades of Growth

Folger Library, Two Decades of Growth

Author: Louis B. Wright

Publisher: Associated University Presse

Published: 1978-07

Total Pages: 324

ISBN-13: 9780918016553

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Book Synopsis Folger Library, Two Decades of Growth by : Louis B. Wright

Download or read book Folger Library, Two Decades of Growth written by Louis B. Wright and published by Associated University Presse. This book was released on 1978-07 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Wonder in Shakespeare

Wonder in Shakespeare

Author: A. Cohen

Publisher: Palgrave Macmillan

Published: 2012-01-17

Total Pages: 226

ISBN-13: 9781349289851

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In the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.


Book Synopsis Wonder in Shakespeare by : A. Cohen

Download or read book Wonder in Shakespeare written by A. Cohen and published by Palgrave Macmillan. This book was released on 2012-01-17 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first part of this book, Adam Max Cohen embraces the many meanings of wonder in order to challenge the generic divides between comedy, tragedy, history, and romance and suggests that Shakespeare's primary goal in crafting each of his playworlds was the evocation of one or more varieties of wonder.