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The resulting production was, technically and artistically, a tour de force, and the critical response was very favorable. The complexity of the stage effects and the marionette was such that the production, once dismantled, is unlikely to be re-staged. There existed no detailed written record of the production, so the writer's account has made good this lack by means of interviews with members of the company and a search of their archives and press reviews.
Book Synopsis Shakespeare Manipulated by : Susan Young
Download or read book Shakespeare Manipulated written by Susan Young and published by Fairleigh Dickinson Univ Press. This book was released on 1996 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: The resulting production was, technically and artistically, a tour de force, and the critical response was very favorable. The complexity of the stage effects and the marionette was such that the production, once dismantled, is unlikely to be re-staged. There existed no detailed written record of the production, so the writer's account has made good this lack by means of interviews with members of the company and a search of their archives and press reviews.
This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.
Book Synopsis Shakespeare: Seven Tragedies Revisited by : E. Honigmann
Download or read book Shakespeare: Seven Tragedies Revisited written by E. Honigmann and published by Springer. This book was released on 2002-06-17 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.
This is a succinct and finest history of Shakespeare studies in the nineteenth and twentieth centuries.
Book Synopsis The Shakespeare Revolution by : J. L. Styan
Download or read book The Shakespeare Revolution written by J. L. Styan and published by Cambridge University Press. This book was released on 1983-04-29 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a succinct and finest history of Shakespeare studies in the nineteenth and twentieth centuries.
Shakespeare / Text sets new agendas for the study and use of the Shakespearean text. Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare – and early modern drama more broadly – changes radically when 'either/or' approaches to the Shakespearean text are reconfigured. The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.
Book Synopsis Shakespeare / Text by : Claire M. L. Bourne
Download or read book Shakespeare / Text written by Claire M. L. Bourne and published by Bloomsbury Publishing. This book was released on 2021-07-29 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare / Text sets new agendas for the study and use of the Shakespearean text. Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare – and early modern drama more broadly – changes radically when 'either/or' approaches to the Shakespearean text are reconfigured. The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Book Synopsis Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries by : A. J. Hoenselaars
Download or read book Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries written by A. J. Hoenselaars and published by Fairleigh Dickinson Univ Press. This book was released on 1992 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Appropriating Shakespeare argues that the vibrant history of Pyramus and Thisbe as an independent text affirms the place of artist as both consumer and producer of Shakespeare. The playlet’s four-century history is one that identifies Shakespeare’s value as a transformative agent of aesthetic inquiry.
Book Synopsis Appropriating Shakespeare by : Louise Geddes
Download or read book Appropriating Shakespeare written by Louise Geddes and published by Rowman & Littlefield. This book was released on 2017-04-05 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Appropriating Shakespeare argues that the vibrant history of Pyramus and Thisbe as an independent text affirms the place of artist as both consumer and producer of Shakespeare. The playlet’s four-century history is one that identifies Shakespeare’s value as a transformative agent of aesthetic inquiry.
Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare’s stages, Shakespeare’s Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a concluding “Virtual Roundtable” section, six seasoned repertory actors of the American Shakespeare Center as well, who discuss their nuanced hearing experiences on stage. Their “hearing” invites us to understand the multiple dimensions of Shakespeare’s auditory world from the vantage point of actors who are listening “in the round” to what they hear from their onstage interlocutors, from offstage and backstage cues, from the musicians’ galleries, and often most interestingly, from their audiences.
Book Synopsis Shakespeare’s Auditory Worlds by : Laury Magnus
Download or read book Shakespeare’s Auditory Worlds written by Laury Magnus and published by Rowman & Littlefield. This book was released on 2020-10-27 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare’s stages, Shakespeare’s Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a concluding “Virtual Roundtable” section, six seasoned repertory actors of the American Shakespeare Center as well, who discuss their nuanced hearing experiences on stage. Their “hearing” invites us to understand the multiple dimensions of Shakespeare’s auditory world from the vantage point of actors who are listening “in the round” to what they hear from their onstage interlocutors, from offstage and backstage cues, from the musicians’ galleries, and often most interestingly, from their audiences.
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
Book Synopsis Shakespeare’s Dramatic Persons by : Travis Curtright
Download or read book Shakespeare’s Dramatic Persons written by Travis Curtright and published by Rowman & Littlefield. This book was released on 2016-12-05 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
Written for performance, Shakespeare's plays are very different texts from any intended for a reader with book in hand and they require a different kind of attention. John Russell Brown's latest book attempts a description of Shakespeare's distinctive practice as a writer for the stage and, in doing so, suggests ways of responding to the plays which bring them alive in the mind as if in performance. It is a book for use, to quicken both eye and ear while reading the texts and to enliven almost any critical debate.
Book Synopsis William Shakespeare by : J. Brown
Download or read book William Shakespeare written by J. Brown and published by Bloomsbury Publishing. This book was released on 1996-05-01 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written for performance, Shakespeare's plays are very different texts from any intended for a reader with book in hand and they require a different kind of attention. John Russell Brown's latest book attempts a description of Shakespeare's distinctive practice as a writer for the stage and, in doing so, suggests ways of responding to the plays which bring them alive in the mind as if in performance. It is a book for use, to quicken both eye and ear while reading the texts and to enliven almost any critical debate.
Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume’s contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays.
Book Synopsis Shaping Shakespeare for Performance by : Catherine Loomis
Download or read book Shaping Shakespeare for Performance written by Catherine Loomis and published by Rowman & Littlefield. This book was released on 2015-10-29 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume’s contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays.
