Signs of Diaspora / Diaspora of Signs

Signs of Diaspora / Diaspora of Signs

Author: Grey Gundaker

Publisher: Oxford University Press

Published: 1998-07-30

Total Pages: 304

ISBN-13: 0195355385

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Challenging monolithic approaches to culture and literacy, this book looks at the roots of African-American reading and writing from the perspective of vernacular activities and creolization. It shows that African-Americans, while readily mastering the conventions and canons of Euro-America, also drew on knowledge of their own to make an oppositional repertoire of signs and meanings. Distinct from conventional script literacy on the one hand, and oral culture on the other, these "creolized" vernacular practices include writing in charms, use of personal or nondecodable scripts, the strategic renunciation of reading and writing as communicative tools, and writing that is linked to divination, trance, and possession. Based on extensive ethnographic research in the Southeastern United States and the West Indies, Gundaker offers a complex portrait of the intersection of "outsider" conventions with "insider" knowledge and practice.


Book Synopsis Signs of Diaspora / Diaspora of Signs by : Grey Gundaker

Download or read book Signs of Diaspora / Diaspora of Signs written by Grey Gundaker and published by Oxford University Press. This book was released on 1998-07-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging monolithic approaches to culture and literacy, this book looks at the roots of African-American reading and writing from the perspective of vernacular activities and creolization. It shows that African-Americans, while readily mastering the conventions and canons of Euro-America, also drew on knowledge of their own to make an oppositional repertoire of signs and meanings. Distinct from conventional script literacy on the one hand, and oral culture on the other, these "creolized" vernacular practices include writing in charms, use of personal or nondecodable scripts, the strategic renunciation of reading and writing as communicative tools, and writing that is linked to divination, trance, and possession. Based on extensive ethnographic research in the Southeastern United States and the West Indies, Gundaker offers a complex portrait of the intersection of "outsider" conventions with "insider" knowledge and practice.


Signs of Diaspora/diaspora of Signs

Signs of Diaspora/diaspora of Signs

Author: Grey Gundaker

Publisher: Oxford University Press, USA

Published: 1998

Total Pages: 304

ISBN-13: 0195107691

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Examining the interplay of cultural trajectories and sign systems in the African diaspora, particularly in the U.S., Gundaker shows that African Americans, while readily mastering the conventions and canons of Euro-America, also drew on knowledge of their own to make an oppositional repertoire of signs and meanings.


Book Synopsis Signs of Diaspora/diaspora of Signs by : Grey Gundaker

Download or read book Signs of Diaspora/diaspora of Signs written by Grey Gundaker and published by Oxford University Press, USA. This book was released on 1998 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the interplay of cultural trajectories and sign systems in the African diaspora, particularly in the U.S., Gundaker shows that African Americans, while readily mastering the conventions and canons of Euro-America, also drew on knowledge of their own to make an oppositional repertoire of signs and meanings.


African Americans and the Bible

African Americans and the Bible

Author: Vincent L. Wimbush

Publisher: Wipf and Stock Publishers

Published: 2012-09-01

Total Pages: 912

ISBN-13: 1725230895

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Perhaps no other group of people has been as much formed by biblical texts and tropes as African Americans. From literature and the arts to popular culture and everyday life, the Bible courses through black society and culture like blood through veins. Despite the enormous recent interest in African American religion, relatively little attention has been paid to the diversity of ways in which African Americans have utilized the Bible. African Americans and the Bible is the fruit of a four-year collaborative research project directed by Vincent L. Wimbush and funded by the Lilly Endowment. It brings together scholars and experts (sixty-eight in all) from a wide range of academic and artistic fields and disciplines--including ethnography, cultural history, and biblical studies as well as art, music, film, dance, drama, and literature. The focus is on the interaction between the people known as African Americans and that complex of visions, rhetorics, and ideologies known as the Bible. As such, the book is less about the meaning(s) of the Bible than about the Bible and meaning(s), less about the world(s) of the Bible than about how worlds and the Bible interact--in short, about how a text constructs a people and a people constructs a text. It is about a particular sociocultural formation but also about the dynamics that obtain in the interrelation between any group of people and sacred texts in general. Thus African Americans and the Bible provides an exemplum of sociocultural formation and a critical lens through which the process of sociocultural formation can be viewed.


Book Synopsis African Americans and the Bible by : Vincent L. Wimbush

Download or read book African Americans and the Bible written by Vincent L. Wimbush and published by Wipf and Stock Publishers. This book was released on 2012-09-01 with total page 912 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perhaps no other group of people has been as much formed by biblical texts and tropes as African Americans. From literature and the arts to popular culture and everyday life, the Bible courses through black society and culture like blood through veins. Despite the enormous recent interest in African American religion, relatively little attention has been paid to the diversity of ways in which African Americans have utilized the Bible. African Americans and the Bible is the fruit of a four-year collaborative research project directed by Vincent L. Wimbush and funded by the Lilly Endowment. It brings together scholars and experts (sixty-eight in all) from a wide range of academic and artistic fields and disciplines--including ethnography, cultural history, and biblical studies as well as art, music, film, dance, drama, and literature. The focus is on the interaction between the people known as African Americans and that complex of visions, rhetorics, and ideologies known as the Bible. As such, the book is less about the meaning(s) of the Bible than about the Bible and meaning(s), less about the world(s) of the Bible than about how worlds and the Bible interact--in short, about how a text constructs a people and a people constructs a text. It is about a particular sociocultural formation but also about the dynamics that obtain in the interrelation between any group of people and sacred texts in general. Thus African Americans and the Bible provides an exemplum of sociocultural formation and a critical lens through which the process of sociocultural formation can be viewed.


Diaspora Cognitive Linguistics

Diaspora Cognitive Linguistics

Author: Jacqueline Wigfall

Publisher:

Published: 2017-09-27

Total Pages: 0

ISBN-13: 9780692960547

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Metaphorically, hieroglyphs limn contemporary people and things.


Book Synopsis Diaspora Cognitive Linguistics by : Jacqueline Wigfall

Download or read book Diaspora Cognitive Linguistics written by Jacqueline Wigfall and published by . This book was released on 2017-09-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metaphorically, hieroglyphs limn contemporary people and things.


South of Pico

South of Pico

Author: Kellie Jones

Publisher: Duke University Press

Published: 2017-03-17

Total Pages: 416

ISBN-13: 0822374161

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Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.


Book Synopsis South of Pico by : Kellie Jones

Download or read book South of Pico written by Kellie Jones and published by Duke University Press. This book was released on 2017-03-17 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.


Sacred Spaces and Religious Traditions in Oriente Cuba

Sacred Spaces and Religious Traditions in Oriente Cuba

Author: Jualynne E. Dodson

Publisher: UNM Press

Published: 2008

Total Pages: 241

ISBN-13: 0826343538

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Dodson examines the history of traditional religious practices in the Oriente region of contemporary Cuba.


Book Synopsis Sacred Spaces and Religious Traditions in Oriente Cuba by : Jualynne E. Dodson

Download or read book Sacred Spaces and Religious Traditions in Oriente Cuba written by Jualynne E. Dodson and published by UNM Press. This book was released on 2008 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dodson examines the history of traditional religious practices in the Oriente region of contemporary Cuba.


Soul Power

Soul Power

Author: Cynthia A. Young

Publisher: Duke University Press

Published: 2006-11-01

Total Pages: 332

ISBN-13: 9780822336914

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Soul Power is a cultural history of those whom Cynthia A. Young calls “U.S. Third World Leftists,” activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the “long 1960s.” Nearly thirty countries in Africa, Asia, and Latin America declared formal independence in the 1960s alone. Arguing that the significance of this wave of decolonization to U.S. activists has been vastly underestimated, Young describes how literature, films, ideologies, and political movements that originated in the Third World were absorbed by U.S. activists of color. She shows how these transnational influences were then used to forge alliances, create new vocabularies and aesthetic forms, and describe race, class, and gender oppression in the United States in compelling terms. Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.


Book Synopsis Soul Power by : Cynthia A. Young

Download or read book Soul Power written by Cynthia A. Young and published by Duke University Press. This book was released on 2006-11-01 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soul Power is a cultural history of those whom Cynthia A. Young calls “U.S. Third World Leftists,” activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the “long 1960s.” Nearly thirty countries in Africa, Asia, and Latin America declared formal independence in the 1960s alone. Arguing that the significance of this wave of decolonization to U.S. activists has been vastly underestimated, Young describes how literature, films, ideologies, and political movements that originated in the Third World were absorbed by U.S. activists of color. She shows how these transnational influences were then used to forge alliances, create new vocabularies and aesthetic forms, and describe race, class, and gender oppression in the United States in compelling terms. Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.


Theory of Racelessness

Theory of Racelessness

Author: Sheena Michele Mason

Publisher: Springer Nature

Published: 2022-05-27

Total Pages: 234

ISBN-13: 3030999440

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This book presents a skeptical eliminativist philosophy of race and the theory of racelessness, a methodological and pedagogical framework for analyzing "race" and racism. It explores the history of skeptical eliminativism and constructionist eliminativism within the history of African American philosophy and literary studies and its consistent connection with movements for civil rights. Sheena M. Mason considers how current anti-racist efforts reflect naturalist conservationist and constructionist reconstructionist philosophies of race that prevent more people from fully confronting the problem of racism, not race, thereby enabling racism to persist. She then offers a three-part solution for how scholars and people aspiring toward anti-racism can avoid unintentionally upholding racism, using literary studies as a case study to show how "race" often translates into racism itself. The theory of racelessness helps more people undo racism by undoing the belief in "race."


Book Synopsis Theory of Racelessness by : Sheena Michele Mason

Download or read book Theory of Racelessness written by Sheena Michele Mason and published by Springer Nature. This book was released on 2022-05-27 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a skeptical eliminativist philosophy of race and the theory of racelessness, a methodological and pedagogical framework for analyzing "race" and racism. It explores the history of skeptical eliminativism and constructionist eliminativism within the history of African American philosophy and literary studies and its consistent connection with movements for civil rights. Sheena M. Mason considers how current anti-racist efforts reflect naturalist conservationist and constructionist reconstructionist philosophies of race that prevent more people from fully confronting the problem of racism, not race, thereby enabling racism to persist. She then offers a three-part solution for how scholars and people aspiring toward anti-racism can avoid unintentionally upholding racism, using literary studies as a case study to show how "race" often translates into racism itself. The theory of racelessness helps more people undo racism by undoing the belief in "race."


Mythatypes

Mythatypes

Author: Alexis Brooks De Vita

Publisher: Praeger

Published: 2000-06-30

Total Pages: 208

ISBN-13:

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Dr. Alexis Brooks De Vita takes up the challenge to develop culturally relevant modes of literary analysis of African/Diaspora literatures by identifying traditional African and Diaspora figures of myth, religion, legend, and history that interact with African and Diaspora literary heroines and their authors. Following upon Karla Holloway's arguments in Moorings and Metaphors that African American and West African women share strong traits of storytelling that both isolate and identify their literatures, Brooks De Vita traces these traits to their religious, legendary, and historical sources, identifying African and Diaspora female figures of power whose interaction with literary protagonists places personal stories among the collective historical and spiritual African/Diaspora experience, broadening and deepening each authorial voice by demonstrating how it breaks free of the European perspective of linear time and resonates in a timeless community whose members ceaselessly interact. African/Diaspora women's symbols of power assert their autonomous definitions of good and evil, enabled by decolonialist analysis as expounded by theorists such as Chinweizu, Jemie, and Madubuike to be separated from universalizing, Eurocentric or masculinist assessments. Symbols of inherent, rootedness and empowerment are clearly identified, allowing the reader to perceive tales of salvation and success underlying and further developing literal tales of suffering, surrender, or loss. Will be of particular interest to students, scholars, and researchers of comparative literature as well as African American literature and African/Diaspora and Women's Studies.


Book Synopsis Mythatypes by : Alexis Brooks De Vita

Download or read book Mythatypes written by Alexis Brooks De Vita and published by Praeger. This book was released on 2000-06-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dr. Alexis Brooks De Vita takes up the challenge to develop culturally relevant modes of literary analysis of African/Diaspora literatures by identifying traditional African and Diaspora figures of myth, religion, legend, and history that interact with African and Diaspora literary heroines and their authors. Following upon Karla Holloway's arguments in Moorings and Metaphors that African American and West African women share strong traits of storytelling that both isolate and identify their literatures, Brooks De Vita traces these traits to their religious, legendary, and historical sources, identifying African and Diaspora female figures of power whose interaction with literary protagonists places personal stories among the collective historical and spiritual African/Diaspora experience, broadening and deepening each authorial voice by demonstrating how it breaks free of the European perspective of linear time and resonates in a timeless community whose members ceaselessly interact. African/Diaspora women's symbols of power assert their autonomous definitions of good and evil, enabled by decolonialist analysis as expounded by theorists such as Chinweizu, Jemie, and Madubuike to be separated from universalizing, Eurocentric or masculinist assessments. Symbols of inherent, rootedness and empowerment are clearly identified, allowing the reader to perceive tales of salvation and success underlying and further developing literal tales of suffering, surrender, or loss. Will be of particular interest to students, scholars, and researchers of comparative literature as well as African American literature and African/Diaspora and Women's Studies.


What it Means to Write About Art

What it Means to Write About Art

Author: Jarrett Earnest

Publisher: David Zwirner Books

Published: 2018-11-27

Total Pages: 560

ISBN-13: 1941701892

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The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alike. John Ashbery recalls finding Rimbaud’s poetry through his first gay crush at sixteen; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmy Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women’s Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard. Jarrett Earnest’s wide-ranging conversations with critics, historians, journalists, novelists, poets, and theorists—each of whom approach the subject from unique positions—illustrate different ways of writing, thinking, and looking at art. Interviews with Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve, Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau.


Book Synopsis What it Means to Write About Art by : Jarrett Earnest

Download or read book What it Means to Write About Art written by Jarrett Earnest and published by David Zwirner Books. This book was released on 2018-11-27 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alike. John Ashbery recalls finding Rimbaud’s poetry through his first gay crush at sixteen; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmy Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women’s Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard. Jarrett Earnest’s wide-ranging conversations with critics, historians, journalists, novelists, poets, and theorists—each of whom approach the subject from unique positions—illustrate different ways of writing, thinking, and looking at art. Interviews with Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve, Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau.