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'Sinographies' examines topics like colonialism, literary modernism, translation, anime, and Tibet. As a whole, this volume imagines sinography as a new methodological approach to the study of China, one that clears ground for new kinds of comparative work.
Book Synopsis Sinographies by : Eric Hayot
Download or read book Sinographies written by Eric Hayot and published by U of Minnesota Press. This book was released on with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Sinographies' examines topics like colonialism, literary modernism, translation, anime, and Tibet. As a whole, this volume imagines sinography as a new methodological approach to the study of China, one that clears ground for new kinds of comparative work.
In Sinography, Zev Handel provides a comprehensive comparative analysis of the ways in which the Chinese-character script evolved as it was adapted to write other languages of Asia, including Korean, Vietnamese, Japanese, Zhuang, Khitan, and Jurchen.
Book Synopsis Sinography: The Borrowing and Adaptation of the Chinese Script by : Zev Handel
Download or read book Sinography: The Borrowing and Adaptation of the Chinese Script written by Zev Handel and published by BRILL. This book was released on 2019-05-07 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Sinography, Zev Handel provides a comprehensive comparative analysis of the ways in which the Chinese-character script evolved as it was adapted to write other languages of Asia, including Korean, Vietnamese, Japanese, Zhuang, Khitan, and Jurchen.
The Organization of Distance argues that the impression of Chineseness in Chinese poetry is a product of translation, simultaneously nativizing and foreignizing from sources abroad and in the past.
Book Synopsis The Organization of Distance by : Lucas Klein
Download or read book The Organization of Distance written by Lucas Klein and published by BRILL. This book was released on 2018-07-17 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Organization of Distance argues that the impression of Chineseness in Chinese poetry is a product of translation, simultaneously nativizing and foreignizing from sources abroad and in the past.
The essays in this thought-provoking volume investigate ideas of China and Chineseness by means of a broad range of texts, languages, and contexts that surround what the editors call the "various written Chinas" through history. Analyzing discourse of civilization, geography, ethics, ethnicity, writing, and differences about China--from within the country and from outside--this work deliberately disrupts the boundaries that have previously defined China as an object of study. Sinographies depends on a respect for the power of texts to shape realities both backward and forward, to create or foreclose possibilities not only of interpretation but of experience. To this end, the essays examine topics as various as colonialism, literary modernism, translation, anime, and Tibet. As a whole, the volume imagines sinography as a new methodological approach to the study of China, one that clears unexpected ground for new kinds of comparative work. Contributors: Timothy Billings, Middlebury College; Christopher Bush, Princeton U; Rey Chow, Brown U; Danielle Glassmeyer, U of Alabama, Birmingham; Timothy Kendall; Walter S. H. Lim, National U of Singapore; Lucien Miller, U of Massachusetts; David Porter, U of Michigan; Carlos Rojas, U of Florida; Steven J. Venturino, Loyola U; Henk Vynckier, Tunghai U, Taiwan. Eric Hayot is associate professor of comparative literature at the Pennsylvania State University. Haun Saussy is Bird White Housum Professor of comparative literature at Yale University. Steven G. Yao is associate professor of English at Hamilton College.
Book Synopsis Sinographies by : Eric Hayot
Download or read book Sinographies written by Eric Hayot and published by . This book was released on 2008 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this thought-provoking volume investigate ideas of China and Chineseness by means of a broad range of texts, languages, and contexts that surround what the editors call the "various written Chinas" through history. Analyzing discourse of civilization, geography, ethics, ethnicity, writing, and differences about China--from within the country and from outside--this work deliberately disrupts the boundaries that have previously defined China as an object of study. Sinographies depends on a respect for the power of texts to shape realities both backward and forward, to create or foreclose possibilities not only of interpretation but of experience. To this end, the essays examine topics as various as colonialism, literary modernism, translation, anime, and Tibet. As a whole, the volume imagines sinography as a new methodological approach to the study of China, one that clears unexpected ground for new kinds of comparative work. Contributors: Timothy Billings, Middlebury College; Christopher Bush, Princeton U; Rey Chow, Brown U; Danielle Glassmeyer, U of Alabama, Birmingham; Timothy Kendall; Walter S. H. Lim, National U of Singapore; Lucien Miller, U of Massachusetts; David Porter, U of Michigan; Carlos Rojas, U of Florida; Steven J. Venturino, Loyola U; Henk Vynckier, Tunghai U, Taiwan. Eric Hayot is associate professor of comparative literature at the Pennsylvania State University. Haun Saussy is Bird White Housum Professor of comparative literature at Yale University. Steven G. Yao is associate professor of English at Hamilton College.
The first comprehensive study of Spanish writings on East and Southeast Asia from the Spanish colonial period, They Need Nothing draws attention to many essential but understudied Spanish-language texts from this era. Robert Richmond Ellis provides an engaging, interdisciplinary examination of how these writings depict Asia and Asians as both similar to and different from Europe and Europeans, and details how East and Southeast Asians reacted to the Spanish presence in Asia. They Need Nothing highlights texts related to Japan, China, Cambodia, and the Philippines, beginning with Francis Xavier's observations of Japan in the mid-sixteenth century and ending with José Rizal's responses to the legacy of Spanish colonialism in the late nineteenth century. Ellis provides a groundbreaking expansion of the geographical and cultural contours of Hispanism that bridges the fields of European, Latin American, and Asian Studies.
Book Synopsis They Need Nothing by : Robert Richmond Ellis
Download or read book They Need Nothing written by Robert Richmond Ellis and published by University of Toronto Press. This book was released on 2012-01-01 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive study of Spanish writings on East and Southeast Asia from the Spanish colonial period, They Need Nothing draws attention to many essential but understudied Spanish-language texts from this era. Robert Richmond Ellis provides an engaging, interdisciplinary examination of how these writings depict Asia and Asians as both similar to and different from Europe and Europeans, and details how East and Southeast Asians reacted to the Spanish presence in Asia. They Need Nothing highlights texts related to Japan, China, Cambodia, and the Philippines, beginning with Francis Xavier's observations of Japan in the mid-sixteenth century and ending with José Rizal's responses to the legacy of Spanish colonialism in the late nineteenth century. Ellis provides a groundbreaking expansion of the geographical and cultural contours of Hispanism that bridges the fields of European, Latin American, and Asian Studies.
From the travel writing of the eccentric plant collector and Reginald Farrer, to Emily Hahn’s insider depictions of bohemian life in semi-colonial Shanghai, to Ezra Pound’s mediated ‘journeys’ to Southwest China via the explorer Joseph Rock – Anglo-American representations of China during the first half of the twentieth century were often unconventional in terms of style, form, and content. By examining a range of texts that were written in the flux of travel – including poems, novels, autobiographies – this study argues that the tumultuous social and political context of China’s Republican Period (1912-49) was a key setting for conceptualizing cultural modernity in global and transnational terms. In contrast with accounts that examine China’s influence on Western modernism through language, translation, and discourse, the book recovers a materialist engagement with landscapes, objects, and things as transcribed through travel, ethnographic encounter, and embodied experience. The book is organized by three themes which suggest formal strategies through which notions cultural modernity were explored or contested: borderlands, cosmopolitan performances, and mobile poetics. As it draws from archival sources in order to develop these themes, this study offers a place-based historical perspective on China’s changing status in Western literary cultures.
Book Synopsis Twentieth-Century Literary Encounters in China by : Jeffrey Mather
Download or read book Twentieth-Century Literary Encounters in China written by Jeffrey Mather and published by Routledge. This book was released on 2019-10-10 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the travel writing of the eccentric plant collector and Reginald Farrer, to Emily Hahn’s insider depictions of bohemian life in semi-colonial Shanghai, to Ezra Pound’s mediated ‘journeys’ to Southwest China via the explorer Joseph Rock – Anglo-American representations of China during the first half of the twentieth century were often unconventional in terms of style, form, and content. By examining a range of texts that were written in the flux of travel – including poems, novels, autobiographies – this study argues that the tumultuous social and political context of China’s Republican Period (1912-49) was a key setting for conceptualizing cultural modernity in global and transnational terms. In contrast with accounts that examine China’s influence on Western modernism through language, translation, and discourse, the book recovers a materialist engagement with landscapes, objects, and things as transcribed through travel, ethnographic encounter, and embodied experience. The book is organized by three themes which suggest formal strategies through which notions cultural modernity were explored or contested: borderlands, cosmopolitan performances, and mobile poetics. As it draws from archival sources in order to develop these themes, this study offers a place-based historical perspective on China’s changing status in Western literary cultures.
Download or read book Korean Studies written by and published by . This book was released on 1998 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
American Modernist Poetry and the Chinese Encounteroffers a framework for understanding the variety of imagined encounters by eight different American poets with their imagined 'Chinese' subject. The method is historical and materialist, insofar as the contributors to the volume read the claims of specific poems alongside the actual and tumultuous changes China faced between 1911 and 1979. Even where specific poems are found to be erroneous, the contributors to the volume suggest that each of the poets attempted to engage their 'Chinese' subject with a degree of commitment that presaged imaginatively China's subsequent dominance. The poems stand as unique artifacts, via proxy and in the English language, for the rise of China in the American imagination. The audience of the volume is international, including the growing number of scholars and graduate students in Chinese universities working on American literature and comparative cultural studies, as well as already established commentators and students in the west.
Book Synopsis American Modernist Poetry and the Chinese Encounter by : Z. Yuejun
Download or read book American Modernist Poetry and the Chinese Encounter written by Z. Yuejun and published by Springer. This book was released on 2012-10-31 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Modernist Poetry and the Chinese Encounteroffers a framework for understanding the variety of imagined encounters by eight different American poets with their imagined 'Chinese' subject. The method is historical and materialist, insofar as the contributors to the volume read the claims of specific poems alongside the actual and tumultuous changes China faced between 1911 and 1979. Even where specific poems are found to be erroneous, the contributors to the volume suggest that each of the poets attempted to engage their 'Chinese' subject with a degree of commitment that presaged imaginatively China's subsequent dominance. The poems stand as unique artifacts, via proxy and in the English language, for the rise of China in the American imagination. The audience of the volume is international, including the growing number of scholars and graduate students in Chinese universities working on American literature and comparative cultural studies, as well as already established commentators and students in the west.
Foreign Accents examines the various transpacific signifying strategies by which poets of Chinese descent in the U.S. have sought to represent cultural tradition in their articulations of an ethnic subjectivity, in Chinese as well as in English. In assessing both the dynamics and the politics of poetic expression by writers engaging with a specific cultural heritage, the study develops a general theory of ethnic literary production that clarifies the significance of "Asian American" literature in relation to both other forms of U.S. "minority discourse," as well as canonical "American" literature more generally. At the same time, it maps an expanded textual arena and a new methodology for Asian American literary studies that can be further explored by scholars of other traditions. Yao discusses a range of works, including Ezra Pound's Cathay and the Angel Island poems. He examines the careers of four contemporary Chinese/American poets: Ha Jin, Li-young Lee, Marilyn Chin, and John Yau, each of whom bears a distinctive relationship to the linguistic and cultural tradition he or she seeks to represent. Specifically, Yao investigates the range of rhetorical and formal strategies by which these writers have sought to incorporate Chinese culture and, especially, language in their works. Combining such analysis with extensive social contextualization, Foreign Accents delineates an historical poetics of Chinese American verse from the early twentieth century to the present.
Book Synopsis Foreign Accents by : Steven G. Yao
Download or read book Foreign Accents written by Steven G. Yao and published by Oxford University Press. This book was released on 2010-10-27 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Foreign Accents examines the various transpacific signifying strategies by which poets of Chinese descent in the U.S. have sought to represent cultural tradition in their articulations of an ethnic subjectivity, in Chinese as well as in English. In assessing both the dynamics and the politics of poetic expression by writers engaging with a specific cultural heritage, the study develops a general theory of ethnic literary production that clarifies the significance of "Asian American" literature in relation to both other forms of U.S. "minority discourse," as well as canonical "American" literature more generally. At the same time, it maps an expanded textual arena and a new methodology for Asian American literary studies that can be further explored by scholars of other traditions. Yao discusses a range of works, including Ezra Pound's Cathay and the Angel Island poems. He examines the careers of four contemporary Chinese/American poets: Ha Jin, Li-young Lee, Marilyn Chin, and John Yau, each of whom bears a distinctive relationship to the linguistic and cultural tradition he or she seeks to represent. Specifically, Yao investigates the range of rhetorical and formal strategies by which these writers have sought to incorporate Chinese culture and, especially, language in their works. Combining such analysis with extensive social contextualization, Foreign Accents delineates an historical poetics of Chinese American verse from the early twentieth century to the present.
'A Taste for China' offers an account of how literature of the long eighteenth century generated a model of English selfhood dependent on figures of China. It shows how various genres of writing in this period call upon 'things Chinese' to define the tasteful English subject of modernity. Chinoiserie is no mere exotic curiosity in this culture, but a potent, multivalent sign of England's participation in a cosmopolitan world order.
Book Synopsis A Taste for China by : Eugenia Zuroski Jenkins
Download or read book A Taste for China written by Eugenia Zuroski Jenkins and published by Oxford University Press. This book was released on 2013-05-23 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A Taste for China' offers an account of how literature of the long eighteenth century generated a model of English selfhood dependent on figures of China. It shows how various genres of writing in this period call upon 'things Chinese' to define the tasteful English subject of modernity. Chinoiserie is no mere exotic curiosity in this culture, but a potent, multivalent sign of England's participation in a cosmopolitan world order.
