Author: Jan Nordby Gretlund
Publisher: Univ of South Carolina Press
Published: 2013-01-23
Total Pages: 293
ISBN-13: 1611172640
DOWNLOAD EBOOKAn insightful guidebook to some of the best examples of modern Southern fiction, as selected by an international group of critics In Still in Print, eighteen southern novels published since 1997 fall under the careful scrutiny of an international cast of accomplished literary critics to identify the very best of recent writings in the genre. These essays highlight the praiseworthy efforts of a pantheon of novelists celebrating and challenging regionality, unearthing manifestations of the past in the present, and looking to the future with wit and healthy skepticism. Organized around shared themes of history, place, humor, and malaise, the novels discussed here interrogate southern culture and explore the region's promise for the future. Four novels reconsider the Civil War and its aftermath as Charles Frazier, Kaye Gibbons, Josephine Humphreys, and Pam Durban revisit the past and add fresh insights to contemporary discussions of race and gender through their excursions into history. The novels by Steve Yarbrough, Larry Brown, Chris Offutt, Barry Hannah, and James Lee Burke demonstrate a keen sense of place, rooted in a South marked by fundamentalism, poverty, violence, and rampant prejudice but still capable of promise for some unseen future. The comic fiction of George Singleton, Clyde Edgerton, James Wilcox, Donald Harington, and Lewis Nordan shows how southern humor still encompasses customs and speech reflected in concrete places. Ron Rash, Richard Ford, and Cormac McCarthy probe the depths of human existence, often with disturbing results, as they write about protagonists cut off from their own humanity and desperate to reconnect with the human race. Diverse in content but unified in genre, these particular novels have been nominated by the contributors to Still in Print for long-term survival as among the best modern representations of the southern novel. Featuring: M. Thomas Inge on Charles Frazier's Cold Mountain Clara Juncker on Josephine Humphreys's Nowhere Else on Earth Kathryn McKee on Kaye Gibbons's On the Occasion of My Last Afternoon Jan Nordby Gretlund on Pam Durban's So Far Back Tara Powell on Percival Everett's Erasure Tom Dasher on Steve Yarbrough's The Oxygen Man Jean Cash on Larry Brown's Fay Carl Wieck on Chris Offutt's The Good Brother Owen W. Gilman Jr. on Barry Hannah's Yonder Stands Your Orphan Hans H. Skei on James Lee Burke's Crusader's Cross Charles Israel on George Singleton's Work Shirts for Madmen John Grammer on Clyde Edgerton's The Bible Salesman Scott Romine on James Wilcox's Heavenly Days Edwin T. Arnold on Donald Harington's Enduring Marcel Arbeit on Lewis Nordan's Lightning Song Thomas Ærvold Bjerre on Ron Rash's One Foot in Eden Robert H. Brinkmeyer Jr. on Richard Ford's The Lay of the Land Richard Gray on Cormac McCarthy's The Road
Book Synopsis Still in Print by : Jan Nordby Gretlund
Download or read book Still in Print written by Jan Nordby Gretlund and published by Univ of South Carolina Press. This book was released on 2013-01-23 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: An insightful guidebook to some of the best examples of modern Southern fiction, as selected by an international group of critics In Still in Print, eighteen southern novels published since 1997 fall under the careful scrutiny of an international cast of accomplished literary critics to identify the very best of recent writings in the genre. These essays highlight the praiseworthy efforts of a pantheon of novelists celebrating and challenging regionality, unearthing manifestations of the past in the present, and looking to the future with wit and healthy skepticism. Organized around shared themes of history, place, humor, and malaise, the novels discussed here interrogate southern culture and explore the region's promise for the future. Four novels reconsider the Civil War and its aftermath as Charles Frazier, Kaye Gibbons, Josephine Humphreys, and Pam Durban revisit the past and add fresh insights to contemporary discussions of race and gender through their excursions into history. The novels by Steve Yarbrough, Larry Brown, Chris Offutt, Barry Hannah, and James Lee Burke demonstrate a keen sense of place, rooted in a South marked by fundamentalism, poverty, violence, and rampant prejudice but still capable of promise for some unseen future. The comic fiction of George Singleton, Clyde Edgerton, James Wilcox, Donald Harington, and Lewis Nordan shows how southern humor still encompasses customs and speech reflected in concrete places. Ron Rash, Richard Ford, and Cormac McCarthy probe the depths of human existence, often with disturbing results, as they write about protagonists cut off from their own humanity and desperate to reconnect with the human race. Diverse in content but unified in genre, these particular novels have been nominated by the contributors to Still in Print for long-term survival as among the best modern representations of the southern novel. Featuring: M. Thomas Inge on Charles Frazier's Cold Mountain Clara Juncker on Josephine Humphreys's Nowhere Else on Earth Kathryn McKee on Kaye Gibbons's On the Occasion of My Last Afternoon Jan Nordby Gretlund on Pam Durban's So Far Back Tara Powell on Percival Everett's Erasure Tom Dasher on Steve Yarbrough's The Oxygen Man Jean Cash on Larry Brown's Fay Carl Wieck on Chris Offutt's The Good Brother Owen W. Gilman Jr. on Barry Hannah's Yonder Stands Your Orphan Hans H. Skei on James Lee Burke's Crusader's Cross Charles Israel on George Singleton's Work Shirts for Madmen John Grammer on Clyde Edgerton's The Bible Salesman Scott Romine on James Wilcox's Heavenly Days Edwin T. Arnold on Donald Harington's Enduring Marcel Arbeit on Lewis Nordan's Lightning Song Thomas Ærvold Bjerre on Ron Rash's One Foot in Eden Robert H. Brinkmeyer Jr. on Richard Ford's The Lay of the Land Richard Gray on Cormac McCarthy's The Road
