Stories of Tonality in the Age of François-Joseph Fétis

Stories of Tonality in the Age of François-Joseph Fétis

Author: Thomas Christensen

Publisher: University of Chicago Press

Published: 2019-05-27

Total Pages: 376

ISBN-13: 022662692X

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Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.


Book Synopsis Stories of Tonality in the Age of François-Joseph Fétis by : Thomas Christensen

Download or read book Stories of Tonality in the Age of François-Joseph Fétis written by Thomas Christensen and published by University of Chicago Press. This book was released on 2019-05-27 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.


Stories of Tonality in the Age of François-Joseph Fétis

Stories of Tonality in the Age of François-Joseph Fétis

Author: Thomas Christensen

Publisher: University of Chicago Press

Published: 2019-06-14

Total Pages: 376

ISBN-13: 022662708X

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Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.


Book Synopsis Stories of Tonality in the Age of François-Joseph Fétis by : Thomas Christensen

Download or read book Stories of Tonality in the Age of François-Joseph Fétis written by Thomas Christensen and published by University of Chicago Press. This book was released on 2019-06-14 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.


Hearing Homophony

Hearing Homophony

Author: Megan Kaes Long

Publisher: Oxford University Press

Published: 2020-04-28

Total Pages: 288

ISBN-13: 0190851910

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The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.


Book Synopsis Hearing Homophony by : Megan Kaes Long

Download or read book Hearing Homophony written by Megan Kaes Long and published by Oxford University Press. This book was released on 2020-04-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.


Music Theory in the Age of Romanticism

Music Theory in the Age of Romanticism

Author: Ian Bent

Publisher: Cambridge University Press

Published: 1996-08-28

Total Pages: 260

ISBN-13: 9780521551021

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Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.


Book Synopsis Music Theory in the Age of Romanticism by : Ian Bent

Download or read book Music Theory in the Age of Romanticism written by Ian Bent and published by Cambridge University Press. This book was released on 1996-08-28 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.


Music and Fantasy in the Age of Berlioz

Music and Fantasy in the Age of Berlioz

Author: Francesca Brittan

Publisher: Cambridge University Press

Published: 2017-09-14

Total Pages: 377

ISBN-13: 1107136326

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An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others.


Book Synopsis Music and Fantasy in the Age of Berlioz by : Francesca Brittan

Download or read book Music and Fantasy in the Age of Berlioz written by Francesca Brittan and published by Cambridge University Press. This book was released on 2017-09-14 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others.


Sound Knowledge

Sound Knowledge

Author: J. Q. Davies

Publisher: University of Chicago Press

Published: 2016

Total Pages: 264

ISBN-13: 022640207X

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What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.


Book Synopsis Sound Knowledge by : J. Q. Davies

Download or read book Sound Knowledge written by J. Q. Davies and published by University of Chicago Press. This book was released on 2016 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.


The Arithmetic of Listening

The Arithmetic of Listening

Author: Kyle Gann

Publisher: University of Illinois Press

Published: 2019-09-16

Total Pages: 344

ISBN-13: 0252051424

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"Tuning is the secret lens through which the history of music falls into focus," says Kyle Gann. Yet in Western circles, no other musical issue is so ignored, so taken for granted, so shoved into the corners of musical discourse. A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies. Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music. Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html


Book Synopsis The Arithmetic of Listening by : Kyle Gann

Download or read book The Arithmetic of Listening written by Kyle Gann and published by University of Illinois Press. This book was released on 2019-09-16 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Tuning is the secret lens through which the history of music falls into focus," says Kyle Gann. Yet in Western circles, no other musical issue is so ignored, so taken for granted, so shoved into the corners of musical discourse. A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies. Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music. Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html


Sound and Affect

Sound and Affect

Author: Judith Lochhead

Publisher: University of Chicago Press

Published: 2021-04-23

Total Pages: 416

ISBN-13: 022675801X

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"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--


Book Synopsis Sound and Affect by : Judith Lochhead

Download or read book Sound and Affect written by Judith Lochhead and published by University of Chicago Press. This book was released on 2021-04-23 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--


Mozart's Music of Friends

Mozart's Music of Friends

Author: Edward Klorman

Publisher: Cambridge University Press

Published: 2016-04-21

Total Pages: 359

ISBN-13: 1107093651

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This study analyzes chamber music from Mozart's time within its highly social salon-performance context.


Book Synopsis Mozart's Music of Friends by : Edward Klorman

Download or read book Mozart's Music of Friends written by Edward Klorman and published by Cambridge University Press. This book was released on 2016-04-21 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyzes chamber music from Mozart's time within its highly social salon-performance context.


The Modern Invention of Medieval Music

The Modern Invention of Medieval Music

Author: Daniel Leech-Wilkinson

Publisher: Cambridge University Press

Published: 2002-10-17

Total Pages: 358

ISBN-13: 9780521818704

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A challenging book which questions how much is really known about the way medieval music sounded.


Book Synopsis The Modern Invention of Medieval Music by : Daniel Leech-Wilkinson

Download or read book The Modern Invention of Medieval Music written by Daniel Leech-Wilkinson and published by Cambridge University Press. This book was released on 2002-10-17 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: A challenging book which questions how much is really known about the way medieval music sounded.