Studies in Italian Manuscript Illumination

Studies in Italian Manuscript Illumination

Author: Jonathan James Graham Alexander

Publisher:

Published: 2002

Total Pages: 446

ISBN-13:

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A comprehensive selection of Professor Alexander's papers that consider Italian manuscript illumination through the medieval and Renaissance periods. The volume includes a new essay on marginal illustrations as well as older papers which discuss some of the most celebrated works of the period, and have been revised and updated here. Accompanied by a comprehensive index and new introduction.


Book Synopsis Studies in Italian Manuscript Illumination by : Jonathan James Graham Alexander

Download or read book Studies in Italian Manuscript Illumination written by Jonathan James Graham Alexander and published by . This book was released on 2002 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive selection of Professor Alexander's papers that consider Italian manuscript illumination through the medieval and Renaissance periods. The volume includes a new essay on marginal illustrations as well as older papers which discuss some of the most celebrated works of the period, and have been revised and updated here. Accompanied by a comprehensive index and new introduction.

Palaeography, Manuscript Illumination and Humanism in Renaissance Italy

Palaeography, Manuscript Illumination and Humanism in Renaissance Italy

Author: Robert Black

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781908590510

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Albinia de la Mare (1932-2001), OBE, FBA, Professor of Palaeography at King's College London, was one of the last century's outstanding palaeographers and the world's leading authority on Italian Renaissance manuscripts. In November 2011 a conference was held at King's College and the Warburg Institute to honour her memory, and this volume offers revised versions of most of the papers read on that occasion, as well as three additional contributions. Tilly de la Mare had exceptionally wide interests, including key individuals involved in manuscript and literary production, as represented here by studies on Vespasiano da Bisticci, Sozomeno da Pistoia, Matteo Contugi da Volterra, Lorenzo di Francesco Guidetti, Giorgio Antonio Vespucci, Bartolomeo Sanvito, Bartolomeo Varnucci, Francesco Petrarca, Pier Candido Decembrio, Leonardo Bruni and Marsilio Ficino. Important themes in the history of palaeography - the emergence of humanist script; the relationship between script and illumination; the competing methods of palaeography and philology; the social, political, academic, geographical and cultural contexts of manuscript copying and production; and the role of palaeography in the transmission of classical texts - were also in the compass of her scholarship and are treated in this collection. The volume concludes with sixteen colour plates and indices of manuscripts, incunabula and names.


Book Synopsis Palaeography, Manuscript Illumination and Humanism in Renaissance Italy by : Robert Black

Download or read book Palaeography, Manuscript Illumination and Humanism in Renaissance Italy written by Robert Black and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Albinia de la Mare (1932-2001), OBE, FBA, Professor of Palaeography at King's College London, was one of the last century's outstanding palaeographers and the world's leading authority on Italian Renaissance manuscripts. In November 2011 a conference was held at King's College and the Warburg Institute to honour her memory, and this volume offers revised versions of most of the papers read on that occasion, as well as three additional contributions. Tilly de la Mare had exceptionally wide interests, including key individuals involved in manuscript and literary production, as represented here by studies on Vespasiano da Bisticci, Sozomeno da Pistoia, Matteo Contugi da Volterra, Lorenzo di Francesco Guidetti, Giorgio Antonio Vespucci, Bartolomeo Sanvito, Bartolomeo Varnucci, Francesco Petrarca, Pier Candido Decembrio, Leonardo Bruni and Marsilio Ficino. Important themes in the history of palaeography - the emergence of humanist script; the relationship between script and illumination; the competing methods of palaeography and philology; the social, political, academic, geographical and cultural contexts of manuscript copying and production; and the role of palaeography in the transmission of classical texts - were also in the compass of her scholarship and are treated in this collection. The volume concludes with sixteen colour plates and indices of manuscripts, incunabula and names.

The Painted Book in Renaissance Italy

The Painted Book in Renaissance Italy

Author: Jonathan James Graham Alexander

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780300203981

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"Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. J. J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons' developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century.--


Book Synopsis The Painted Book in Renaissance Italy by : Jonathan James Graham Alexander

Download or read book The Painted Book in Renaissance Italy written by Jonathan James Graham Alexander and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. J. J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons' developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century.--

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Author: Thomas Kren

Publisher: Getty Publications

Published: 1997-11-13

Total Pages: 130

ISBN-13: 0892364467

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The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.


Book Synopsis Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts by : Thomas Kren

Download or read book Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts written by Thomas Kren and published by Getty Publications. This book was released on 1997-11-13 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.

Learning through Images in the Italian Renaissance

Learning through Images in the Italian Renaissance

Author: Federico Botana

Publisher: Cambridge University Press

Published: 2020-07-02

Total Pages: 673

ISBN-13: 1108853099

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For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.


Book Synopsis Learning through Images in the Italian Renaissance by : Federico Botana

Download or read book Learning through Images in the Italian Renaissance written by Federico Botana and published by Cambridge University Press. This book was released on 2020-07-02 with total page 673 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.

Studies in the History of Book Illumination

Studies in the History of Book Illumination

Author: Carl Adam Johan Nordenfalk

Publisher:

Published: 1992

Total Pages: 396

ISBN-13:

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15 papers on medieval manuscript illumination, from the origins of the art in late antiquity to late medieval French illumination


Book Synopsis Studies in the History of Book Illumination by : Carl Adam Johan Nordenfalk

Download or read book Studies in the History of Book Illumination written by Carl Adam Johan Nordenfalk and published by . This book was released on 1992 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: 15 papers on medieval manuscript illumination, from the origins of the art in late antiquity to late medieval French illumination

The Painted Page

The Painted Page

Author: Royal Academy of Arts (Great Britain)

Publisher: Prestel Publishing

Published: 1994

Total Pages: 284

ISBN-13:

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Catalogue to accompany an exhibition to be held at the Royal Academy of Arts, London, 27 October 1994-22 January 1995 and afterwards in New York


Book Synopsis The Painted Page by : Royal Academy of Arts (Great Britain)

Download or read book The Painted Page written by Royal Academy of Arts (Great Britain) and published by Prestel Publishing. This book was released on 1994 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue to accompany an exhibition to be held at the Royal Academy of Arts, London, 27 October 1994-22 January 1995 and afterwards in New York

Toward a Global Middle Ages

Toward a Global Middle Ages

Author: Bryan C. Keene

Publisher: Getty Publications

Published: 2019-09-03

Total Pages: 300

ISBN-13: 160606598X

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This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.


Book Synopsis Toward a Global Middle Ages by : Bryan C. Keene

Download or read book Toward a Global Middle Ages written by Bryan C. Keene and published by Getty Publications. This book was released on 2019-09-03 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

Introduction to Manuscript Studies

Introduction to Manuscript Studies

Author: Raymond Clemens

Publisher:

Published: 2007

Total Pages: 328

ISBN-13:

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"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.


Book Synopsis Introduction to Manuscript Studies by : Raymond Clemens

Download or read book Introduction to Manuscript Studies written by Raymond Clemens and published by . This book was released on 2007 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.

The Burke Collection of Italian Manuscript Paintings

The Burke Collection of Italian Manuscript Paintings

Author: Sandra Hindman

Publisher: Paul Holberton publishing

Published: 2021

Total Pages: 0

ISBN-13: 9781912168200

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The outstanding Burke Collection of Italian miniatures, which is housed in Special Collections in the the Stanford University Libraries, has been built over more than twenty years and includes manuscript leaves, cuttings, and codices by many of the greatest Italian artists of the medieval and Renaissance periods. Works in the collection range in date from the 12th through the 16th centuries, and in them we see masterfully painted initials, borders, and miniatures that enhance our appreciation of the great skill that John Ruskin called ?writing made beautiful.?00Comprised of over 40 miniatures from 35 different artists representing 13 different regions of Italy, the collection is characterized by its astonishingly high quality. It includes works produced by the most renowned Italian illuminators, who are often also documented as painters. Artists from Florence and Siena are certainly the best represented in the Burke collection. These include masterpieces by Don Simone Camaldolese and Lorenzo Monaco of Florence, and Giovanni di Paolo and Pellegrino di Mariano of Siena. The collection equally underlines the range of styles achieved by Italian illuminators active in Emilia-Romana, where great interpreters of Giotto were active, such as Neri da Rimini, Tommaso da Modena, and Nicolò di Giacomo, as well as masterpieces of the Venetian school, such as works by Cristoforo Cortese and the Master of the Murano Gradual. Lombardy is represented by one of the notable specialists of late Gothic painting, the Olivetan Master. Among the many highlights, there is the incomparable and world-class Crucifixion of the Master of Saint Francis of Assisi.


Book Synopsis The Burke Collection of Italian Manuscript Paintings by : Sandra Hindman

Download or read book The Burke Collection of Italian Manuscript Paintings written by Sandra Hindman and published by Paul Holberton publishing. This book was released on 2021 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The outstanding Burke Collection of Italian miniatures, which is housed in Special Collections in the the Stanford University Libraries, has been built over more than twenty years and includes manuscript leaves, cuttings, and codices by many of the greatest Italian artists of the medieval and Renaissance periods. Works in the collection range in date from the 12th through the 16th centuries, and in them we see masterfully painted initials, borders, and miniatures that enhance our appreciation of the great skill that John Ruskin called ?writing made beautiful.?00Comprised of over 40 miniatures from 35 different artists representing 13 different regions of Italy, the collection is characterized by its astonishingly high quality. It includes works produced by the most renowned Italian illuminators, who are often also documented as painters. Artists from Florence and Siena are certainly the best represented in the Burke collection. These include masterpieces by Don Simone Camaldolese and Lorenzo Monaco of Florence, and Giovanni di Paolo and Pellegrino di Mariano of Siena. The collection equally underlines the range of styles achieved by Italian illuminators active in Emilia-Romana, where great interpreters of Giotto were active, such as Neri da Rimini, Tommaso da Modena, and Nicolò di Giacomo, as well as masterpieces of the Venetian school, such as works by Cristoforo Cortese and the Master of the Murano Gradual. Lombardy is represented by one of the notable specialists of late Gothic painting, the Olivetan Master. Among the many highlights, there is the incomparable and world-class Crucifixion of the Master of Saint Francis of Assisi.