Author: Vernon Lee

Publisher:

Published: 2015-07-21

Total Pages: 314

ISBN-13: 9781331922674

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Excerpt from Studies of the Eighteenth Century in Italy This book is at first sight heterogeneous and anomalous: heterogeneous, because it treats two subjects which are rarely treated by one individual, and never treated under one binding, literature and music; anomalous, because it is far from dealing with all that goes to make up the Italian Eighteenth Century, while it deals with not a few men and things belonging to the sixteenth and seventeenth centuries. Why not deal exclusively and completely with either music or literature? Why not study the satirist Parini by the side of the playwright Goldoni, rather than study the composer Jommelli, who seems to have no connection with him? Why examine the comedies of the time of Salvator Rosa and pass over the tragedies of Alfieri? Why linger over forgotten composers and singers while scientific and philosophic writers, whose works are still read and discussed, remain unmentioned? The book is seemingly most incoherent in subject, and most incomplete and digressive in treatment. But the apparent incoherence of subject is in reality unity of treatment; and the apparent incompleteness and irrelevance of treatment is in reality completeness and restriction of the subject. The book deals both with literature and with music, because the point of view of the writer is neither exclusively literary nor exclusively musical, but generally aesthetic; because the object of the writer has been to study not the special nature and history of any art in its isolation, but to study the constitution and evolution of the various arts compared with one another; and the arts whose constitution and evolution can be studied in a work on the Italian Eighteenth Century happen to be the drama and music, just as the arts which might be studied in a work on the Athenian fifth century B.C. would be the drama and sculpture. The writer of this book is neither a literary historian nor a musical critic, but an aesthetician; and both literature and music belong to the aesthetician's domain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Download or read book Studies of the Eighteenth Century in Italy (Classic Reprint) written by Vernon Lee and published by . This book was released on 2015-07-21 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Studies of the Eighteenth Century in Italy This book is at first sight heterogeneous and anomalous: heterogeneous, because it treats two subjects which are rarely treated by one individual, and never treated under one binding, literature and music; anomalous, because it is far from dealing with all that goes to make up the Italian Eighteenth Century, while it deals with not a few men and things belonging to the sixteenth and seventeenth centuries. Why not deal exclusively and completely with either music or literature? Why not study the satirist Parini by the side of the playwright Goldoni, rather than study the composer Jommelli, who seems to have no connection with him? Why examine the comedies of the time of Salvator Rosa and pass over the tragedies of Alfieri? Why linger over forgotten composers and singers while scientific and philosophic writers, whose works are still read and discussed, remain unmentioned? The book is seemingly most incoherent in subject, and most incomplete and digressive in treatment. But the apparent incoherence of subject is in reality unity of treatment; and the apparent incompleteness and irrelevance of treatment is in reality completeness and restriction of the subject. The book deals both with literature and with music, because the point of view of the writer is neither exclusively literary nor exclusively musical, but generally aesthetic; because the object of the writer has been to study not the special nature and history of any art in its isolation, but to study the constitution and evolution of the various arts compared with one another; and the arts whose constitution and evolution can be studied in a work on the Italian Eighteenth Century happen to be the drama and music, just as the arts which might be studied in a work on the Athenian fifth century B.C. would be the drama and sculpture. The writer of this book is neither a literary historian nor a musical critic, but an aesthetician; and both literature and music belong to the aesthetician's domain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."