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Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Book Synopsis Tapestry in the Renaissance by : Thomas P. Campbell
Download or read book Tapestry in the Renaissance written by Thomas P. Campbell and published by Metropolitan Museum of Art. This book was released on 2002 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
Book Synopsis Grand Design by : Elizabeth A. H. Cleland
Download or read book Grand Design written by Elizabeth A. H. Cleland and published by Metropolitan Museum of Art. This book was released on 2014-10-06 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
A microcosm of Renaissance Italy is presented through this family history of the Gonzaga of Mantau--one of the reigning families of the Renaissance.--Amazon.com.
Book Synopsis A Renaissance Tapestry by : Kate Simon
Download or read book A Renaissance Tapestry written by Kate Simon and published by HarperCollins Publishers. This book was released on 1989 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: A microcosm of Renaissance Italy is presented through this family history of the Gonzaga of Mantau--one of the reigning families of the Renaissance.--Amazon.com.
This study focuses on the stylistic evolution of tapestry design in the Netherlands beginning with the development by Netherlandish designers in the late fifteenth and early sixteenth centuries of an aesthetic that emphasized narrative and decorative qualities. During the 1510s, 1520s, and 1530s, commissions by Pope Leo X and other Italian patrons resulted in the dispatch of tapestry cartoons by Italian artists-notably Raphael and his assistants-to Brussels, the main center of high-quality production, thus introducing Roman High Renaissance aesthetics to Northern tapestry design. Thereafter, Netherlandish artists like Bernaert van Orley and his followers melded this Italian influence with their local traditions of tapestry design to produce a rich aesthetic that was ideally suited to the medium. Smaller centers of tapestry production are also examined-particularly those set up under princely patronage in France (Fontainebleau) and Italy (Ferrara, Mantua, and Florence). Unrestrained by established practices of Netherlandish production, such artists as Tura, Mantegna, Bramantino, Bronzino, and Salviati invariably created tapestry designers that were much closer to the spirit of the Italian Renaissance than to those of their Northern counterparts. The strengths and distinctions of those contemporaneous developments and the cross-fertilization of ideas between northern Europe and Italy are fully explored in detailed essays and catalogue entries.
Book Synopsis Tapestry in the Renaissance by : Thomas Patrick Campbell
Download or read book Tapestry in the Renaissance written by Thomas Patrick Campbell and published by . This book was released on 2002 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study focuses on the stylistic evolution of tapestry design in the Netherlands beginning with the development by Netherlandish designers in the late fifteenth and early sixteenth centuries of an aesthetic that emphasized narrative and decorative qualities. During the 1510s, 1520s, and 1530s, commissions by Pope Leo X and other Italian patrons resulted in the dispatch of tapestry cartoons by Italian artists-notably Raphael and his assistants-to Brussels, the main center of high-quality production, thus introducing Roman High Renaissance aesthetics to Northern tapestry design. Thereafter, Netherlandish artists like Bernaert van Orley and his followers melded this Italian influence with their local traditions of tapestry design to produce a rich aesthetic that was ideally suited to the medium. Smaller centers of tapestry production are also examined-particularly those set up under princely patronage in France (Fontainebleau) and Italy (Ferrara, Mantua, and Florence). Unrestrained by established practices of Netherlandish production, such artists as Tura, Mantegna, Bramantino, Bronzino, and Salviati invariably created tapestry designers that were much closer to the spirit of the Italian Renaissance than to those of their Northern counterparts. The strengths and distinctions of those contemporaneous developments and the cross-fertilization of ideas between northern Europe and Italy are fully explored in detailed essays and catalogue entries.
Book Synopsis Tapestry in the Baroque by : Thomas P. Campbell
Download or read book Tapestry in the Baroque written by Thomas P. Campbell and published by Metropolitan Museum of Art. This book was released on 2007 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Tapestries––the art form of kings––were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these&beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Book Synopsis Tapestry in the Renaissance by : Thomas P. Campbell
Download or read book Tapestry in the Renaissance written by Thomas P. Campbell and published by Metropolitan Museum of Art New York. This book was released on 2002-01-01 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tapestries––the art form of kings––were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these&beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive. The "Troyes Mémoire", a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated intoEnglish for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval Troyes: the Account Books of the Church of Sainte-Madeleine, whichintroduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art. Tina Kane is Conservator, Metropolitan Museum of Art, Department of Textile Conservation.
Book Synopsis The Troyes Mémoire by : Tina Kane
Download or read book The Troyes Mémoire written by Tina Kane and published by Boydell & Brewer. This book was released on 2010 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive. The "Troyes Mémoire", a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated intoEnglish for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval Troyes: the Account Books of the Church of Sainte-Madeleine, whichintroduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art. Tina Kane is Conservator, Metropolitan Museum of Art, Department of Textile Conservation.
Like a particularly good detective story, this richly textured book follows tantalizing clues in its hunt for a group of missing artistic masterpieces. Susan Bell recounts both her long search for a series of sixteenth-century tapestries that celebrated women and her efforts to understand their meaning for Queen Elizabeth I of England and the other powerful women who owned them. Opening a new window on the lives of noblewomen in the Renaissance, the brilliantly colored tapestries that were the ultimate artistic luxury of the day, and the popular and influential fourteenth-century writer Christine de Pizan, Bell pursues a compelling tale that moves from centuries past to today. The tapestries around which this story revolves are linked to Christine de Pizan's Book of the City of Ladies (1405), orginally published six hundred years ago in 1405. The book is a tribute to women that honors two hundred female warriors, scientists, queens, philosophers, and builders of cities. Though twenty-five manuscripts of the City of Ladies still exist, references to tapestries based on the book are elusive. Bell takes us along as she tracks down records of six sets of tapestries whose owners included Elizabeth I of England; Margaret of Austria; and Anne of Brittany, Queen of France. Bell examines the intriguing details of these women's lives—their arranged marriages, their power, their affairs of state—asking what interest they had in owning these particular tapestries. Could the tapestries have represented their thinking? As she reveals the historical, linguistic, and cultural aspects of this unique story, Bell also gives a fascinating account of medieval and early-Renaissance tapestry production and of Christine de Pizan's remarkable life and legacy.
Book Synopsis The Lost Tapestries of the City of Ladies by : Susan Groag Bell
Download or read book The Lost Tapestries of the City of Ladies written by Susan Groag Bell and published by Univ of California Press. This book was released on 2004-11-29 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like a particularly good detective story, this richly textured book follows tantalizing clues in its hunt for a group of missing artistic masterpieces. Susan Bell recounts both her long search for a series of sixteenth-century tapestries that celebrated women and her efforts to understand their meaning for Queen Elizabeth I of England and the other powerful women who owned them. Opening a new window on the lives of noblewomen in the Renaissance, the brilliantly colored tapestries that were the ultimate artistic luxury of the day, and the popular and influential fourteenth-century writer Christine de Pizan, Bell pursues a compelling tale that moves from centuries past to today. The tapestries around which this story revolves are linked to Christine de Pizan's Book of the City of Ladies (1405), orginally published six hundred years ago in 1405. The book is a tribute to women that honors two hundred female warriors, scientists, queens, philosophers, and builders of cities. Though twenty-five manuscripts of the City of Ladies still exist, references to tapestries based on the book are elusive. Bell takes us along as she tracks down records of six sets of tapestries whose owners included Elizabeth I of England; Margaret of Austria; and Anne of Brittany, Queen of France. Bell examines the intriguing details of these women's lives—their arranged marriages, their power, their affairs of state—asking what interest they had in owning these particular tapestries. Could the tapestries have represented their thinking? As she reveals the historical, linguistic, and cultural aspects of this unique story, Bell also gives a fascinating account of medieval and early-Renaissance tapestry production and of Christine de Pizan's remarkable life and legacy.
Book Synopsis Tapestries by : George Leland Hunter
Download or read book Tapestries written by George Leland Hunter and published by . This book was released on 1912 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Book Synopsis Luxury Arts of the Renaissance by : Marina Belozerskaya
Download or read book Luxury Arts of the Renaissance written by Marina Belozerskaya and published by Getty Publications. This book was released on 2005-10-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
