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"Fifteen chilling stories of lycanthropy and murder written from 1838 to 1896, many of them reprinted here for the first time. This edition includes a new introduction, notes, and numerous rare Victorian werewolf illustrations"--P. [4] of cover.
Book Synopsis Terrifying Transformations by : Bram Stoker
Download or read book Terrifying Transformations written by Bram Stoker and published by . This book was released on 2012-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Fifteen chilling stories of lycanthropy and murder written from 1838 to 1896, many of them reprinted here for the first time. This edition includes a new introduction, notes, and numerous rare Victorian werewolf illustrations"--P. [4] of cover.
Fourth wave feminism has entered the national conversation and established a highly visible presence in popular media, especially in cutting-edge science fiction and fantasy films and television series. Wonder Woman, the Wasp, and Captain Marvel headline superhero films while Black Panther celebrates nonwestern power. Disney princesses value sisterhood over conventional marriage. This first of two companion volumes addresses cinema, exploring how, since 2012, such films as the Hunger Games trilogy, Mad Max: Fury Road, and recent Star Wars installments have showcased women of action. The true innovation is a product of the Internet age. Though the web has accelerated fan engagement to the point that progressivism and backlash happen simultaneously, new films increasingly emphasize diversity over toxic masculinity. They defy net trolls to provide stunning role models for viewers across the spectrum of age, gender, and nationality.
Book Synopsis Fourth Wave Feminism in Science Fiction and Fantasy by : Valerie Estelle Frankel
Download or read book Fourth Wave Feminism in Science Fiction and Fantasy written by Valerie Estelle Frankel and published by McFarland. This book was released on 2019-10-15 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourth wave feminism has entered the national conversation and established a highly visible presence in popular media, especially in cutting-edge science fiction and fantasy films and television series. Wonder Woman, the Wasp, and Captain Marvel headline superhero films while Black Panther celebrates nonwestern power. Disney princesses value sisterhood over conventional marriage. This first of two companion volumes addresses cinema, exploring how, since 2012, such films as the Hunger Games trilogy, Mad Max: Fury Road, and recent Star Wars installments have showcased women of action. The true innovation is a product of the Internet age. Though the web has accelerated fan engagement to the point that progressivism and backlash happen simultaneously, new films increasingly emphasize diversity over toxic masculinity. They defy net trolls to provide stunning role models for viewers across the spectrum of age, gender, and nationality.
Anyone seeking a deeper understanding of human spirituality will find something of value in Michael Washburn's new book. Drawing on a rich variety of psychoanalytic, Jungian, and existential-phenomenological sources and on both Western and Asian spiritual texts, Embodied Spirituality in a Sacred World provides a theoretical foundation for the idea that human development follows a spiral path. Washburn shows that ego development early in life requires us to turn our backs on original sources of our existence and, therefore, that spiritual development later in life requires us to spiral back to these sources on the way to whole-psyche integration. He elucidates the underlying causes and pivotal events that set development on its spiral course and traces six major dimensions of experience as they unfold along the spiral path: the unconscious, the energy system, the ego system, the perceived other, the experiential body, and the life-world. In providing a theoretical foundation for the idea of the spiral path, Washburn defends the idea against its critics and helps explain why the idea has been compelling to so many people in diverse traditions.
Book Synopsis Embodied Spirituality in a Sacred World by : Michael Washburn
Download or read book Embodied Spirituality in a Sacred World written by Michael Washburn and published by State University of New York Press. This book was released on 2012-02-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anyone seeking a deeper understanding of human spirituality will find something of value in Michael Washburn's new book. Drawing on a rich variety of psychoanalytic, Jungian, and existential-phenomenological sources and on both Western and Asian spiritual texts, Embodied Spirituality in a Sacred World provides a theoretical foundation for the idea that human development follows a spiral path. Washburn shows that ego development early in life requires us to turn our backs on original sources of our existence and, therefore, that spiritual development later in life requires us to spiral back to these sources on the way to whole-psyche integration. He elucidates the underlying causes and pivotal events that set development on its spiral course and traces six major dimensions of experience as they unfold along the spiral path: the unconscious, the energy system, the ego system, the perceived other, the experiential body, and the life-world. In providing a theoretical foundation for the idea of the spiral path, Washburn defends the idea against its critics and helps explain why the idea has been compelling to so many people in diverse traditions.
Selections from Gass's essays, criticism, commentary, short stories, and novels, chosen by the author.
Book Synopsis The William H. Gass Reader by : William H. Gass
Download or read book The William H. Gass Reader written by William H. Gass and published by Knopf. This book was released on 2018 with total page 929 pages. Available in PDF, EPUB and Kindle. Book excerpt: Selections from Gass's essays, criticism, commentary, short stories, and novels, chosen by the author.
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences. Horror’s capacity to take the form of our evolving fears and anxieties has ensured not only its notoriety but also its long-term survival and international popularity. This second edition has been comprehensively updated to capture all that is important and exciting about the horror genre as it exists today. Its new entries feature the creative personalities who have developed innovative forms of horror, and recent major films and cycles of films that ensure horror’s continuing popularity and significance. In addition, many of the other entries have been expanded to include reference to the contemporary scene, giving a clear picture of how horror cinema is constantly renewing and transforming itself. The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. The entries cover all major movie villains, including Frankenstein and his monsters, the vampire, the werewolf, the mummy, the zombie, the ghost and the serial killer; film directors, producers, writers, actors, cinematographers, make-up artists, special-effects technicians, and composers who have helped shape horror history; significant production companies; major films that are milestones in the development of the horror genre; and different national traditions in horror cinema – as well as popular themes, formats, conventions, and cycles.
Book Synopsis Historical Dictionary of Horror Cinema by : Peter Hutchings
Download or read book Historical Dictionary of Horror Cinema written by Peter Hutchings and published by Rowman & Littlefield. This book was released on 2017-11-22 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences. Horror’s capacity to take the form of our evolving fears and anxieties has ensured not only its notoriety but also its long-term survival and international popularity. This second edition has been comprehensively updated to capture all that is important and exciting about the horror genre as it exists today. Its new entries feature the creative personalities who have developed innovative forms of horror, and recent major films and cycles of films that ensure horror’s continuing popularity and significance. In addition, many of the other entries have been expanded to include reference to the contemporary scene, giving a clear picture of how horror cinema is constantly renewing and transforming itself. The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. The entries cover all major movie villains, including Frankenstein and his monsters, the vampire, the werewolf, the mummy, the zombie, the ghost and the serial killer; film directors, producers, writers, actors, cinematographers, make-up artists, special-effects technicians, and composers who have helped shape horror history; significant production companies; major films that are milestones in the development of the horror genre; and different national traditions in horror cinema – as well as popular themes, formats, conventions, and cycles.
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.
Book Synopsis The A to Z of Horror Cinema by : Peter Hutchings
Download or read book The A to Z of Horror Cinema written by Peter Hutchings and published by Scarecrow Press. This book was released on 2009-09-02 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.
This volume of essays presents innovative research from a variety of perspectives on the cultural significance of wolves, children raised by wolves, and werewolves, as portrayed in different media and genres.
Book Synopsis In the company of wolves by : Sam George
Download or read book In the company of wolves written by Sam George and published by Manchester University Press. This book was released on 2020-02-05 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays presents innovative research from a variety of perspectives on the cultural significance of wolves, children raised by wolves, and werewolves, as portrayed in different media and genres.
Book Synopsis The Palgrave Handbook of the Vampire by : Simon Bacon
Download or read book The Palgrave Handbook of the Vampire written by Simon Bacon and published by Springer Nature. This book was released on with total page 1746 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Wolves lope across Gothic imagination. Signs of a pure animality opposed to humanity, in the figure of the werewolf they become liminal creatures that move between the human and the animal. Werewolves function as a site for exploring complex anxieties of difference – of gender, class, race, space, nation or sexuality – but the imaginative and ideological uses of wolves also reflect back on the lives of material animals, long persecuted in their declining habitats across the world. Werewolves therefore raise unsettling questions about the intersection of the real and the imaginary, the instability of human identities and the worldliness and political weight of the Gothic. This is the first volume concerned with the appearance of werewolves and wolves in literary and cultural texts from the mid-nineteenth century to the present. Drawing on representations of werewolves and wolves in literature, film, television and visual culture, the essays investigate the key texts of the lycanthropic canon alongside lesser-known works from the 1890s to the present. The result is an innovative study that is both theoretically aware and historically nuanced, featuring an international list of established and emerging scholars based in Britain, Europe, North America and Australia.
Book Synopsis Werewolves, Wolves and the Gothic by :
Download or read book Werewolves, Wolves and the Gothic written by and published by University of Wales Press. This book was released on 2017-09-15 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wolves lope across Gothic imagination. Signs of a pure animality opposed to humanity, in the figure of the werewolf they become liminal creatures that move between the human and the animal. Werewolves function as a site for exploring complex anxieties of difference – of gender, class, race, space, nation or sexuality – but the imaginative and ideological uses of wolves also reflect back on the lives of material animals, long persecuted in their declining habitats across the world. Werewolves therefore raise unsettling questions about the intersection of the real and the imaginary, the instability of human identities and the worldliness and political weight of the Gothic. This is the first volume concerned with the appearance of werewolves and wolves in literary and cultural texts from the mid-nineteenth century to the present. Drawing on representations of werewolves and wolves in literature, film, television and visual culture, the essays investigate the key texts of the lycanthropic canon alongside lesser-known works from the 1890s to the present. The result is an innovative study that is both theoretically aware and historically nuanced, featuring an international list of established and emerging scholars based in Britain, Europe, North America and Australia.
Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience offers a comprehensive treatment of the human imagination by integrating the rich discourse on imagination in the humanities with modern neuroscientific research. This book is the first to offer an integrated understanding of imagination from both a humanistic (i.e., historical, philosophical, cultural, depth psychological) and scientific perspective. The book presents neurobiological accounts that align with prominent theories in Jungian and archetypal psychology and offers a window into the many ways imagination can be understood. It elaborates on the discourse on imagination in Western civilization that goes back thousands of years. Chapters analyze how imagination has been considered throughout history and contrasts a modern neuroscientific approach that looks at imagination by studying its component parts without addressing the phenomenon in all its experiential richness and complexity. By bringing these two approaches together an account of the human imagination emerges that is grounded in scientific rigor without diminishing the fullness of human experience. This book will appeal to academics, researchers, and post-graduate students in the fields of analytical psychology, depth psychology, Jungian studies, and psychotherapy
Book Synopsis Imagination in the Western Psyche by : Jonathan Erickson
Download or read book Imagination in the Western Psyche written by Jonathan Erickson and published by Routledge. This book was released on 2019-08-08 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience offers a comprehensive treatment of the human imagination by integrating the rich discourse on imagination in the humanities with modern neuroscientific research. This book is the first to offer an integrated understanding of imagination from both a humanistic (i.e., historical, philosophical, cultural, depth psychological) and scientific perspective. The book presents neurobiological accounts that align with prominent theories in Jungian and archetypal psychology and offers a window into the many ways imagination can be understood. It elaborates on the discourse on imagination in Western civilization that goes back thousands of years. Chapters analyze how imagination has been considered throughout history and contrasts a modern neuroscientific approach that looks at imagination by studying its component parts without addressing the phenomenon in all its experiential richness and complexity. By bringing these two approaches together an account of the human imagination emerges that is grounded in scientific rigor without diminishing the fullness of human experience. This book will appeal to academics, researchers, and post-graduate students in the fields of analytical psychology, depth psychology, Jungian studies, and psychotherapy
