The American Avant-garde Tradition

The American Avant-garde Tradition

Author: John Lowney

Publisher:

Published: 1997

Total Pages: 184

ISBN-13:

DOWNLOAD EBOOK

"This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the cultural politics of constructing literary reputations, but also a more fundamental assumption that governs canon formation, the assumption that "poetic language" excludes speech types marking social difference." "Williams's commitment to experimentation and the destruction of traditional forms allies his poetics with the critical stance of the international avant-garde. His writing is especially sensitive, however, to linguistic registers of social difference in the United States. Focusing especially on Williams's early experimentation with poetic form, through Spring and All, but also on his critical and imaginative prose, such as In the American Grain, this book argues that two contingent rhetorical motives structure his response to cultural change: what Lowney calls the "poetics of descent" and the "poetics of dissent.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Book Synopsis The American Avant-garde Tradition by : John Lowney

Download or read book The American Avant-garde Tradition written by John Lowney and published by . This book was released on 1997 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the cultural politics of constructing literary reputations, but also a more fundamental assumption that governs canon formation, the assumption that "poetic language" excludes speech types marking social difference." "Williams's commitment to experimentation and the destruction of traditional forms allies his poetics with the critical stance of the international avant-garde. His writing is especially sensitive, however, to linguistic registers of social difference in the United States. Focusing especially on Williams's early experimentation with poetic form, through Spring and All, but also on his critical and imaginative prose, such as In the American Grain, this book argues that two contingent rhetorical motives structure his response to cultural change: what Lowney calls the "poetics of descent" and the "poetics of dissent.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Native American Art and the New York Avant-Garde

Native American Art and the New York Avant-Garde

Author: W. Jackson Rushing

Publisher:

Published: 1995

Total Pages: 280

ISBN-13:

DOWNLOAD EBOOK

Avant-garde art between 1910 and 1950 is well known for its use of "primitive" imagery, often borrowed from traditional cultures in Africa and Oceania. Less recognized, however, is the use United States artists made of Native American art, myth, and ritual to craft a specifically American Modernist art. In this groundbreaking study, W. Jackson Rushing comprehensively explores the process by which Native American iconography was appropriated, transformed, and embodied in American avant-garde art of the Modernist period. Writing from the dual perspectives of cultural and art history, Rushing shows how national exhibitions of Native American art influenced such artists, critics, and patrons as Marsden Hartley, John Sloan, Mabel Dodge Luhan, Robert Henri, John Marin, Adolph Gottlieb, Barnett Newman, and especially Jackson Pollock, whose legendary drip paintings he convincingly links with the curative sand paintings of the Navajo. He traces the avant-garde adoption of Native American cultural forms to anxiety over industrialism and urbanism, post-World War I "return to roots" nationalism, the New Deal search for American strengths and values, and the notion of the "dark" Jungian unconscious current in the 1940s. Through its interdisciplinary approach, this book underscores the fact that even abstract art springs from specific cultural and political motivations and sources. Its message is especially timely, for Euro-American society is once again turning to Native American cultures for lessons on how to integrate our lives with the land, with tradition, and with the sacred.


Book Synopsis Native American Art and the New York Avant-Garde by : W. Jackson Rushing

Download or read book Native American Art and the New York Avant-Garde written by W. Jackson Rushing and published by . This book was released on 1995 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde art between 1910 and 1950 is well known for its use of "primitive" imagery, often borrowed from traditional cultures in Africa and Oceania. Less recognized, however, is the use United States artists made of Native American art, myth, and ritual to craft a specifically American Modernist art. In this groundbreaking study, W. Jackson Rushing comprehensively explores the process by which Native American iconography was appropriated, transformed, and embodied in American avant-garde art of the Modernist period. Writing from the dual perspectives of cultural and art history, Rushing shows how national exhibitions of Native American art influenced such artists, critics, and patrons as Marsden Hartley, John Sloan, Mabel Dodge Luhan, Robert Henri, John Marin, Adolph Gottlieb, Barnett Newman, and especially Jackson Pollock, whose legendary drip paintings he convincingly links with the curative sand paintings of the Navajo. He traces the avant-garde adoption of Native American cultural forms to anxiety over industrialism and urbanism, post-World War I "return to roots" nationalism, the New Deal search for American strengths and values, and the notion of the "dark" Jungian unconscious current in the 1940s. Through its interdisciplinary approach, this book underscores the fact that even abstract art springs from specific cultural and political motivations and sources. Its message is especially timely, for Euro-American society is once again turning to Native American cultures for lessons on how to integrate our lives with the land, with tradition, and with the sacred.


Maya Deren and the American Avant-Garde

Maya Deren and the American Avant-Garde

Author: Bill Nichols

Publisher: Univ of California Press

Published: 2001-10-31

Total Pages: 356

ISBN-13: 9780520227323

DOWNLOAD EBOOK

Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.


Book Synopsis Maya Deren and the American Avant-Garde by : Bill Nichols

Download or read book Maya Deren and the American Avant-Garde written by Bill Nichols and published by Univ of California Press. This book was released on 2001-10-31 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.


American Avant-Garde Theatre

American Avant-Garde Theatre

Author: Arnold Aronson

Publisher: Routledge

Published: 2014-01-02

Total Pages: 264

ISBN-13: 1136370765

DOWNLOAD EBOOK

This stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining: *Gertrude Stein *John Cage *The Beat writers *Avant-garde cinema *Abstract Expressionism *Minimalism There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.


Book Synopsis American Avant-Garde Theatre by : Arnold Aronson

Download or read book American Avant-Garde Theatre written by Arnold Aronson and published by Routledge. This book was released on 2014-01-02 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining: *Gertrude Stein *John Cage *The Beat writers *Avant-garde cinema *Abstract Expressionism *Minimalism There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.


The Avant-garde Tradition in Literature

The Avant-garde Tradition in Literature

Author: Richard Kostelanetz

Publisher: Buffalo, N.Y. : Prometheus Books

Published: 1982

Total Pages: 454

ISBN-13:

DOWNLOAD EBOOK

This paradoxical title not only mocks the pretensions of Avant-garde movements that claim to be entirely new, but it also gives them the legitimacy of belonging to a long tradition of modernism. The wide variety of essays collected here range from Northrop Frye on archetypes to Bob Cobbing on concrete poetry.


Book Synopsis The Avant-garde Tradition in Literature by : Richard Kostelanetz

Download or read book The Avant-garde Tradition in Literature written by Richard Kostelanetz and published by Buffalo, N.Y. : Prometheus Books. This book was released on 1982 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: This paradoxical title not only mocks the pretensions of Avant-garde movements that claim to be entirely new, but it also gives them the legitimacy of belonging to a long tradition of modernism. The wide variety of essays collected here range from Northrop Frye on archetypes to Bob Cobbing on concrete poetry.


The Old Guard and the Avant-Garde

The Old Guard and the Avant-Garde

Author: Sue Ann Prince

Publisher: University of Chicago Press

Published: 1990

Total Pages: 344

ISBN-13: 9780226682846

DOWNLOAD EBOOK

"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago "This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University


Book Synopsis The Old Guard and the Avant-Garde by : Sue Ann Prince

Download or read book The Old Guard and the Avant-Garde written by Sue Ann Prince and published by University of Chicago Press. This book was released on 1990 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago "This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University


The Originality of the Avant-Garde and Other Modernist Myths

The Originality of the Avant-Garde and Other Modernist Myths

Author: Rosalind E. Krauss

Publisher: MIT Press

Published: 1986-07-09

Total Pages: 324

ISBN-13: 9780262610469

DOWNLOAD EBOOK

Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.


Book Synopsis The Originality of the Avant-Garde and Other Modernist Myths by : Rosalind E. Krauss

Download or read book The Originality of the Avant-Garde and Other Modernist Myths written by Rosalind E. Krauss and published by MIT Press. This book was released on 1986-07-09 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.


The Feminist Avant-Garde in American Poetry

The Feminist Avant-Garde in American Poetry

Author: Elisabeth A. Frost

Publisher: University of Iowa Press

Published: 2005-04

Total Pages: 275

ISBN-13: 1587294346

DOWNLOAD EBOOK

The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.


Book Synopsis The Feminist Avant-Garde in American Poetry by : Elisabeth A. Frost

Download or read book The Feminist Avant-Garde in American Poetry written by Elisabeth A. Frost and published by University of Iowa Press. This book was released on 2005-04 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.


Inverted Utopias

Inverted Utopias

Author: Héctor Olea Galaviz

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 618

ISBN-13: 0300102690

DOWNLOAD EBOOK

In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for


Book Synopsis Inverted Utopias by : Héctor Olea Galaviz

Download or read book Inverted Utopias written by Héctor Olea Galaviz and published by Yale University Press. This book was released on 2004-01-01 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for


Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

Author: Aleš Erjavec

Publisher: Duke University Press

Published: 2015-05-08

Total Pages: 344

ISBN-13: 0822375664

DOWNLOAD EBOOK

This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic


Book Synopsis Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements by : Aleš Erjavec

Download or read book Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements written by Aleš Erjavec and published by Duke University Press. This book was released on 2015-05-08 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic