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Book Synopsis The Art of Motion Picture Editing by : Vincent LoBrutto
Download or read book The Art of Motion Picture Editing written by Vincent LoBrutto and published by Skyhorse Publishing Inc.. This book was released on 2012-09 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: A list of 100 essential films.
This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling. This book offers real experiences and advice from seasoned editors on the editing process, providing a detailed examination of filmmaking from the editor’s point of view and exploring how best to cultivate creative relationships with other areas of production to form the final personality of the film. Emphasizing both practicality and creativity, industry veteran Michael Hoggan successfully bridges the gap between the mechanical skills of editing and the thought process behind these decisions. While most books focus primarily on the mind of the creator, this book explores the evolution of practices in film production and editing with respect to the ever-changing expectations of the audience. As the book demonstrates, understanding editing from the audience’s perspective is essential to any successful film. This book will be of interest to post-production students, independent filmmakers, film critics, and agents with editing clients. It is accompanied by a collection of rich digital materials, including a glossary, bibliography, and more.
Book Synopsis The Art and Craft of Motion Picture Editing by : Michael Hoggan
Download or read book The Art and Craft of Motion Picture Editing written by Michael Hoggan and published by Routledge. This book was released on 2021-12-22 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling. This book offers real experiences and advice from seasoned editors on the editing process, providing a detailed examination of filmmaking from the editor’s point of view and exploring how best to cultivate creative relationships with other areas of production to form the final personality of the film. Emphasizing both practicality and creativity, industry veteran Michael Hoggan successfully bridges the gap between the mechanical skills of editing and the thought process behind these decisions. While most books focus primarily on the mind of the creator, this book explores the evolution of practices in film production and editing with respect to the ever-changing expectations of the audience. As the book demonstrates, understanding editing from the audience’s perspective is essential to any successful film. This book will be of interest to post-production students, independent filmmakers, film critics, and agents with editing clients. It is accompanied by a collection of rich digital materials, including a glossary, bibliography, and more.
Book Synopsis Practical Art of Motion Picture Sound by : David Lewis Yewdall
Download or read book Practical Art of Motion Picture Sound written by David Lewis Yewdall and published by Taylor & Francis. This book was released on 2012 with total page 681 pages. Available in PDF, EPUB and Kindle. Book excerpt: ADR and looping --
Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scène, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.
Book Synopsis Film Editing by : Valerie Orpen
Download or read book Film Editing written by Valerie Orpen and published by Columbia University Press. This book was released on 2019-07-25 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scène, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.
In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing. Using examples and anecdotes from almost five decades in the film industry, Dmytryk offers a masterclass in film and video editing. Written in an informal, "how-to-do-it" style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, and exercises.
Book Synopsis On Film Editing by : Edward Dmytryk
Download or read book On Film Editing written by Edward Dmytryk and published by Routledge. This book was released on 2018-09-26 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing. Using examples and anecdotes from almost five decades in the film industry, Dmytryk offers a masterclass in film and video editing. Written in an informal, "how-to-do-it" style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, and exercises.
Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider’s analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don’t allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell’s all-inclusive guide to this essential yet invisible art.
Book Synopsis Dialogue Editing for Motion Pictures by : John Purcell
Download or read book Dialogue Editing for Motion Pictures written by John Purcell and published by Taylor & Francis. This book was released on 2013-07-24 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider’s analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don’t allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell’s all-inclusive guide to this essential yet invisible art.
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
Book Synopsis Fine Cuts: The Art of European Film Editing by : Roger Crittenden
Download or read book Fine Cuts: The Art of European Film Editing written by Roger Crittenden and published by CRC Press. This book was released on 2012-08-06 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Book Synopsis Art of the Cut by : Steve Hullfish
Download or read book Art of the Cut written by Steve Hullfish and published by CRC Press. This book was released on 2024-07-18 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
What does it take to be a motion picture editor? Learn from some of the most decorated editors in motion picture history over the span of 551 films, 360 Academy Awards (R) and another 785 nominations. From Apocalypse Now to West Side Story. From the suspense of The Silence of the Lambs to the comedy of Ferris Bueller's Day Off. From the realism of Saving Private Ryan to the universe of Star Wars. And the challenges: How do you get through 450 hours of material to make a three-hour movie? What happened behind the scenes, in the editing room, when it became apparent that the lead actor wasn't working out? How do you make a release deadline when you still haven't seen the visual effects you need to adjust scenes? What is it like when the director looks at the scene you just edited and says, "Do you have any idea what we went through there? How could you do this?" And then leaves. And, in the stranger than fiction department: You wind up working for one of the most famous directors in motion picture history based on a five-minute conversation where he asks you, "Are you a good editor?" And, so far, you win three Academy Awards(R) for editing. You write a letter to the producer telling him that you just got married and you can't do the film. But you never send that letter. And then you win an Academy Award for Lawrence of Arabia. You find yourself editing West Side Story for the director who edited Citizen Kane. And the life of an editor? You don't think about a nomination and you get nominated. You know there's absolutely no chance you'll win, and you do. You thank your family. You forget to thank them. You go right back to work the next day. You wait for a year until the next job comes. An editor's responsibility is not, as many have thought, "to cut out the bad parts," but to form and shape the material according to the director's vision in support of the story. Editing is based on decisions--hundreds, thousands--and everything you see and hear has a decision behind it. Read on about these remarkable individuals and their stories in The Making of a Motion Picture Editor.
Book Synopsis The Making of a Motion Picture Editor by : Thomas a Ohanian
Download or read book The Making of a Motion Picture Editor written by Thomas a Ohanian and published by . This book was released on 2018-11-26 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it take to be a motion picture editor? Learn from some of the most decorated editors in motion picture history over the span of 551 films, 360 Academy Awards (R) and another 785 nominations. From Apocalypse Now to West Side Story. From the suspense of The Silence of the Lambs to the comedy of Ferris Bueller's Day Off. From the realism of Saving Private Ryan to the universe of Star Wars. And the challenges: How do you get through 450 hours of material to make a three-hour movie? What happened behind the scenes, in the editing room, when it became apparent that the lead actor wasn't working out? How do you make a release deadline when you still haven't seen the visual effects you need to adjust scenes? What is it like when the director looks at the scene you just edited and says, "Do you have any idea what we went through there? How could you do this?" And then leaves. And, in the stranger than fiction department: You wind up working for one of the most famous directors in motion picture history based on a five-minute conversation where he asks you, "Are you a good editor?" And, so far, you win three Academy Awards(R) for editing. You write a letter to the producer telling him that you just got married and you can't do the film. But you never send that letter. And then you win an Academy Award for Lawrence of Arabia. You find yourself editing West Side Story for the director who edited Citizen Kane. And the life of an editor? You don't think about a nomination and you get nominated. You know there's absolutely no chance you'll win, and you do. You thank your family. You forget to thank them. You go right back to work the next day. You wait for a year until the next job comes. An editor's responsibility is not, as many have thought, "to cut out the bad parts," but to form and shape the material according to the director's vision in support of the story. Editing is based on decisions--hundreds, thousands--and everything you see and hear has a decision behind it. Read on about these remarkable individuals and their stories in The Making of a Motion Picture Editor.
The value of the editor?s craft to a finished film cannot be underestimated, and it?s no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world?s top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking?the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.
Book Synopsis FilmCraft: Editing by : Justin Chang
Download or read book FilmCraft: Editing written by Justin Chang and published by Ilex Press. This book was released on 2012-01-16 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: The value of the editor?s craft to a finished film cannot be underestimated, and it?s no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world?s top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking?the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.
