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This book is published on the occasion of the exhibition The Berlin painter and his world: Athenian vase-painting in the early fifth century B.C., Princeton University Art Museum, March 4-June 11, 2017, Toledo Museum of Art, July 7-October 1, 2017.
Book Synopsis The Berlin Painter and His World by : Princeton University. Art Museum
Download or read book The Berlin Painter and His World written by Princeton University. Art Museum and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is published on the occasion of the exhibition The Berlin painter and his world: Athenian vase-painting in the early fifth century B.C., Princeton University Art Museum, March 4-June 11, 2017, Toledo Museum of Art, July 7-October 1, 2017.
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival.
Book Synopsis Mahler and His World by : Karen Painter
Download or read book Mahler and His World written by Karen Painter and published by Princeton University Press. This book was released on 2020-09-01 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival.
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
Book Synopsis The Art of Vase-Painting in Classical Athens by : Martin Robertson
Download or read book The Art of Vase-Painting in Classical Athens written by Martin Robertson and published by Cambridge University Press. This book was released on 1992 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
"This volume contains nearly the entire creative output of Hans Holbein the Younger's Basel period, i.e. the productive and innovative years between 1515 and 1532. In contrast to his later work in England, where he was active primarily as a portraitist and a designer at court, the Basel years were varied and multifaceted." "This publication also includes a series of essays by distinguished Holbein scholars. These cover Holbein's artistic development, analyze his graphic works, shed light on his religious panel paintings and focus on individual works and work complexes such as the woodcut series of the Images of Death. Holbein's artistic career, his patrons and his relationship to antique and contemporary art theory are also discussed."--BOOK JACKET.
Book Synopsis Hans Holbein the Younger by : Hans Holbein
Download or read book Hans Holbein the Younger written by Hans Holbein and published by Prestel Pub. This book was released on 2006 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume contains nearly the entire creative output of Hans Holbein the Younger's Basel period, i.e. the productive and innovative years between 1515 and 1532. In contrast to his later work in England, where he was active primarily as a portraitist and a designer at court, the Basel years were varied and multifaceted." "This publication also includes a series of essays by distinguished Holbein scholars. These cover Holbein's artistic development, analyze his graphic works, shed light on his religious panel paintings and focus on individual works and work complexes such as the woodcut series of the Images of Death. Holbein's artistic career, his patrons and his relationship to antique and contemporary art theory are also discussed."--BOOK JACKET.
A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
Book Synopsis Aleister Crowley: The Beast in Berlin by : Tobias Churton
Download or read book Aleister Crowley: The Beast in Berlin written by Tobias Churton and published by Simon and Schuster. This book was released on 2014-06-16 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
In connection with the Los Angeles opening of the exhibition The Amasis Painter and His World, a colloquium and symposium were held at the Getty Museum between February 28 and March 2, 1986. An international panel of scholars presented papers on various aspects of Greek vase-painting; these papers are collected as fully annotated essays in the companion volume to the exhibition catalogue. They include an essay by Dietrich von Bothmer concerning the connoisseurship of Greek vases, as well as one by Martin Robertson on the status of Attic vase-painting in the mid-sixth century; John Boardman’s discussion of Amasis and the implications of his name; Walter Burkert’s presentation on Homer in the second half of the sixth century; and a paper by Albert Henrichs on representations of Dionysos in sixth-century Attic vase-painting.
Book Synopsis Papers on the Amasis Painter and His World by : J. Paul Getty Museum
Download or read book Papers on the Amasis Painter and His World written by J. Paul Getty Museum and published by Getty Publications. This book was released on 1987-01-01 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: In connection with the Los Angeles opening of the exhibition The Amasis Painter and His World, a colloquium and symposium were held at the Getty Museum between February 28 and March 2, 1986. An international panel of scholars presented papers on various aspects of Greek vase-painting; these papers are collected as fully annotated essays in the companion volume to the exhibition catalogue. They include an essay by Dietrich von Bothmer concerning the connoisseurship of Greek vases, as well as one by Martin Robertson on the status of Attic vase-painting in the mid-sixth century; John Boardman’s discussion of Amasis and the implications of his name; Walter Burkert’s presentation on Homer in the second half of the sixth century; and a paper by Albert Henrichs on representations of Dionysos in sixth-century Attic vase-painting.
The Amasis Painter was one of ancient Greece's greatest vase painters, yet his own name has not been recorded, and he is known today only by the name of the potter whose works he most often decorated. A true individualist in the history of Athenian painting, he produced work distinguished by its delicacy, precision, and wit. When the Amasis Painter began his artistic career around 560 B.C., Attic black-figure vase-painting was already fully established and about to overtake Corinthian pottery in the competition for the Etruscan market. Toward the end of his extraordinarily long career around 515 or even later-the red-figure technique had been invented and was rapidly supplanting black-figure in fashion. By tracing the Amasis Painter's stylistic development from his earliest vases to his latest, this book offers a survey of Attic black-figure technique at the peak of its perfection.The book was prepared to accompany an exhibition held at the Metropolitan Museum of Art, the Toledo Museum of Art, and the Los Angeles County Museum of Art in 1985-1986. The exhibition is the first ever to be devoted to the work of a single artist from ancient Greece, and twenty-two museums and private collectors have lent the vases on display.
Book Synopsis The Amasis Painter and his World by : Dietrich von Bothmer
Download or read book The Amasis Painter and his World written by Dietrich von Bothmer and published by Getty Publications. This book was released on 1985-01-01 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Amasis Painter was one of ancient Greece's greatest vase painters, yet his own name has not been recorded, and he is known today only by the name of the potter whose works he most often decorated. A true individualist in the history of Athenian painting, he produced work distinguished by its delicacy, precision, and wit. When the Amasis Painter began his artistic career around 560 B.C., Attic black-figure vase-painting was already fully established and about to overtake Corinthian pottery in the competition for the Etruscan market. Toward the end of his extraordinarily long career around 515 or even later-the red-figure technique had been invented and was rapidly supplanting black-figure in fashion. By tracing the Amasis Painter's stylistic development from his earliest vases to his latest, this book offers a survey of Attic black-figure technique at the peak of its perfection.The book was prepared to accompany an exhibition held at the Metropolitan Museum of Art, the Toledo Museum of Art, and the Los Angeles County Museum of Art in 1985-1986. The exhibition is the first ever to be devoted to the work of a single artist from ancient Greece, and twenty-two museums and private collectors have lent the vases on display.
This publication, produced in conjunction with the exhibition of the same title at the Meadows Museum, Dallas, highlights the development of Greek art from the dawn of the Iron Age to the age of Alexander, featuring forty-four exceptional ancient Greek, Etruscan, and Italic vases. Monuments to the search by Greek artists for the means of realizing on a small scale, and on a two-dimensional surface, accurate renderings of the human form, human spaces, and divine narratives, these painted vessels are masterpieces of the potter’s craft and the painter’s art. The Greek artists represented--including the Athenians: Andokides, the Berlin Painter, Epiktetos, the Painter of the Madrid Fountain, the Tarquinia Painter, as well as the Baltimore Painter of Magna Graecia--are some of the masters of the medium, and the varied types of vessels span the ancient Greek and Italian world both chronologically and geographically. Reproduced in ninety color plates and accompanied by critical texts documenting each vase and interpreting the meaning of the painted subjects, content of the painting, the vases commend themselves not only for their quality and excellent state of preservation, but for their range of imagery. Many are published here for the first time. Featured in this volume are essays by prominent scholars Paloma Cabrera, Karl Kilinski II, Jenifer Neils, Ann Steiner, Sarah Peirce, and P. Gregory Warden, who approach the general subject from an iconographical as well as purely aesthetic point of view.
Book Synopsis Greek Vase Painting by : Museo Arqueológico Nacional (Spain)
Download or read book Greek Vase Painting written by Museo Arqueológico Nacional (Spain) and published by Texas A&M University Press. This book was released on 2004 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication, produced in conjunction with the exhibition of the same title at the Meadows Museum, Dallas, highlights the development of Greek art from the dawn of the Iron Age to the age of Alexander, featuring forty-four exceptional ancient Greek, Etruscan, and Italic vases. Monuments to the search by Greek artists for the means of realizing on a small scale, and on a two-dimensional surface, accurate renderings of the human form, human spaces, and divine narratives, these painted vessels are masterpieces of the potter’s craft and the painter’s art. The Greek artists represented--including the Athenians: Andokides, the Berlin Painter, Epiktetos, the Painter of the Madrid Fountain, the Tarquinia Painter, as well as the Baltimore Painter of Magna Graecia--are some of the masters of the medium, and the varied types of vessels span the ancient Greek and Italian world both chronologically and geographically. Reproduced in ninety color plates and accompanied by critical texts documenting each vase and interpreting the meaning of the painted subjects, content of the painting, the vases commend themselves not only for their quality and excellent state of preservation, but for their range of imagery. Many are published here for the first time. Featured in this volume are essays by prominent scholars Paloma Cabrera, Karl Kilinski II, Jenifer Neils, Ann Steiner, Sarah Peirce, and P. Gregory Warden, who approach the general subject from an iconographical as well as purely aesthetic point of view.
As the twentieth century draws to a close, Arnold Schoenberg (1874-1951) is being acknowledged as one of its most significant and multifaceted composers. Schoenberg and His World explores the richness of his genius through commentary and documents. Marilyn McCoy opens the volume with a concise chronology, based on the latest scholarship, of Schoenberg's life and works. Essays by Joseph Auner, Leon Botstein, Reinhold Brinkmann, J. Peter Burkholder, Severine Neff, and Rudolf Stephan examine aspects of his creative output, theoretical writings, relation to earlier music, and the socio-cultural contexts in which he worked. The documentary portions of Schoenberg and His World capture Schoenberg at critical periods of his career: during the first decades of the century, primarily in his native Vienna; from 1926 to 1933, in Berlin; and from 1933 on, in the U.S. Included here is the first complete translation into English of the remarkable Festschrift prepared for the 38-year-old Schoenberg by his pupils in 1912; it presciently explored the diverse talents as a composer, teacher, painter, and theorist for which he was later to be recognized. The Berlin years, when he held one of the most prestigious teaching positions in Europe, are represented by interviews with him and articles about his public lectures. The final portion of the volume, devoted to the theme Schoenberg and America, focuses on how the composer viewed--and was viewed by--the country where he spent his final eighteen years. Sabine Feisst brings together and comments upon sources which, contrary to much received opinion, attest to both the considerable impact that Schoenberg had upon his newly adopted land and his own deep involvement in its musical life.
Book Synopsis Schoenberg and His World by : Walter Frisch
Download or read book Schoenberg and His World written by Walter Frisch and published by Princeton University Press. This book was released on 2012-01-16 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the twentieth century draws to a close, Arnold Schoenberg (1874-1951) is being acknowledged as one of its most significant and multifaceted composers. Schoenberg and His World explores the richness of his genius through commentary and documents. Marilyn McCoy opens the volume with a concise chronology, based on the latest scholarship, of Schoenberg's life and works. Essays by Joseph Auner, Leon Botstein, Reinhold Brinkmann, J. Peter Burkholder, Severine Neff, and Rudolf Stephan examine aspects of his creative output, theoretical writings, relation to earlier music, and the socio-cultural contexts in which he worked. The documentary portions of Schoenberg and His World capture Schoenberg at critical periods of his career: during the first decades of the century, primarily in his native Vienna; from 1926 to 1933, in Berlin; and from 1933 on, in the U.S. Included here is the first complete translation into English of the remarkable Festschrift prepared for the 38-year-old Schoenberg by his pupils in 1912; it presciently explored the diverse talents as a composer, teacher, painter, and theorist for which he was later to be recognized. The Berlin years, when he held one of the most prestigious teaching positions in Europe, are represented by interviews with him and articles about his public lectures. The final portion of the volume, devoted to the theme Schoenberg and America, focuses on how the composer viewed--and was viewed by--the country where he spent his final eighteen years. Sabine Feisst brings together and comments upon sources which, contrary to much received opinion, attest to both the considerable impact that Schoenberg had upon his newly adopted land and his own deep involvement in its musical life.
"Often understated, the emotional force of Raoul De Keyser's cryptic and highly lyrical paintings is undeniable. Composed of very basic geometric shapes that hover between abstraction and figuration, many of De Keyser's works seem to hint at forms just out of focus, spaces impossible to inhabit. Their power lies in their ability to suggest through simple gestures, and to compel intense contemplation. Since his death in 2012, De Keyser's stature as a painter has only continued to grow, as has his influence on a younger generation of European painters. Raoul De Keyser: Drift is published on the occasion of the eponymous show at David Zwirner, first presented at the London gallery in November 2015 and traveling to New York in 2016. Curated by Ulrich Loock, who contributes the catalogue's text, the exhibition is organized around a group of twenty-two paintings that the artist completed shortly before his death. Collectively, these works have become known as The Last Wall. Imposing stark material and formal limitations, De Keyser was able to revisit in this body of work many of the major subjects and themes that occupied him throughout his nearly fifty-year career: the inconspicuous things close at hand, the landscape of the low lands where he grew up and lived all his life, and the partition of the picture plane. This elegant catalogue presents plates and details of a careful selection of paintings, beginning in the 1970s, that emphasizes the tentative way De Keyser chose to explore his themes--never approaching anything directly, hinting rather than demonstrating. Taken together, Raoul De Keyser: Drift reveals an uncompromising artist who continued to pose new aesthetic problems for himself--even at the end of his life--and managed to come up with original and deeply moving solutions."--Publisher's description.
Book Synopsis Raoul de Keyser by : Ulrich Loock
Download or read book Raoul de Keyser written by Ulrich Loock and published by Thames & Hudson. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Often understated, the emotional force of Raoul De Keyser's cryptic and highly lyrical paintings is undeniable. Composed of very basic geometric shapes that hover between abstraction and figuration, many of De Keyser's works seem to hint at forms just out of focus, spaces impossible to inhabit. Their power lies in their ability to suggest through simple gestures, and to compel intense contemplation. Since his death in 2012, De Keyser's stature as a painter has only continued to grow, as has his influence on a younger generation of European painters. Raoul De Keyser: Drift is published on the occasion of the eponymous show at David Zwirner, first presented at the London gallery in November 2015 and traveling to New York in 2016. Curated by Ulrich Loock, who contributes the catalogue's text, the exhibition is organized around a group of twenty-two paintings that the artist completed shortly before his death. Collectively, these works have become known as The Last Wall. Imposing stark material and formal limitations, De Keyser was able to revisit in this body of work many of the major subjects and themes that occupied him throughout his nearly fifty-year career: the inconspicuous things close at hand, the landscape of the low lands where he grew up and lived all his life, and the partition of the picture plane. This elegant catalogue presents plates and details of a careful selection of paintings, beginning in the 1970s, that emphasizes the tentative way De Keyser chose to explore his themes--never approaching anything directly, hinting rather than demonstrating. Taken together, Raoul De Keyser: Drift reveals an uncompromising artist who continued to pose new aesthetic problems for himself--even at the end of his life--and managed to come up with original and deeply moving solutions."--Publisher's description.
