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Author Patrick Bentley challenges his readers to labor for the meat that will never perish in his new book The Birth of a Song. Many years of trials in Patricks life has created some extraordinary testimonies that include giving birth to hundreds of new songs to the glory of the Lord Jesus Christ. Included in these beautifully written pages, Bentley unveils many hidden mysteries, such as how to count the mark of the beast (Revelation 13: 18) and why the United States of America is in the heart of Jer USA lem. The Birth of a Song is a must read for all believers in Christ Jesus. In these spiritually inspirational lyrics, you can feel the love of the lord through your very soul
Book Synopsis The Birth of a Song by : Patrick Bentley
Download or read book The Birth of a Song written by Patrick Bentley and published by Tate Publishing. This book was released on 2007-11 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Author Patrick Bentley challenges his readers to labor for the meat that will never perish in his new book The Birth of a Song. Many years of trials in Patricks life has created some extraordinary testimonies that include giving birth to hundreds of new songs to the glory of the Lord Jesus Christ. Included in these beautifully written pages, Bentley unveils many hidden mysteries, such as how to count the mark of the beast (Revelation 13: 18) and why the United States of America is in the heart of Jer USA lem. The Birth of a Song is a must read for all believers in Christ Jesus. In these spiritually inspirational lyrics, you can feel the love of the lord through your very soul
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.
Book Synopsis The Birth of Bebop by : Scott DeVeaux
Download or read book The Birth of Bebop written by Scott DeVeaux and published by Univ of California Press. This book was released on 2023-09-01 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.
The prequel to Bob Stanley's universally acclaimed Yeah Yeah Yeah, Let's Do It is the only book that brings together all genres to tell the definitive story of the birth of Pop, from 1900 to the mid-fifties. 'An absolute landmark/joy/gossip-fest/door to Narnia: the history of pop music before rock'n'roll. Fascinating. I can't recommend it enough.' CAITLIN MORAN 'An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the Twentieth Century.' NEIL TENNANT 'A perfect guidebook, filled with smart thinking and the kind of communicable enthusiasm that sends you rushing to the nearest streaming service, eager to hear what all the fuss was about.' ALEXIS PETRIDIS, GUARDIAN Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century . . . Who were the earliest record stars, and were they in any meaningful way 'pop stars'? Who were the likes of George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after the Second World War? The prequel to Bob Stanley's Yeah Yeah Yeah, Let's Do It is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Taking in superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life - from ragtime, blues and jazz to Broadway, country, crooning and beyond - Let's Do It is essential reading for all music lovers. 'Stanley has provided something invaluable to the growing numbers who get their music via streaming services: a guide to pop's back pages, where artists mostly remembered in sepia tones are brought into vivid colour by the author's enthusiastic sense of discovery.' BILLY BRAGG, NEW STATESMAN 'Inspired.' THE TIMES 'Remarkable.' CLASSIC ROCK 'Exhilarating.' CAUGHT BY THE RIVER 'Essential.' DAILY TELEGRAPH 'A joyous read.' THE ECONOMIST 'Wholly entertaining.' MOJO 'Enthralling.' DAILY MAIL 'Great fun.' LITERARY REVIEW 'Colossal.' UNCUT 'A joy.' RECORD COLLECTOR 'A triumph.' LOUD & QUIET
Book Synopsis Let's Do It by : Bob Stanley
Download or read book Let's Do It written by Bob Stanley and published by . This book was released on 2023-09-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The prequel to Bob Stanley's universally acclaimed Yeah Yeah Yeah, Let's Do It is the only book that brings together all genres to tell the definitive story of the birth of Pop, from 1900 to the mid-fifties. 'An absolute landmark/joy/gossip-fest/door to Narnia: the history of pop music before rock'n'roll. Fascinating. I can't recommend it enough.' CAITLIN MORAN 'An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the Twentieth Century.' NEIL TENNANT 'A perfect guidebook, filled with smart thinking and the kind of communicable enthusiasm that sends you rushing to the nearest streaming service, eager to hear what all the fuss was about.' ALEXIS PETRIDIS, GUARDIAN Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century . . . Who were the earliest record stars, and were they in any meaningful way 'pop stars'? Who were the likes of George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after the Second World War? The prequel to Bob Stanley's Yeah Yeah Yeah, Let's Do It is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Taking in superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life - from ragtime, blues and jazz to Broadway, country, crooning and beyond - Let's Do It is essential reading for all music lovers. 'Stanley has provided something invaluable to the growing numbers who get their music via streaming services: a guide to pop's back pages, where artists mostly remembered in sepia tones are brought into vivid colour by the author's enthusiastic sense of discovery.' BILLY BRAGG, NEW STATESMAN 'Inspired.' THE TIMES 'Remarkable.' CLASSIC ROCK 'Exhilarating.' CAUGHT BY THE RIVER 'Essential.' DAILY TELEGRAPH 'A joyous read.' THE ECONOMIST 'Wholly entertaining.' MOJO 'Enthralling.' DAILY MAIL 'Great fun.' LITERARY REVIEW 'Colossal.' UNCUT 'A joy.' RECORD COLLECTOR 'A triumph.' LOUD & QUIET
In 1971, Ted Chapin was a production assistant on the legendary Broadway musical Follies. Thirty years later, the journal he kept has become the definitive history of one of Broadway's greatest-ever musicals, created by geniuses at the top of their free: Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman.
Book Synopsis Everything was Possible by : Ted Chapin
Download or read book Everything was Possible written by Ted Chapin and published by Hal Leonard Corporation. This book was released on 2005 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1971, Ted Chapin was a production assistant on the legendary Broadway musical Follies. Thirty years later, the journal he kept has become the definitive history of one of Broadway's greatest-ever musicals, created by geniuses at the top of their free: Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman.
Gottfried's capably researched and recounted biography offers a none too flattering glimpse into Kaye's well-guarded personal life, including his egotism, cruelty, his strained marriage and his flirtations and affairs. His career is treated in detail, from his obvious early talent to the creation of his acting personae and his sad professional and personal decline before his death in 1987. Lacks a bibliography. Annotation copyright by Book News, Inc., Portland, OR
Book Synopsis Nobody's Fool by : Martin Gottfried
Download or read book Nobody's Fool written by Martin Gottfried and published by Simon and Schuster. This book was released on 2002-06-07 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gottfried's capably researched and recounted biography offers a none too flattering glimpse into Kaye's well-guarded personal life, including his egotism, cruelty, his strained marriage and his flirtations and affairs. His career is treated in detail, from his obvious early talent to the creation of his acting personae and his sad professional and personal decline before his death in 1987. Lacks a bibliography. Annotation copyright by Book News, Inc., Portland, OR
This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.
Book Synopsis Amy Beach, Passionate Victorian by : Adrienne Fried Block
Download or read book Amy Beach, Passionate Victorian written by Adrienne Fried Block and published by Oxford University Press, USA. This book was released on 2000 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Adrienne Fried Block has written a biography that takes full account of issues of gender and musical modernism, considering Beach in the contexts of her time and of her composer contemporaries, both male and female. Amy Beach, Passionate Victorian will be of great interest to students and scholars of American music, and to music lovers in general.
“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).
Book Synopsis The Birth of Loud by : Ian S. Port
Download or read book The Birth of Loud written by Ian S. Port and published by Simon and Schuster. This book was released on 2019-01-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).
New York Times bestselling Music Is History combines Questlove’s deep musical expertise with his curiosity about history, examining America over the past fifty years—now in paperback Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapes, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music’s most influential and original voices, Music Is History is a singular look at contemporary America.
Book Synopsis Music Is History by : Questlove
Download or read book Music Is History written by Questlove and published by Abrams. This book was released on 2021-10-19 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York Times bestselling Music Is History combines Questlove’s deep musical expertise with his curiosity about history, examining America over the past fifty years—now in paperback Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapes, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music’s most influential and original voices, Music Is History is a singular look at contemporary America.
This is a short book of spiritual meditations for the Advent season on the four "Middle Eastern" songs sung around the birth of Jesus: canticles that play an important role in the liturgical worship of the church over the centuries. The devotions emphasize the Middle Eastern cultural elements of these songs.
Book Synopsis Songs in Waiting by : Paul-Gordon Chandler
Download or read book Songs in Waiting written by Paul-Gordon Chandler and published by Church Publishing, Inc.. This book was released on 2009-06 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a short book of spiritual meditations for the Advent season on the four "Middle Eastern" songs sung around the birth of Jesus: canticles that play an important role in the liturgical worship of the church over the centuries. The devotions emphasize the Middle Eastern cultural elements of these songs.
Book Synopsis The birth of song by : William Henry Davies
Download or read book The birth of song written by William Henry Davies and published by . This book was released on 1936 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
