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Paul Swann's study is a political and social history of the documentary film movement led by John Grierson in the 1930s and 1940s.
Book Synopsis The British Documentary Film Movement, 1926-1946 by : Paul Swann
Download or read book The British Documentary Film Movement, 1926-1946 written by Paul Swann and published by Cambridge University Press. This book was released on 1989-07-28 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paul Swann's study is a political and social history of the documentary film movement led by John Grierson in the 1930s and 1940s.
Book Synopsis The Rise and Fall of British Documentary by : Elizabeth Sussex
Download or read book The Rise and Fall of British Documentary written by Elizabeth Sussex and published by Berkeley : University of California Press. This book was released on 1975 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
Book Synopsis Millions Like Us'? by : Visiting Senior Fellow Department of Psychology Nicky Hayes
Download or read book Millions Like Us'? written by Visiting Senior Fellow Department of Psychology Nicky Hayes and published by Liverpool University Press. This book was released on 1999-01-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
Book Synopsis The Rise and Fall of British Documentary by : Elizabeth Sussex
Download or read book The Rise and Fall of British Documentary written by Elizabeth Sussex and published by . This book was released on 1975 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Documentary Diary written by Paul Rotha and published by London : Secker & Warburg. This book was released on 1973 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A New History of British Documentary is the first comprehensive overview of documentary production in Britain from early film to the present day. It covers both the film and television industries and demonstrates how documentary practice has adapted to changing institutional and ideological contexts.
Book Synopsis A New History of British Documentary by : J. Chapman
Download or read book A New History of British Documentary written by J. Chapman and published by Springer. This book was released on 2015-03-11 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New History of British Documentary is the first comprehensive overview of documentary production in Britain from early film to the present day. It covers both the film and television industries and demonstrates how documentary practice has adapted to changing institutional and ideological contexts.
The documentary film movement of the 1930s and 1940s is deemed to lie at the heart of the modern British film culture. This is the first anthology to focus on the period.
Book Synopsis Documentary Film Movement by : Ian Aitken
Download or read book Documentary Film Movement written by Ian Aitken and published by Edinburgh University Press. This book was released on 2020-03-31 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The documentary film movement of the 1930s and 1940s is deemed to lie at the heart of the modern British film culture. This is the first anthology to focus on the period.
In 1955 a brand new television series, "Dixon of Dock Green", came to Britain's screens, whose eponymous hero had featured in "The Blue Lamp" (1950). Although it has traditionally been assumed that the uniform police series begins with the Ealing film, this book, based on original archive research, challenges this assumption, proposing that in fact these series were shaped by changes in television's social role from the relaying of news to the replaying of stories. Susan Sydney-Smith demonstrates how the development of the British television police drama - and indeed British television in general - was more complex than accepted accounts allow. She traces numerous lineages, from inter-war public service films, live studio crime reconstructions and story documentaries such as 1942's "Target for Tonight" through to the mix of public service and entertainment values embodied by the BBC Television Light Entertainment's "Dixon of Dock Green". Showing how the genre mapped new social and regional geographies, from Dixon's metropolitan policeman to the gritty northern realism of "Jacks and Knaves" and "Z Cars" with its irascible "Barlow", the author follows the increasing commercialization of television in the sixties, investigating how the BBC set about restoring the values of southern England in the 1966 "Z Cars" spin-off "Softly, Softly", with its more palatable protagonist. The book also offers insights not only into the relationship between early British television and its cinematic forebears but also early radio.
Book Synopsis Beyond Dixon of Dock Green by : Susan Sydney-Smith
Download or read book Beyond Dixon of Dock Green written by Susan Sydney-Smith and published by Bloomsbury Publishing. This book was released on 2002-05-24 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1955 a brand new television series, "Dixon of Dock Green", came to Britain's screens, whose eponymous hero had featured in "The Blue Lamp" (1950). Although it has traditionally been assumed that the uniform police series begins with the Ealing film, this book, based on original archive research, challenges this assumption, proposing that in fact these series were shaped by changes in television's social role from the relaying of news to the replaying of stories. Susan Sydney-Smith demonstrates how the development of the British television police drama - and indeed British television in general - was more complex than accepted accounts allow. She traces numerous lineages, from inter-war public service films, live studio crime reconstructions and story documentaries such as 1942's "Target for Tonight" through to the mix of public service and entertainment values embodied by the BBC Television Light Entertainment's "Dixon of Dock Green". Showing how the genre mapped new social and regional geographies, from Dixon's metropolitan policeman to the gritty northern realism of "Jacks and Knaves" and "Z Cars" with its irascible "Barlow", the author follows the increasing commercialization of television in the sixties, investigating how the BBC set about restoring the values of southern England in the 1966 "Z Cars" spin-off "Softly, Softly", with its more palatable protagonist. The book also offers insights not only into the relationship between early British television and its cinematic forebears but also early radio.
Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
Book Synopsis Humphrey Jennings and British Documentary Film: A Re-assessment by : Philip C. Logan
Download or read book Humphrey Jennings and British Documentary Film: A Re-assessment written by Philip C. Logan and published by Routledge. This book was released on 2016-05-13 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
Book Synopsis Humphrey Jennings and British Documentary Film: A Re-assessment by : Philip C. Logan
Download or read book Humphrey Jennings and British Documentary Film: A Re-assessment written by Philip C. Logan and published by Routledge. This book was released on 2016-05-13 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
