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Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
Book Synopsis The Cambridge Companion to Women Composers by : Matthew Head
Download or read book The Cambridge Companion to Women Composers written by Matthew Head and published by Cambridge University Press. This book was released on 2024-05-30 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Book Synopsis The Cambridge Companion to Women in Music since 1900 by : Laura Hamer
Download or read book The Cambridge Companion to Women in Music since 1900 written by Laura Hamer and published by Cambridge University Press. This book was released on 2021-05-06 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
A classic in gender studies in music Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged. Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano. A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.
Book Synopsis Gender and the Musical Canon by : Marcia J. Citron
Download or read book Gender and the Musical Canon written by Marcia J. Citron and published by University of Illinois Press. This book was released on 2024-04-22 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic in gender studies in music Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged. Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano. A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Book Synopsis The Cambridge Companion to German Romanticism by : Nicholas Saul
Download or read book The Cambridge Companion to German Romanticism written by Nicholas Saul and published by Cambridge University Press. This book was released on 2009-07-09 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Percussion music is both the oldest and most recent of musical genres and exists in diverse forms throughout the world. This Companion explores percussion and rhythm from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. Topics covered include percussion in symphony orchestras from the nineteenth century to today and the development of percussion instruments in chapters on the marimba revolution, the percussion industry, drum machines, and the effect of acoustics. Chapters also investigate drum set playing and the influences of world music on Western percussion, and outline the roles of percussionists as composers, conductors, soloists, chamber musicians, and theatrical performers. Developments in scientific research are explored in chapters on the perception of sound and the evolution of musical rhythm. This book will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.
Book Synopsis The Cambridge Companion to Percussion by : Russell Hartenberger
Download or read book The Cambridge Companion to Percussion written by Russell Hartenberger and published by Cambridge University Press. This book was released on 2016-03-10 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Percussion music is both the oldest and most recent of musical genres and exists in diverse forms throughout the world. This Companion explores percussion and rhythm from the perspectives of performers, composers, conductors, instrument builders, scholars, and cognitive scientists. Topics covered include percussion in symphony orchestras from the nineteenth century to today and the development of percussion instruments in chapters on the marimba revolution, the percussion industry, drum machines, and the effect of acoustics. Chapters also investigate drum set playing and the influences of world music on Western percussion, and outline the roles of percussionists as composers, conductors, soloists, chamber musicians, and theatrical performers. Developments in scientific research are explored in chapters on the perception of sound and the evolution of musical rhythm. This book will be a valuable resource for students, percussionists, and all those who want a deeper understanding of percussion music and rhythm.
The first book in twenty-five years to survey the life and music of America's pioneering female composer of concert works.
Book Synopsis The Cambridge Companion to Amy Beach by : E. Douglas Bomberger
Download or read book The Cambridge Companion to Amy Beach written by E. Douglas Bomberger and published by Cambridge University Press. This book was released on 2023-10-31 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book in twenty-five years to survey the life and music of America's pioneering female composer of concert works.
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Book Synopsis The Cambridge Companion to Jewish Music by : Joshua S. Walden
Download or read book The Cambridge Companion to Jewish Music written by Joshua S. Walden and published by Cambridge University Press. This book was released on 2015-11-19 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Drawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.
Book Synopsis Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939 by : Laura Hamer
Download or read book Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939 written by Laura Hamer and published by Routledge. This book was released on 2018-05-20 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.
Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts. But detailed analysis and discussion of the works created by these composers are still extremely rare. This is particularly true in the domain of music theory, where scholarly work continues to focus almost exclusively on male composers. Moreover, while the number of performances, broadcasts, and recordings of music by women has unquestionably grown, these works remain significantly underrepresented in comparison to music by male composers. Addressing these deficits is not simply a matter of rectifying a scholarly gender imbalance: the lack of knowledge surrounding the music of female composers means that scholars, performers, and the general public remain unfamiliar with a large body of exciting repertoire. Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 is the first to appear in a groundbreaking four-volume series devoted to compositions by women across Western art music history. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth critical-analytic exploration of a single representative composition, linking analytical observations with questions of meaning and sociohistorical context. Chapters are grouped thematically by analytical approach into three sections, each of which places the analytical methods used in the essays that follow into the context of late twentieth-century ideas and trends. Featuring rich analyses and critical discussions, many by leading music theorists in the field, this collection brings to the fore repertoire from a range of important composers, thereby enabling further exploration by scholars, teachers, performers, and listeners.
Book Synopsis Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 by : Laurel Parsons
Download or read book Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 written by Laurel Parsons and published by Oxford University Press. This book was released on 2016-03-03 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts. But detailed analysis and discussion of the works created by these composers are still extremely rare. This is particularly true in the domain of music theory, where scholarly work continues to focus almost exclusively on male composers. Moreover, while the number of performances, broadcasts, and recordings of music by women has unquestionably grown, these works remain significantly underrepresented in comparison to music by male composers. Addressing these deficits is not simply a matter of rectifying a scholarly gender imbalance: the lack of knowledge surrounding the music of female composers means that scholars, performers, and the general public remain unfamiliar with a large body of exciting repertoire. Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 is the first to appear in a groundbreaking four-volume series devoted to compositions by women across Western art music history. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth critical-analytic exploration of a single representative composition, linking analytical observations with questions of meaning and sociohistorical context. Chapters are grouped thematically by analytical approach into three sections, each of which places the analytical methods used in the essays that follow into the context of late twentieth-century ideas and trends. Featuring rich analyses and critical discussions, many by leading music theorists in the field, this collection brings to the fore repertoire from a range of important composers, thereby enabling further exploration by scholars, teachers, performers, and listeners.
Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.
Book Synopsis The Cambridge Companion to Gershwin by : Anna Harwell Celenza
Download or read book The Cambridge Companion to Gershwin written by Anna Harwell Celenza and published by Cambridge University Press. This book was released on 2019-08-22 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.
