The Celluloid South

The Celluloid South

Author: Edward D. C. Campbell

Publisher: Univ. of Tennessee Press

Published: 2003-03

Total Pages: 236

ISBN-13: 9781572332539

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The "southern" - as much a Hollywood genre as the "western" - is the subject of The Celluloid South. For decades the film industry, to provide profit-making entertainment, offered the public movies that neither raised difficult issues nor offended a majority of the ticket-buyers. As a result, Hollywood romanticized the south, particularly the antebellum era, in hundreds of films like Uncle Tom's Cabin, Gone With the Wind, Birth of a Nation, and Jezebel. During the 1920's and especially the Depression, the "moonlight and magnolia" romances increased to such an extent that Hollywood has been struggling since the late forties to rid films of the traditional images of the "southern." In his exploration of the "southern," Edward D.C. Campbell, Jr. examines the film plots and images - their social, literary, and historical origins, and their impact on the creation of a popular mythology of the south. The unrealistic but seemingly harmless characterizations of a planter society, and agricultural economy, and especially slavery have hindered the region's self-assessment and warped the nation's perspective on race. Campbell looks beyond the productions themselves, however, to advertising techniques and the reactions of the viewers and reviewers in his examination of the "southern," its popularity and its decline, and its influence of the public's conception of history, contemporary conditions, and black/white relations. The Celluloid South is not a study of film per se, but of film as a reflection of society and the ramifications inherent in popular entertainment. Readers interested in southern history, popular culture, or cinema studies, as well as movie fans, will find The Celluloid South a fascinating look at Hollywood's development of the southern myth. Thirty-one film stills illustrate the text.


Book Synopsis The Celluloid South by : Edward D. C. Campbell

Download or read book The Celluloid South written by Edward D. C. Campbell and published by Univ. of Tennessee Press. This book was released on 2003-03 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "southern" - as much a Hollywood genre as the "western" - is the subject of The Celluloid South. For decades the film industry, to provide profit-making entertainment, offered the public movies that neither raised difficult issues nor offended a majority of the ticket-buyers. As a result, Hollywood romanticized the south, particularly the antebellum era, in hundreds of films like Uncle Tom's Cabin, Gone With the Wind, Birth of a Nation, and Jezebel. During the 1920's and especially the Depression, the "moonlight and magnolia" romances increased to such an extent that Hollywood has been struggling since the late forties to rid films of the traditional images of the "southern." In his exploration of the "southern," Edward D.C. Campbell, Jr. examines the film plots and images - their social, literary, and historical origins, and their impact on the creation of a popular mythology of the south. The unrealistic but seemingly harmless characterizations of a planter society, and agricultural economy, and especially slavery have hindered the region's self-assessment and warped the nation's perspective on race. Campbell looks beyond the productions themselves, however, to advertising techniques and the reactions of the viewers and reviewers in his examination of the "southern," its popularity and its decline, and its influence of the public's conception of history, contemporary conditions, and black/white relations. The Celluloid South is not a study of film per se, but of film as a reflection of society and the ramifications inherent in popular entertainment. Readers interested in southern history, popular culture, or cinema studies, as well as movie fans, will find The Celluloid South a fascinating look at Hollywood's development of the southern myth. Thirty-one film stills illustrate the text.

The Celluloid South

The Celluloid South

Author: Edward D. C. Campbell

Publisher:

Published: 1981

Total Pages: 626

ISBN-13:

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Book Synopsis The Celluloid South by : Edward D. C. Campbell

Download or read book The Celluloid South written by Edward D. C. Campbell and published by . This book was released on 1981 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Celluloid Classicism

Celluloid Classicism

Author: Hari Krishnan

Publisher: Wesleyan University Press

Published: 2019-09-10

Total Pages: 337

ISBN-13: 0819578886

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Winner of De La Torre Bueno First Book Special Citation, given by DSA, 2021 Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.


Book Synopsis Celluloid Classicism by : Hari Krishnan

Download or read book Celluloid Classicism written by Hari Krishnan and published by Wesleyan University Press. This book was released on 2019-09-10 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of De La Torre Bueno First Book Special Citation, given by DSA, 2021 Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.

Cut-Pieces

Cut-Pieces

Author: Lotte Hoek

Publisher: Columbia University Press

Published: 2013-11-19

Total Pages: 269

ISBN-13: 0231535155

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Imagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid. Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005, pseud.), a popular, Bangladeshi B-quality action movie and fascinating embodiment of the cut-piece phenomenon. She begins with the early scriptwriting phase and concludes with multiple screenings in remote Bangladeshi cinema halls, following the cut-pieces as they appear and disappear from the film, destabilizing its form, generating controversy, and titillating audiences. Hoek's work shines an unusual light on Bangladesh's state-owned film industry and popular practices of the obscene. She also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s.


Book Synopsis Cut-Pieces by : Lotte Hoek

Download or read book Cut-Pieces written by Lotte Hoek and published by Columbia University Press. This book was released on 2013-11-19 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid. Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005, pseud.), a popular, Bangladeshi B-quality action movie and fascinating embodiment of the cut-piece phenomenon. She begins with the early scriptwriting phase and concludes with multiple screenings in remote Bangladeshi cinema halls, following the cut-pieces as they appear and disappear from the film, destabilizing its form, generating controversy, and titillating audiences. Hoek's work shines an unusual light on Bangladesh's state-owned film industry and popular practices of the obscene. She also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s.

Southern Screens: Cinema, Culture and the Global South

Southern Screens: Cinema, Culture and the Global South

Author: Antonio Traverso

Publisher: Routledge

Published: 2018-05-16

Total Pages: 180

ISBN-13: 1315412675

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Southern Screens: Cinema, culture and the global South adopts a transversal south-south approach to the study of screen culture across national and cultural territories. It examines the conditions by which screen culture participates in the generation, sharing, and circulation of new knowledge that is both southern and about the global South. The contributors, all of them residents of the world’s southernmost nations, examine new and traditional media that manifests an affinity with southern cultural imaginaries and territories identifiable through the sociological category of "Global South." Some of their chapters engage in analysis linked to specific national contexts, others follow comparative approaches to screen culture across national, regional, and socio-historical borders. Sketching a new tapestry of references to other areas of southern social science and cultural theory, Southern Screens traces a critical genealogy that here finds a productive place within an emerging, comparative discussion of the screen cultures of the Global South. This book was originally published as a special issue of Critical Arts: South-North Cultural and Media Studies.


Book Synopsis Southern Screens: Cinema, Culture and the Global South by : Antonio Traverso

Download or read book Southern Screens: Cinema, Culture and the Global South written by Antonio Traverso and published by Routledge. This book was released on 2018-05-16 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Southern Screens: Cinema, culture and the global South adopts a transversal south-south approach to the study of screen culture across national and cultural territories. It examines the conditions by which screen culture participates in the generation, sharing, and circulation of new knowledge that is both southern and about the global South. The contributors, all of them residents of the world’s southernmost nations, examine new and traditional media that manifests an affinity with southern cultural imaginaries and territories identifiable through the sociological category of "Global South." Some of their chapters engage in analysis linked to specific national contexts, others follow comparative approaches to screen culture across national, regional, and socio-historical borders. Sketching a new tapestry of references to other areas of southern social science and cultural theory, Southern Screens traces a critical genealogy that here finds a productive place within an emerging, comparative discussion of the screen cultures of the Global South. This book was originally published as a special issue of Critical Arts: South-North Cultural and Media Studies.

Celluloid Symphonies

Celluloid Symphonies

Author: Julie Hubbert

Publisher: Univ of California Press

Published: 2011-03-02

Total Pages: 1050

ISBN-13: 0520947436

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Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.


Book Synopsis Celluloid Symphonies by : Julie Hubbert

Download or read book Celluloid Symphonies written by Julie Hubbert and published by Univ of California Press. This book was released on 2011-03-02 with total page 1050 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.

Queering the South on Screen

Queering the South on Screen

Author: Tison Pugh

Publisher: University of Georgia Press

Published: 2020

Total Pages: 314

ISBN-13: 0820356727

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"Within the realm of U.S. culture and its construction of its citizenry, geography, and ideology, who are Southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining "the intersections of queerness, regionalism, and identity" depicted in film, television, and other visual media about the South during the twentieth century. From portrayals of slavery to gothic horror films, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct fantasies based on southerner's self-identification based on what they were not"--


Book Synopsis Queering the South on Screen by : Tison Pugh

Download or read book Queering the South on Screen written by Tison Pugh and published by University of Georgia Press. This book was released on 2020 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Within the realm of U.S. culture and its construction of its citizenry, geography, and ideology, who are Southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining "the intersections of queerness, regionalism, and identity" depicted in film, television, and other visual media about the South during the twentieth century. From portrayals of slavery to gothic horror films, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct fantasies based on southerner's self-identification based on what they were not"--

The American South

The American South

Author: William J. Cooper, Jr.

Publisher: Rowman & Littlefield Publishers

Published: 2009-01-16

Total Pages: 544

ISBN-13: 0742564509

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In The American South, William J. Cooper, Jr. and Thomas E. Terrill demonstrate their belief that it is impossible to divorce the history of the south from the history of the United States. Each volume includes a substantial biographical essay—completely updated for this edition—which provides the reader with a guide to literature on the history of the South. Coverage now includes the devastation of Hurricane Katrina in 2005, up-to-date analysis of the persistent racial divisions in the region, and the South's unanticipated role in the 2008 presidential primaries.


Book Synopsis The American South by : William J. Cooper, Jr.

Download or read book The American South written by William J. Cooper, Jr. and published by Rowman & Littlefield Publishers. This book was released on 2009-01-16 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The American South, William J. Cooper, Jr. and Thomas E. Terrill demonstrate their belief that it is impossible to divorce the history of the south from the history of the United States. Each volume includes a substantial biographical essay—completely updated for this edition—which provides the reader with a guide to literature on the history of the South. Coverage now includes the devastation of Hurricane Katrina in 2005, up-to-date analysis of the persistent racial divisions in the region, and the South's unanticipated role in the 2008 presidential primaries.

The Cambridge Companion to the Literature of the American South

The Cambridge Companion to the Literature of the American South

Author: Sharon Monteith

Publisher: Cambridge University Press

Published: 2013-08-19

Total Pages: 261

ISBN-13: 110743467X

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This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.


Book Synopsis The Cambridge Companion to the Literature of the American South by : Sharon Monteith

Download or read book The Cambridge Companion to the Literature of the American South written by Sharon Monteith and published by Cambridge University Press. This book was released on 2013-08-19 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.

Comics and the U.S. South

Comics and the U.S. South

Author: Brannon Costello

Publisher: Univ. Press of Mississippi

Published: 2012-01-20

Total Pages: 529

ISBN-13: 1628467975

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Comics and the U.S. South offers a wide-ranging and long overdue assessment of how life and culture in the United States South is represented in serial comics, graphic novels, newspaper comic strips, and webcomics. Diverting the lens of comics studies from the skyscrapers of Superman's Metropolis or Chris Ware's Chicago to the swamps, backroads, small towns, and cities of the U.S. South, this collection critically examines the pulp genres associated with mainstream comic books alongside independent and alternative comics. Some essays seek to discover what Captain America can reveal about southern regionalism and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans after the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality; and another considers how southern writer Randall Kenan adapted elements of comics form to prose fiction. With essays from an interdisciplinary group of scholars, Comics and the U.S. South contributes to and also productively reorients the most significant and compelling conversations in both comics scholarship and in southern studies.


Book Synopsis Comics and the U.S. South by : Brannon Costello

Download or read book Comics and the U.S. South written by Brannon Costello and published by Univ. Press of Mississippi. This book was released on 2012-01-20 with total page 529 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comics and the U.S. South offers a wide-ranging and long overdue assessment of how life and culture in the United States South is represented in serial comics, graphic novels, newspaper comic strips, and webcomics. Diverting the lens of comics studies from the skyscrapers of Superman's Metropolis or Chris Ware's Chicago to the swamps, backroads, small towns, and cities of the U.S. South, this collection critically examines the pulp genres associated with mainstream comic books alongside independent and alternative comics. Some essays seek to discover what Captain America can reveal about southern regionalism and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans after the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality; and another considers how southern writer Randall Kenan adapted elements of comics form to prose fiction. With essays from an interdisciplinary group of scholars, Comics and the U.S. South contributes to and also productively reorients the most significant and compelling conversations in both comics scholarship and in southern studies.