Barbara Stanwyck

Barbara Stanwyck

Author: Andrew Klevan

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 160

ISBN-13: 1838714464

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Barbara Stanwyck's illustrious career began in the 1920s and spanned sixty years. During that period she starred in major films of many genres and worked with some of the most distinguished Hollywood directors. Devoting each chapter to a significant quality of Stanwyck's performances, Andrew Klevan foregrounds crucial scenes from her exemplary films, including Stella Dallas (1937), The Lady Eve (1941), and Double Indemnity (1944). Through the lens of her achievement, Klevan examines the wider concerns of these films while revisiting classic topics from Film Studies – psychoanalysis, medium reflexivity, and the representation of female roles such as the 'sacrificial mother' and the 'femme fatale'. In paying close attention to the various aspects of Barbara Stanwyck's skilfully executed performances, this book enhances familiar understandings and provides fresh illumination.


Book Synopsis Barbara Stanwyck by : Andrew Klevan

Download or read book Barbara Stanwyck written by Andrew Klevan and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Barbara Stanwyck's illustrious career began in the 1920s and spanned sixty years. During that period she starred in major films of many genres and worked with some of the most distinguished Hollywood directors. Devoting each chapter to a significant quality of Stanwyck's performances, Andrew Klevan foregrounds crucial scenes from her exemplary films, including Stella Dallas (1937), The Lady Eve (1941), and Double Indemnity (1944). Through the lens of her achievement, Klevan examines the wider concerns of these films while revisiting classic topics from Film Studies – psychoanalysis, medium reflexivity, and the representation of female roles such as the 'sacrificial mother' and the 'femme fatale'. In paying close attention to the various aspects of Barbara Stanwyck's skilfully executed performances, this book enhances familiar understandings and provides fresh illumination.

A Life of Barbara Stanwyck

A Life of Barbara Stanwyck

Author: Victoria Wilson

Publisher: Simon and Schuster

Published: 2015-11-24

Total Pages: 1056

ISBN-13: 1439194068

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Fifteen years in the making, “860 glittering pages” (The New York Times), the first volume of the astonishing life of Barbara Sanwyck—one of our greatest screen actresses—explores her extraordinary range of eighty-eight motion pictures, her work, her world, and her Hollywood through an American century. Frank Capra called her “the greatest emotional actress the screen has yet known.” Yet Barbara Stanwyck (1907-1990) was also one of its most underrated stars. Now, Victoria Wilson gives us the most complete portrait of this magnificent actress, seen as the quintessential Brooklyn girl whose family was in fact of old New England stock…her years in New York as dancer and Broadway star…her fraught marriage to Broadway genius, Frank Fay…the adoption of a son; her partnership with Zeppo Marx, with whom she created a horse breeding farm; her fairytale romance and marriage to Robert Taylor, America's most sought-after male star… Here is the shaping of her career working with Hollywood's most important directors, all set against the times—the Depression, the rise of the unions, the coming of World War II, and a fast-evolving motion picture industry. At the heart of the book is Stanwyck herself—how she transformed herself from shunned outsider into one of America's most revered screen actresses. Volume One is the result of more than 100 exhaustive interviews with those who knew Stanwyck, many who never before had agreed to be interviewed: her family, friends, and co-workers from Lauren Bacall, Jane Fonda, and Jackie Cooper to Patricia Neal, Milton Berle, and Kirk Douglas; from Billy Wilder, Bruce Dern, and Anthony Quinn to Jane Powell, Charlton Heston, Arthur Laurents, and Sydney Lumet. “An epic Hollywood narrative,” A Life of Barbara Stanwyck includes never-before-seen letters, journals, and photographs.


Book Synopsis A Life of Barbara Stanwyck by : Victoria Wilson

Download or read book A Life of Barbara Stanwyck written by Victoria Wilson and published by Simon and Schuster. This book was released on 2015-11-24 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifteen years in the making, “860 glittering pages” (The New York Times), the first volume of the astonishing life of Barbara Sanwyck—one of our greatest screen actresses—explores her extraordinary range of eighty-eight motion pictures, her work, her world, and her Hollywood through an American century. Frank Capra called her “the greatest emotional actress the screen has yet known.” Yet Barbara Stanwyck (1907-1990) was also one of its most underrated stars. Now, Victoria Wilson gives us the most complete portrait of this magnificent actress, seen as the quintessential Brooklyn girl whose family was in fact of old New England stock…her years in New York as dancer and Broadway star…her fraught marriage to Broadway genius, Frank Fay…the adoption of a son; her partnership with Zeppo Marx, with whom she created a horse breeding farm; her fairytale romance and marriage to Robert Taylor, America's most sought-after male star… Here is the shaping of her career working with Hollywood's most important directors, all set against the times—the Depression, the rise of the unions, the coming of World War II, and a fast-evolving motion picture industry. At the heart of the book is Stanwyck herself—how she transformed herself from shunned outsider into one of America's most revered screen actresses. Volume One is the result of more than 100 exhaustive interviews with those who knew Stanwyck, many who never before had agreed to be interviewed: her family, friends, and co-workers from Lauren Bacall, Jane Fonda, and Jackie Cooper to Patricia Neal, Milton Berle, and Kirk Douglas; from Billy Wilder, Bruce Dern, and Anthony Quinn to Jane Powell, Charlton Heston, Arthur Laurents, and Sydney Lumet. “An epic Hollywood narrative,” A Life of Barbara Stanwyck includes never-before-seen letters, journals, and photographs.

The Cinema of Barbara Stanwyck

The Cinema of Barbara Stanwyck

Author: Catherine Russell

Publisher: University of Illinois Press

Published: 2023-05-02

Total Pages: 279

ISBN-13: 0252054318

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From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America. Original and rich, The Cinema of Barbara Stanwyck is an essential and entertaining reexamination of an enduring Hollywood star.


Book Synopsis The Cinema of Barbara Stanwyck by : Catherine Russell

Download or read book The Cinema of Barbara Stanwyck written by Catherine Russell and published by University of Illinois Press. This book was released on 2023-05-02 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America. Original and rich, The Cinema of Barbara Stanwyck is an essential and entertaining reexamination of an enduring Hollywood star.

Starring Miss Barbara Stanwyck

Starring Miss Barbara Stanwyck

Author: Ella Smith

Publisher: Random House Value Publishing

Published: 1973

Total Pages: 362

ISBN-13:

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Book Synopsis Starring Miss Barbara Stanwyck by : Ella Smith

Download or read book Starring Miss Barbara Stanwyck written by Ella Smith and published by Random House Value Publishing. This book was released on 1973 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Barbara Stanwyck

Barbara Stanwyck

Author: Dan Callahan

Publisher: Univ. Press of Mississippi

Published: 2012-02-03

Total Pages: 273

ISBN-13: 1617031844

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Barbara Stanwyck (1907–1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women—and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs—at the very top of her profession—and offers a close, sympathetic reading of her performances in all their range and complexity.


Book Synopsis Barbara Stanwyck by : Dan Callahan

Download or read book Barbara Stanwyck written by Dan Callahan and published by Univ. Press of Mississippi. This book was released on 2012-02-03 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Barbara Stanwyck (1907–1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women—and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs—at the very top of her profession—and offers a close, sympathetic reading of her performances in all their range and complexity.

25 Best Films of Barbara Stanwyck

25 Best Films of Barbara Stanwyck

Author: Abby Books

Publisher: Createspace Independent Publishing Platform

Published: 2016-07-05

Total Pages: 30

ISBN-13: 9781535114325

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Presenting the 25 Best Films of Barbara Stanwyck: A Movie Poster Mini-Book... A collection of vintage posters and poster art from the top 25 films of Barbara Stanwyck, one of the last of Hollywood's tough ladies, best known for her strong female roles in such films as Double Indemnity (1944). Included in this mini-book are full-sized posters and poster art on 8 x 10 pages presented in descending order, based on their IMDb (Internet Movie Database) Rating. Films included are: All I Desire (1953), Baby Face (1933), Ball of Fire (1941), Christmas in Connecticut (1945), Clash by Night (1952), Double Indemnity (1944), Executive Suite (1954), Forty Guns (1957), Furies (1950), Meet John Doe (1941), My Reputation (1946), Night Nurse (1931), No Man of Her Own (1950), Remember the Night (1940), So Big (1932), Sorry, Wrong Number (1948), Stella Dallas (1937), The Bitter Tea of General Yen (1933), The Lady Eve (1941), The Miracle Woman (1931), The Strange Love of Martha Ivers (1946), The Violent Men (1954), There's Always Tomorrow (1956), Titanic (1953) and Union Pacific (1939). During a nearly 60-year career that spanned 1927 to 1964, Stanwyck played "a rich mix of characterizations in more than 80 films but developed a distinctive image as a gutsy, self-reliant and self-assured woman whose husky voice and cool exterior usually masked a warm heart," according to the New York Times. She was nominated for four Academy Awards for Best Actress for her roles in Stella Dallas (1937), Ball of Fire (1941), Double Indemnity (1944) and Sorry, Wrong Number (1948). In 1982 she was awarded an honorary Oscar for being ''an artist of impeccable grace and beauty, a dedicated actress and one of the great ladies of Hollywood.'' In her films and television work, Stanwyck demonstrated that she was an "extremely versatile actress who could adapt to any role in all genres." 30 pages, full color on white paper.


Book Synopsis 25 Best Films of Barbara Stanwyck by : Abby Books

Download or read book 25 Best Films of Barbara Stanwyck written by Abby Books and published by Createspace Independent Publishing Platform. This book was released on 2016-07-05 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting the 25 Best Films of Barbara Stanwyck: A Movie Poster Mini-Book... A collection of vintage posters and poster art from the top 25 films of Barbara Stanwyck, one of the last of Hollywood's tough ladies, best known for her strong female roles in such films as Double Indemnity (1944). Included in this mini-book are full-sized posters and poster art on 8 x 10 pages presented in descending order, based on their IMDb (Internet Movie Database) Rating. Films included are: All I Desire (1953), Baby Face (1933), Ball of Fire (1941), Christmas in Connecticut (1945), Clash by Night (1952), Double Indemnity (1944), Executive Suite (1954), Forty Guns (1957), Furies (1950), Meet John Doe (1941), My Reputation (1946), Night Nurse (1931), No Man of Her Own (1950), Remember the Night (1940), So Big (1932), Sorry, Wrong Number (1948), Stella Dallas (1937), The Bitter Tea of General Yen (1933), The Lady Eve (1941), The Miracle Woman (1931), The Strange Love of Martha Ivers (1946), The Violent Men (1954), There's Always Tomorrow (1956), Titanic (1953) and Union Pacific (1939). During a nearly 60-year career that spanned 1927 to 1964, Stanwyck played "a rich mix of characterizations in more than 80 films but developed a distinctive image as a gutsy, self-reliant and self-assured woman whose husky voice and cool exterior usually masked a warm heart," according to the New York Times. She was nominated for four Academy Awards for Best Actress for her roles in Stella Dallas (1937), Ball of Fire (1941), Double Indemnity (1944) and Sorry, Wrong Number (1948). In 1982 she was awarded an honorary Oscar for being ''an artist of impeccable grace and beauty, a dedicated actress and one of the great ladies of Hollywood.'' In her films and television work, Stanwyck demonstrated that she was an "extremely versatile actress who could adapt to any role in all genres." 30 pages, full color on white paper.

Cinema '62

Cinema '62

Author: Stephen Farber

Publisher: Rutgers University Press

Published: 2020-03-13

Total Pages: 270

ISBN-13: 1978808836

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Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema ’62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O’Toole, and Omar Sharif. Above all, 1962—the year of To Kill a Mockingbird and The Manchurian Candidate—gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year’s Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema ’62 makes a strong case that the movies peaked in the Kennedy era.


Book Synopsis Cinema '62 by : Stephen Farber

Download or read book Cinema '62 written by Stephen Farber and published by Rutgers University Press. This book was released on 2020-03-13 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema ’62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O’Toole, and Omar Sharif. Above all, 1962—the year of To Kill a Mockingbird and The Manchurian Candidate—gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year’s Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema ’62 makes a strong case that the movies peaked in the Kennedy era.

Colorization

Colorization

Author: Wil Haygood

Publisher: Knopf

Published: 2021-10-19

Total Pages: 473

ISBN-13: 0525656871

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A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.


Book Synopsis Colorization by : Wil Haygood

Download or read book Colorization written by Wil Haygood and published by Knopf. This book was released on 2021-10-19 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.

Fifteenth Annual American Film Institute Life Achievement Award April 9, 1987

Fifteenth Annual American Film Institute Life Achievement Award April 9, 1987

Author:

Publisher:

Published: 1988

Total Pages: 83

ISBN-13:

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Book Synopsis Fifteenth Annual American Film Institute Life Achievement Award April 9, 1987 by :

Download or read book Fifteenth Annual American Film Institute Life Achievement Award April 9, 1987 written by and published by . This book was released on 1988 with total page 83 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Independent Stardom

Independent Stardom

Author: Emily Carman

Publisher: University of Texas Press

Published: 2015-12-15

Total Pages: 236

ISBN-13: 1477307338

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During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.


Book Synopsis Independent Stardom by : Emily Carman

Download or read book Independent Stardom written by Emily Carman and published by University of Texas Press. This book was released on 2015-12-15 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.