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"This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists."--BOOK JACKET.
Book Synopsis The Cinematic by : David Campany
Download or read book The Cinematic written by David Campany and published by . This book was released on 2007 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists."--BOOK JACKET.
Book Synopsis The Cinematic Body by : Steven Shaviro
Download or read book The Cinematic Body written by Steven Shaviro and published by U of Minnesota Press. This book was released on 1994 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: A radical approach to film viewing
Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
Book Synopsis The Cinematic Footprint by : Nadia Bozak
Download or read book The Cinematic Footprint written by Nadia Bozak and published by Rutgers University Press. This book was released on 2011-10-28 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
A revolutionary reconceptualization of capital and perception during the twentieth century.
Book Synopsis The Cinematic Mode of Production by : Jonathan Beller
Download or read book The Cinematic Mode of Production written by Jonathan Beller and published by UPNE. This book was released on 2012-06-12 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revolutionary reconceptualization of capital and perception during the twentieth century.
3llustrated throughout with movie stills, a diverse selection of films, genres, cities and historical periods are examined by leading names in the field to offer an innovative insight into the interconnection of city and screenscapes.
Book Synopsis The Cinematic City by : David Clarke
Download or read book The Cinematic City written by David Clarke and published by Routledge. This book was released on 2005-08-19 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: 3llustrated throughout with movie stills, a diverse selection of films, genres, cities and historical periods are examined by leading names in the field to offer an innovative insight into the interconnection of city and screenscapes.
Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
Book Synopsis The Cinematic Language of Theo Angelopoulos by : Vrasidas Karalis
Download or read book The Cinematic Language of Theo Angelopoulos written by Vrasidas Karalis and published by Berghahn Books. This book was released on 2021-09-17 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
An anthology that applies the concept of the sublime to cinema. This interdisciplinary volume bridges the disciplines of aesthetics and film studies through an exploration of the cinematic sublime. The works collected here, written by contemporary film scholars and philosophers, apply sublime aesthetics to various film topics and case studies, ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema. Original and wide-ranging, The Cinematic Sublime offers new and exciting insights into how cinema engages with traditional historical and aesthetic discourse, and it will prove a useful resource for both post-graduate students and established scholars interested in the interrelations between film and philosophy.
Book Synopsis The Cinematic Sublime by : Nathan Carroll
Download or read book The Cinematic Sublime written by Nathan Carroll and published by Intellect (UK). This book was released on 2023-03-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthology that applies the concept of the sublime to cinema. This interdisciplinary volume bridges the disciplines of aesthetics and film studies through an exploration of the cinematic sublime. The works collected here, written by contemporary film scholars and philosophers, apply sublime aesthetics to various film topics and case studies, ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema. Original and wide-ranging, The Cinematic Sublime offers new and exciting insights into how cinema engages with traditional historical and aesthetic discourse, and it will prove a useful resource for both post-graduate students and established scholars interested in the interrelations between film and philosophy.
Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.
Book Synopsis Aesthetics and the Cinematic Narrative by : Michael Peter Bolus
Download or read book Aesthetics and the Cinematic Narrative written by Michael Peter Bolus and published by Anthem Press. This book was released on 2019-08-26 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.
Ranging over a rich variety of material from film and film literature, and encompassing a critical interrogation of traditional realist ethnographic and cinematic texts, this book highlights the extent to which the cinema has contributed to the rise of voyeurism throughout society. The cinema not only turns its audience into voyeurs, eagerly following the lives of its screen characters, but casts its key players as onlookers, spying on other's lives. The nature of the cinematic voyeur is examined in depth, as are its implications for contemporary society. Norman K Denzin analyzes Hollywood's manipulations of gender, race and class, and, drawing on the work of Foucault, argues that the cinematic gaze must be understood as pa
Book Synopsis The Cinematic Society by : Norman K Denzin
Download or read book The Cinematic Society written by Norman K Denzin and published by SAGE Publications Limited. This book was released on 1995-06-08 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging over a rich variety of material from film and film literature, and encompassing a critical interrogation of traditional realist ethnographic and cinematic texts, this book highlights the extent to which the cinema has contributed to the rise of voyeurism throughout society. The cinema not only turns its audience into voyeurs, eagerly following the lives of its screen characters, but casts its key players as onlookers, spying on other's lives. The nature of the cinematic voyeur is examined in depth, as are its implications for contemporary society. Norman K Denzin analyzes Hollywood's manipulations of gender, race and class, and, drawing on the work of Foucault, argues that the cinematic gaze must be understood as pa
"Best moving pictures I ever saw." Thus did one Vaudeville theater manager describe Georges Méliès's A Trip to the Moon [Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema's first true blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely viewed on DVD, on the Internet, and in countless film courses. In Fantastic Voyages of the Cinematic Imagination, leading film scholars examine Méliès's landmark film in detail, demonstrating its many crucial connecions to literature, popular culture, and visual culture of the time, as well as its long "afterlife" in more recent films, television, and music videos. Together, these essays make clear that Méliès was not only a major filmmaker but also a key figure in the emergence of modern spectacle and the birth of the modern cinematic imagination, and by bringing interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the contributors also open up much larger questions about aesthetics, media, and modernity. In his introduction, Matthew Solomon traces the convoluted provenance of the film's multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film's production, along with translations of two major articles written by Méliès himself.
Book Synopsis Fantastic Voyages of the Cinematic Imagination by : Matthew Solomon
Download or read book Fantastic Voyages of the Cinematic Imagination written by Matthew Solomon and published by State University of New York Press. This book was released on 2011-05-01 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Best moving pictures I ever saw." Thus did one Vaudeville theater manager describe Georges Méliès's A Trip to the Moon [Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema's first true blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely viewed on DVD, on the Internet, and in countless film courses. In Fantastic Voyages of the Cinematic Imagination, leading film scholars examine Méliès's landmark film in detail, demonstrating its many crucial connecions to literature, popular culture, and visual culture of the time, as well as its long "afterlife" in more recent films, television, and music videos. Together, these essays make clear that Méliès was not only a major filmmaker but also a key figure in the emergence of modern spectacle and the birth of the modern cinematic imagination, and by bringing interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the contributors also open up much larger questions about aesthetics, media, and modernity. In his introduction, Matthew Solomon traces the convoluted provenance of the film's multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film's production, along with translations of two major articles written by Méliès himself.
