The Crisis of Identity in Contemporary Japanese Film

The Crisis of Identity in Contemporary Japanese Film

Author: Timothy Iles

Publisher: BRILL

Published: 2008

Total Pages: 241

ISBN-13: 900417138X

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This study, from a variety of analytical approaches, examines ways in which contemporary Japanese film presents a critical engagement with Japan's project of modernity to demonstrate the 'crisis' in conceptions of identity. The work discusses gender, the family, travel, the 'everyday' as horror, and ways in which animated films can offer an ideal space in which an ideal conception of identity may emerge and thrive. It presents close, theoretically-informed textual analyses of the thematic issues contemporary Japanese films raise, through a wide range of genres, from comedy, family drama, and animation, to science fiction and horrror by directors such as Kurosawa Kiyoshi, Morita Yoshimitsu, Miike Takashi, Oshii Mamoru, Kon Satoshi, and Miyazaki Hayao, in language that is accessible but precise.


Book Synopsis The Crisis of Identity in Contemporary Japanese Film by : Timothy Iles

Download or read book The Crisis of Identity in Contemporary Japanese Film written by Timothy Iles and published by BRILL. This book was released on 2008 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study, from a variety of analytical approaches, examines ways in which contemporary Japanese film presents a critical engagement with Japan's project of modernity to demonstrate the 'crisis' in conceptions of identity. The work discusses gender, the family, travel, the 'everyday' as horror, and ways in which animated films can offer an ideal space in which an ideal conception of identity may emerge and thrive. It presents close, theoretically-informed textual analyses of the thematic issues contemporary Japanese films raise, through a wide range of genres, from comedy, family drama, and animation, to science fiction and horrror by directors such as Kurosawa Kiyoshi, Morita Yoshimitsu, Miike Takashi, Oshii Mamoru, Kon Satoshi, and Miyazaki Hayao, in language that is accessible but precise.

Contemporary Japanese Cinema Since Hana-Bi

Contemporary Japanese Cinema Since Hana-Bi

Author: Adam Bingham

Publisher: Edinburgh University Press

Published: 2015-06-23

Total Pages: 224

ISBN-13: 0748683747

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This book studies the key genres in contemporary Japanese cinema through analysis of their key representative films. It considers both those films whose generic lineage is clearly definable (samurai, yakuza, horror) as well as the singularity of several recent trends in the country's filmmaking (such as magic realist filmmaking).


Book Synopsis Contemporary Japanese Cinema Since Hana-Bi by : Adam Bingham

Download or read book Contemporary Japanese Cinema Since Hana-Bi written by Adam Bingham and published by Edinburgh University Press. This book was released on 2015-06-23 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the key genres in contemporary Japanese cinema through analysis of their key representative films. It considers both those films whose generic lineage is clearly definable (samurai, yakuza, horror) as well as the singularity of several recent trends in the country's filmmaking (such as magic realist filmmaking).

The Monstrous-Feminine in Contemporary Japanese Popular Culture

The Monstrous-Feminine in Contemporary Japanese Popular Culture

Author: Raechel Dumas

Publisher: Springer

Published: 2018-06-01

Total Pages: 217

ISBN-13: 3319924656

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This book explores the monstrous-feminine in Japanese popular culture, produced from the late years of the 1980s through to the new millennium. Raechel Dumas examines the role of female monsters in selected works of fiction, manga, film, and video games, offering a trans-genre, trans-media analysis of this enduring trope. The book focuses on several iterations of the monstrous-feminine in contemporary Japan: the self-replicating shōjo in horror, monstrous mothers in science fiction, female ghosts and suburban hauntings in cinema, female monsters and public violence in survival horror games, and the rebellious female body in mytho-fiction. Situating the titles examined here amid discourses of crisis that have materialized in contemporary Japan, Dumas illuminates the ambivalent pleasure of the monstrous-feminine as a trope that both articulates anxieties centered on shifting configurations of subjectivity and nationhood, and elaborates novel possibilities for identity negotiation and social formation in a period marked by dramatic change.


Book Synopsis The Monstrous-Feminine in Contemporary Japanese Popular Culture by : Raechel Dumas

Download or read book The Monstrous-Feminine in Contemporary Japanese Popular Culture written by Raechel Dumas and published by Springer. This book was released on 2018-06-01 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the monstrous-feminine in Japanese popular culture, produced from the late years of the 1980s through to the new millennium. Raechel Dumas examines the role of female monsters in selected works of fiction, manga, film, and video games, offering a trans-genre, trans-media analysis of this enduring trope. The book focuses on several iterations of the monstrous-feminine in contemporary Japan: the self-replicating shōjo in horror, monstrous mothers in science fiction, female ghosts and suburban hauntings in cinema, female monsters and public violence in survival horror games, and the rebellious female body in mytho-fiction. Situating the titles examined here amid discourses of crisis that have materialized in contemporary Japan, Dumas illuminates the ambivalent pleasure of the monstrous-feminine as a trope that both articulates anxieties centered on shifting configurations of subjectivity and nationhood, and elaborates novel possibilities for identity negotiation and social formation in a period marked by dramatic change.

Crisis in Identity

Crisis in Identity

Author: Arthur G. Kimball

Publisher: Tuttle Publishing

Published: 2016-09-13

Total Pages: 192

ISBN-13: 1462912087

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This book is a critical study of ten postwar Japanese novels that focus on man's search for identity in the modern world. With the presentation of the Nobel Prize for Literature to a Japanese author in 1969, the international significance of modern Japanese literature was formally recognized by the Western world. The best indication of the West's present keen appreciation of modern Japanese literature is the large number of excellent translations that have appeared in recent years. In Crisis in Identity a common theme—modern man's search for identity—has been traced through ten major novels. This quest takes place n conjunction with wartime cannibalism, the atomic bombing of Hiroshima, expatriation, senile eroticism, and personal and social alienation. The works in which these are depicted include: Diary of a Mad Old Man (Junichiro Tanizaki) House of the Sleeping Beauties (Yusunari Kawabata) Black Rain (Masuji Ibuse) Fires on the Plain (Shohei Ooka) THe Temple of the Golden Pavilion (Yukio Mishima) The Woman in the Dunes (Kobe Abe) A Personal Matter (Kenzaburo Oe) If you have not yet read these novels, Crisis in Identity will provide a stimulating introduction to them; if you have, it will reveal new insights.


Book Synopsis Crisis in Identity by : Arthur G. Kimball

Download or read book Crisis in Identity written by Arthur G. Kimball and published by Tuttle Publishing. This book was released on 2016-09-13 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a critical study of ten postwar Japanese novels that focus on man's search for identity in the modern world. With the presentation of the Nobel Prize for Literature to a Japanese author in 1969, the international significance of modern Japanese literature was formally recognized by the Western world. The best indication of the West's present keen appreciation of modern Japanese literature is the large number of excellent translations that have appeared in recent years. In Crisis in Identity a common theme—modern man's search for identity—has been traced through ten major novels. This quest takes place n conjunction with wartime cannibalism, the atomic bombing of Hiroshima, expatriation, senile eroticism, and personal and social alienation. The works in which these are depicted include: Diary of a Mad Old Man (Junichiro Tanizaki) House of the Sleeping Beauties (Yusunari Kawabata) Black Rain (Masuji Ibuse) Fires on the Plain (Shohei Ooka) THe Temple of the Golden Pavilion (Yukio Mishima) The Woman in the Dunes (Kobe Abe) A Personal Matter (Kenzaburo Oe) If you have not yet read these novels, Crisis in Identity will provide a stimulating introduction to them; if you have, it will reveal new insights.

World Directors and Their Films

World Directors and Their Films

Author: Bert Cardullo

Publisher: Scarecrow Press

Published: 2012-08-09

Total Pages: 356

ISBN-13: 0810885255

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In World Directors and Their Films, Bert Cardullo offers readable analyses of some of the most important films and the artists who produced them. Beyond simple biographical capsules and plot summaries, these readings demonstrate with clarity and elegance how international moviemakers use the resources of the medium to pursue complex, significant human goals. Including essays on filmmakers from China, Japan, India, Argentina, Brazil, Mexico, Iran, Senegal, and Chad, this book is an engaging collection of enlightening and helpful essays that will appeal as much to the general reader as it will to scholars of international cinema.


Book Synopsis World Directors and Their Films by : Bert Cardullo

Download or read book World Directors and Their Films written by Bert Cardullo and published by Scarecrow Press. This book was released on 2012-08-09 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: In World Directors and Their Films, Bert Cardullo offers readable analyses of some of the most important films and the artists who produced them. Beyond simple biographical capsules and plot summaries, these readings demonstrate with clarity and elegance how international moviemakers use the resources of the medium to pursue complex, significant human goals. Including essays on filmmakers from China, Japan, India, Argentina, Brazil, Mexico, Iran, Senegal, and Chad, this book is an engaging collection of enlightening and helpful essays that will appeal as much to the general reader as it will to scholars of international cinema.

Japanese Horror Films and their American Remakes

Japanese Horror Films and their American Remakes

Author: Valerie Wee

Publisher: Routledge

Published: 2013-10-23

Total Pages: 273

ISBN-13: 1134109628

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The Ring (2002)—Hollywood’s remake of the Japanese cult success Ringu (1998)—marked the beginning of a significant trend in the late 1990s and early 2000s of American adaptations of Asian horror films. This book explores this complex process of adaptation, paying particular attention to the various transformations that occur when texts cross cultural boundaries. Through close readings of a range of Japanese horror films and their Hollywood remakes, this study addresses the social, cultural, aesthetic and generic features of each national cinema’s approach to and representation of horror, within the subgenre of the ghost story, tracing convergences and divergences in the films’ narrative trajectories, aesthetic style, thematic focus and ideological content. In comparing contemporary Japanese horror films with their American adaptations, this book advances existing studies of both the Japanese and American cinematic traditions, by: illustrating the ways in which each tradition responds to developments in its social, cultural and ideological milieu; and, examining Japanese horror films and their American remakes through a lens that highlights cross-cultural exchange and bilateral influence. The book will be of interest to scholars of film, media, and cultural studies.


Book Synopsis Japanese Horror Films and their American Remakes by : Valerie Wee

Download or read book Japanese Horror Films and their American Remakes written by Valerie Wee and published by Routledge. This book was released on 2013-10-23 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ring (2002)—Hollywood’s remake of the Japanese cult success Ringu (1998)—marked the beginning of a significant trend in the late 1990s and early 2000s of American adaptations of Asian horror films. This book explores this complex process of adaptation, paying particular attention to the various transformations that occur when texts cross cultural boundaries. Through close readings of a range of Japanese horror films and their Hollywood remakes, this study addresses the social, cultural, aesthetic and generic features of each national cinema’s approach to and representation of horror, within the subgenre of the ghost story, tracing convergences and divergences in the films’ narrative trajectories, aesthetic style, thematic focus and ideological content. In comparing contemporary Japanese horror films with their American adaptations, this book advances existing studies of both the Japanese and American cinematic traditions, by: illustrating the ways in which each tradition responds to developments in its social, cultural and ideological milieu; and, examining Japanese horror films and their American remakes through a lens that highlights cross-cultural exchange and bilateral influence. The book will be of interest to scholars of film, media, and cultural studies.

Introduction to Japanese Horror Film

Introduction to Japanese Horror Film

Author: Colette Balmain

Publisher: Edinburgh University Press

Published: 2008-10-14

Total Pages: 232

ISBN-13: 0748630597

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This book is a major historical and cultural overview of an increasingly popular genre. Starting with the cultural phenomenon of Godzilla, it explores the evolution of Japanese horror from the 1950s through to contemporary classics of Japanese horror cinema such as Ringu and Ju-On: The Grudge. Divided thematically, the book explores key motifs such as the vengeful virgin, the demonic child, the doomed lovers and the supernatural serial killer, situating them within traditional Japanese mythology and folk-tales. The book also considers the aesthetics of the Japanese horror film, and the mechanisms through which horror is expressed at a visceral level through the use of setting, lighting, music and mise-en-scene. It concludes by considering the impact of Japanese horror on contemporary American cinema by examining the remakes of Ringu, Dark Water and Ju-On: The Grudge.The emphasis is on accessibility, and whilst the book is primarily marketed towards film and media students, it will also be of interest to anyone interested in Japanese horror film, cultural mythology and folk-tales, cinematic aesthetics and film theory.


Book Synopsis Introduction to Japanese Horror Film by : Colette Balmain

Download or read book Introduction to Japanese Horror Film written by Colette Balmain and published by Edinburgh University Press. This book was released on 2008-10-14 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a major historical and cultural overview of an increasingly popular genre. Starting with the cultural phenomenon of Godzilla, it explores the evolution of Japanese horror from the 1950s through to contemporary classics of Japanese horror cinema such as Ringu and Ju-On: The Grudge. Divided thematically, the book explores key motifs such as the vengeful virgin, the demonic child, the doomed lovers and the supernatural serial killer, situating them within traditional Japanese mythology and folk-tales. The book also considers the aesthetics of the Japanese horror film, and the mechanisms through which horror is expressed at a visceral level through the use of setting, lighting, music and mise-en-scene. It concludes by considering the impact of Japanese horror on contemporary American cinema by examining the remakes of Ringu, Dark Water and Ju-On: The Grudge.The emphasis is on accessibility, and whilst the book is primarily marketed towards film and media students, it will also be of interest to anyone interested in Japanese horror film, cultural mythology and folk-tales, cinematic aesthetics and film theory.

Teaching Sound Film

Teaching Sound Film

Author: R. J. Cardullo

Publisher: Springer

Published: 2016-10-26

Total Pages: 460

ISBN-13: 9463007261

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Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.


Book Synopsis Teaching Sound Film by : R. J. Cardullo

Download or read book Teaching Sound Film written by R. J. Cardullo and published by Springer. This book was released on 2016-10-26 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.

The Asian Cinema Experience

The Asian Cinema Experience

Author: Stephen Teo

Publisher: Routledge

Published: 2013-05-07

Total Pages: 290

ISBN-13: 1136296093

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This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component – this book provides a rich, insightful overview of what exactly constitutes Asian Cinema.


Book Synopsis The Asian Cinema Experience by : Stephen Teo

Download or read book The Asian Cinema Experience written by Stephen Teo and published by Routledge. This book was released on 2013-05-07 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component – this book provides a rich, insightful overview of what exactly constitutes Asian Cinema.

Masks in Horror Cinema

Masks in Horror Cinema

Author: Alexandra Heller-Nicholas

Publisher: University of Wales Press

Published: 2019-10-15

Total Pages: 290

ISBN-13: 1786834987

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First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.


Book Synopsis Masks in Horror Cinema by : Alexandra Heller-Nicholas

Download or read book Masks in Horror Cinema written by Alexandra Heller-Nicholas and published by University of Wales Press. This book was released on 2019-10-15 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.