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Ingmar Bergman's films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film history by chronologically comparing Bergman's relationship to key European directors such as Carl Theodor Dreyer, Jean-Luc Godard, Michelangelo Antonioni, and Andrei Tarkovsky, and also looks at Bergman's critical relationship to key movements in film history such as the French New Wave. In so doing, it demonstrates how Ingmar Bergman's films illustrate the demonic struggle in modernity between faith and secularity through "his intense preoccupation with the malaise of intimacy."
Book Synopsis The Demons of Modernity by : John Orr†
Download or read book The Demons of Modernity written by John Orr† and published by Berghahn Books. This book was released on 2014-03-30 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ingmar Bergman's films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film history by chronologically comparing Bergman's relationship to key European directors such as Carl Theodor Dreyer, Jean-Luc Godard, Michelangelo Antonioni, and Andrei Tarkovsky, and also looks at Bergman's critical relationship to key movements in film history such as the French New Wave. In so doing, it demonstrates how Ingmar Bergman's films illustrate the demonic struggle in modernity between faith and secularity through "his intense preoccupation with the malaise of intimacy."
Ryszard Legutko lived and suffered under communism for decades—and he fought with the Polish anti-communist movement to abolish it. Having lived for two decades under a liberal democracy, however, he has discovered that these two political systems have a lot more in common than one might think. They both stem from the same historical roots in early modernity, and accept similar presuppositions about history, society, religion, politics, culture, and human nature. In The Demon in Democracy, Legutko explores the shared objectives between these two political systems, and explains how liberal democracy has over time lurched towards the same goals as communism, albeit without Soviet style brutality. Both systems, says Legutko, reduce human nature to that of the common man, who is led to believe himself liberated from the obligations of the past. Both the communist man and the liberal democratic man refuse to admit that there exists anything of value outside the political systems to which they pledged their loyalty. And both systems refuse to undertake any critical examination of their ideological prejudices.
Book Synopsis The Demon in Democracy by : Ryszard Legutko
Download or read book The Demon in Democracy written by Ryszard Legutko and published by Encounter Books. This book was released on 2018-06-26 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ryszard Legutko lived and suffered under communism for decades—and he fought with the Polish anti-communist movement to abolish it. Having lived for two decades under a liberal democracy, however, he has discovered that these two political systems have a lot more in common than one might think. They both stem from the same historical roots in early modernity, and accept similar presuppositions about history, society, religion, politics, culture, and human nature. In The Demon in Democracy, Legutko explores the shared objectives between these two political systems, and explains how liberal democracy has over time lurched towards the same goals as communism, albeit without Soviet style brutality. Both systems, says Legutko, reduce human nature to that of the common man, who is led to believe himself liberated from the obligations of the past. Both the communist man and the liberal democratic man refuse to admit that there exists anything of value outside the political systems to which they pledged their loyalty. And both systems refuse to undertake any critical examination of their ideological prejudices.
At the center of this interdisciplinary study are court monsters--dwarves, hirsutes, and misshapen individuals--who, by their very presence, altered Renaissance ethics vis-a-vis anatomical difference, social virtues, and scientific knowledge. The study traces how these monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. The works examined here point to the intricate cultural, religious, ethical, and scientific perceptions of monstrous individuals who were fixtures in contemporary courts.
Book Synopsis Portraits of Human Monsters in the Renaissance by : Touba Ghadessi
Download or read book Portraits of Human Monsters in the Renaissance written by Touba Ghadessi and published by Medieval Institute Publications. This book was released on 2018-03-13 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the center of this interdisciplinary study are court monsters--dwarves, hirsutes, and misshapen individuals--who, by their very presence, altered Renaissance ethics vis-a-vis anatomical difference, social virtues, and scientific knowledge. The study traces how these monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. The works examined here point to the intricate cultural, religious, ethical, and scientific perceptions of monstrous individuals who were fixtures in contemporary courts.
Demons and Illness from Antiquity to the Early-Modern Period explores the relationship between demons and illness from the ancient world to the early modern period. Its twenty chapters range from Mesopotamia and ancient Egypt to seventeenth-century England and Spain, and include studies of Judaism, Christianity and Islam.
Book Synopsis Demons and Illness from Antiquity to the Early-Modern Period by : Siam Bhayro
Download or read book Demons and Illness from Antiquity to the Early-Modern Period written by Siam Bhayro and published by BRILL. This book was released on 2017-02-06 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demons and Illness from Antiquity to the Early-Modern Period explores the relationship between demons and illness from the ancient world to the early modern period. Its twenty chapters range from Mesopotamia and ancient Egypt to seventeenth-century England and Spain, and include studies of Judaism, Christianity and Islam.
The relationship between religion and modern culture remains a controversial issue within Christian theology. Using the concept of “cultural modernity,” Francis Ching-Wah Yip reconstructs Paul Tillich’s interpretation of modernity and shows that Tillich’s notion of theonomy served to underscore the problems of modernity and to develop a response.
Book Synopsis Capitalism as Religion? A Study of Paul Tillich's Interpretation of Modernity by : Francis Ching-Wah Yip
Download or read book Capitalism as Religion? A Study of Paul Tillich's Interpretation of Modernity written by Francis Ching-Wah Yip and published by Harvard University Press. This book was released on 2010-09-30 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between religion and modern culture remains a controversial issue within Christian theology. Using the concept of “cultural modernity,” Francis Ching-Wah Yip reconstructs Paul Tillich’s interpretation of modernity and shows that Tillich’s notion of theonomy served to underscore the problems of modernity and to develop a response.
The first novel ever written about terrorism, Dostoevsky'sThe Demons is also the most instructive, for in it he addresses--better than any writer before or since--the two persistent riddles of terrorism: why are terrorists so new to our civilization, and how is it that they can kill others so easily in the name of a political idea? As a first-generation observer of terrorism, Dostoevsky came to the conclusion that this new political movement was the product ofmodern culture, politics, and psychology. He felt that modernity created a unique shame and humiliation that fueled terrorism. The "demons" that he brings to life in this novel are not fire-breathing monsters, but gracious, subtle, cosmopolitan, rational, and scientific. They are also murderers, rapists, arsonists, and terrorists. For Dostoevsky, these "demons were ultimately the product of cosmopolitan Paris, for it was there that individuals first deified reason and thus abandoned the ancient sources of morality--the ancient Gods. By replacing the ancient with the modern gods of atheism, science, and liberalism, modern societies have abandoned any sort of moral constraint that helped to keep violence and tyranny in check. This created the new, modern, nihilistic world of terrorism. If modern shame and humiliation are truly at the heart of modern terrorism, twenty-first century readers can gain a clearer insight into terrorist motivations through understanding Dostoevsky's work.The Solution of the Fist: Dostoevsky and the Roots of Modern Terrorism aims to aid in this process through an in-depth analysis of his work and a careful explanation of the context in which nineteenth-century readers would understand it.
Book Synopsis The Solution of the Fist by : John P. Moran
Download or read book The Solution of the Fist written by John P. Moran and published by Lexington Books. This book was released on 2009 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first novel ever written about terrorism, Dostoevsky'sThe Demons is also the most instructive, for in it he addresses--better than any writer before or since--the two persistent riddles of terrorism: why are terrorists so new to our civilization, and how is it that they can kill others so easily in the name of a political idea? As a first-generation observer of terrorism, Dostoevsky came to the conclusion that this new political movement was the product ofmodern culture, politics, and psychology. He felt that modernity created a unique shame and humiliation that fueled terrorism. The "demons" that he brings to life in this novel are not fire-breathing monsters, but gracious, subtle, cosmopolitan, rational, and scientific. They are also murderers, rapists, arsonists, and terrorists. For Dostoevsky, these "demons were ultimately the product of cosmopolitan Paris, for it was there that individuals first deified reason and thus abandoned the ancient sources of morality--the ancient Gods. By replacing the ancient with the modern gods of atheism, science, and liberalism, modern societies have abandoned any sort of moral constraint that helped to keep violence and tyranny in check. This created the new, modern, nihilistic world of terrorism. If modern shame and humiliation are truly at the heart of modern terrorism, twenty-first century readers can gain a clearer insight into terrorist motivations through understanding Dostoevsky's work.The Solution of the Fist: Dostoevsky and the Roots of Modern Terrorism aims to aid in this process through an in-depth analysis of his work and a careful explanation of the context in which nineteenth-century readers would understand it.
...probably the first thorough review of modern demonology...superb. Recommended... - Library Journal...a terrifically contextualized debunking that is sure to generate debate among the faithful. - Publishers Weekly...a fascinating book on the psychology of modern Western culture. - Science & Spirit MagazineThis fascinating discussion of modern demonology focuses on our ability to differentiate the physical world, with its mechanical laws, from the inherently less predictable psychological realm of thoughts and beliefs. McGrath points out that this ability was a hard-won historical development, and today must be learned in childhood through education. Because of this historical background and our rich fantasy life in childhood, each of us unconsciously suspects, or fears, that supernatural forces may break through the borders of our everyday commonsense order at any time. Indeed, at times of personal stress or societal crisis, the modern boundaries between fantasy and reality begin to slip, and then a magical world of demons and other phantasms can come flooding back into our disenchanted reality.Through this innovative thesis McGrath goes a long way toward explaining both our fascination with fantasy entertainment, such as horror stories and films, and bizarre crazes such as witch-hunts, Satanism scares, and even claims of alien abduction. Despite our demystified culture the lure of childhood's magic kingdom with its monstrous shadow realm remains strong.Malcolm McGrath (Toronto, Ontario, Canada) is a doctoral candidate in political philosophy at Oxford University.
Book Synopsis Demons of the Modern World by : Malcolm Mcgrath
Download or read book Demons of the Modern World written by Malcolm Mcgrath and published by Prometheus Books. This book was released on 2010-10-05 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: ...probably the first thorough review of modern demonology...superb. Recommended... - Library Journal...a terrifically contextualized debunking that is sure to generate debate among the faithful. - Publishers Weekly...a fascinating book on the psychology of modern Western culture. - Science & Spirit MagazineThis fascinating discussion of modern demonology focuses on our ability to differentiate the physical world, with its mechanical laws, from the inherently less predictable psychological realm of thoughts and beliefs. McGrath points out that this ability was a hard-won historical development, and today must be learned in childhood through education. Because of this historical background and our rich fantasy life in childhood, each of us unconsciously suspects, or fears, that supernatural forces may break through the borders of our everyday commonsense order at any time. Indeed, at times of personal stress or societal crisis, the modern boundaries between fantasy and reality begin to slip, and then a magical world of demons and other phantasms can come flooding back into our disenchanted reality.Through this innovative thesis McGrath goes a long way toward explaining both our fascination with fantasy entertainment, such as horror stories and films, and bizarre crazes such as witch-hunts, Satanism scares, and even claims of alien abduction. Despite our demystified culture the lure of childhood's magic kingdom with its monstrous shadow realm remains strong.Malcolm McGrath (Toronto, Ontario, Canada) is a doctoral candidate in political philosophy at Oxford University.
This volume in honour of Jan N. Bremmer consists of a variety of contributions offering a broad spectrum of original ideas and innovative approaches in the history of religions both past and present, thus reflecting the nature of the scholarship of Bremmer himself.
Book Synopsis Myths, Martyrs, and Modernity by : Jitse Dijkstra
Download or read book Myths, Martyrs, and Modernity written by Jitse Dijkstra and published by BRILL. This book was released on 2010-01-11 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume in honour of Jan N. Bremmer consists of a variety of contributions offering a broad spectrum of original ideas and innovative approaches in the history of religions both past and present, thus reflecting the nature of the scholarship of Bremmer himself.
Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spell that she cast, was set on a course, over a span of three hundred years from the sixteenth to the eighteenth centuries, to become a generally broadcast glamour of appearance. Something that a woman does, that is, became something that she has. The antique heroine Medea, witch and barbarian, infamous poisoner, infanticide, regicide, scourge of philanderers, and indefatigable traveller, serves as the vehicle of this development. Revived on the stage of modernity by La Péruse in the sixteenth century, Corneille in the seventeenth, and the operatic composer Cherubini in the eighteenth, her stagecraft and her witchcraft combine, author Amy Wygant argues, to stun her audience into identifying with her magic and making it their own. In contrast to previous studies which have relied upon contemporary printed sources in order to gauge audience participation in and reaction to early modern theater, Wygant argues that psychoanalytic thought about the behavior of groups can be brought to bear on the question of "what happened" when the early modern witch was staged. This cross-disciplinary study reveals the surprising early modern trajectory of our contemporary obsession with magic. Medea figures the movement of culture in history, and in the mirror of the witch on the stage, a mirror both appealing and appalling, our own cultural performances are reflected. It concludes with an analysis of Diderot's claim that the historical process itself is magical, and with the moment in Revolutionary France when the slight and fragile body of the golden-throated singer, Julie-Angélique Scio, became a Medea for modernity: not a witch or a child-murderess, but, as all the press reviews insist, a woman.
Book Synopsis Medea, Magic, and Modernity in France by : Amy Wygant
Download or read book Medea, Magic, and Modernity in France written by Amy Wygant and published by Routledge. This book was released on 2016-04-29 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spell that she cast, was set on a course, over a span of three hundred years from the sixteenth to the eighteenth centuries, to become a generally broadcast glamour of appearance. Something that a woman does, that is, became something that she has. The antique heroine Medea, witch and barbarian, infamous poisoner, infanticide, regicide, scourge of philanderers, and indefatigable traveller, serves as the vehicle of this development. Revived on the stage of modernity by La Péruse in the sixteenth century, Corneille in the seventeenth, and the operatic composer Cherubini in the eighteenth, her stagecraft and her witchcraft combine, author Amy Wygant argues, to stun her audience into identifying with her magic and making it their own. In contrast to previous studies which have relied upon contemporary printed sources in order to gauge audience participation in and reaction to early modern theater, Wygant argues that psychoanalytic thought about the behavior of groups can be brought to bear on the question of "what happened" when the early modern witch was staged. This cross-disciplinary study reveals the surprising early modern trajectory of our contemporary obsession with magic. Medea figures the movement of culture in history, and in the mirror of the witch on the stage, a mirror both appealing and appalling, our own cultural performances are reflected. It concludes with an analysis of Diderot's claim that the historical process itself is magical, and with the moment in Revolutionary France when the slight and fragile body of the golden-throated singer, Julie-Angélique Scio, became a Medea for modernity: not a witch or a child-murderess, but, as all the press reviews insist, a woman.
Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.
Book Synopsis Post-war Cinema and Modernity by : John Orr
Download or read book Post-war Cinema and Modernity written by John Orr and published by NYU Press. This book was released on 2001-03 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.
