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This book studies the phenomena of monsters and marvels from the time of Pliny the Elder through the 14th century.
Book Synopsis The Epistemology of the Monstrous in the Middle Ages by : Lisa Verner
Download or read book The Epistemology of the Monstrous in the Middle Ages written by Lisa Verner and published by Routledge. This book was released on 2005-01-07 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the phenomena of monsters and marvels from the time of Pliny the Elder through the 14th century.
The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. This text looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writing and mystical texts, to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. It should be of interest in the concept of monstrosity and its significance for medieval cultural production.
Book Synopsis The Monstrous Middle Ages by : Bettina Bildhauer
Download or read book The Monstrous Middle Ages written by Bettina Bildhauer and published by University of Wales Press. This book was released on 2017-05-15 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. This text looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writing and mystical texts, to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. It should be of interest in the concept of monstrosity and its significance for medieval cultural production.
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
Book Synopsis Imagination and Fantasy in the Middle Ages and Early Modern Time by : Albrecht Classen
Download or read book Imagination and Fantasy in the Middle Ages and Early Modern Time written by Albrecht Classen and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-08-24 with total page 820 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
This volume examines various manifestations and understandings of the concept of monstrosity in medieval Europe around 500-1500 ce through a collection of contextual chapters and primary sources. The main chapters focus on a specific theme, a type of monster or representation of monstrosity, and consist of a contextual essay synthesizing recent scholarship on that theme, excerpts from primary sources and a bibliography of additional primary and secondary sources on the topics addressed in the chapter. In addition to building upon the wealth of scholarship on monsters and monstrosity produced in recent decades, the book engages with the current fascination with monsters in popular culture, especially in movies, television, and video games. The book presents a survey of medieval monstrosity for a non-specialist audience and provides a theoretical framework for interpreting the monstrous. This book is ideal for undergraduate students working on the theme of monstrosity, as well as being useful for undergraduate courses that cover the supernatural and manifestations of the monstrous covered in the book. With materials drawn from a wide range of medieval sources, it will also appeal to courses in English, French, Art History, and Medieval Studies.
Book Synopsis Medieval Monstrosity by : Charity Urbanski
Download or read book Medieval Monstrosity written by Charity Urbanski and published by Taylor & Francis. This book was released on 2023-10-13 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines various manifestations and understandings of the concept of monstrosity in medieval Europe around 500-1500 ce through a collection of contextual chapters and primary sources. The main chapters focus on a specific theme, a type of monster or representation of monstrosity, and consist of a contextual essay synthesizing recent scholarship on that theme, excerpts from primary sources and a bibliography of additional primary and secondary sources on the topics addressed in the chapter. In addition to building upon the wealth of scholarship on monsters and monstrosity produced in recent decades, the book engages with the current fascination with monsters in popular culture, especially in movies, television, and video games. The book presents a survey of medieval monstrosity for a non-specialist audience and provides a theoretical framework for interpreting the monstrous. This book is ideal for undergraduate students working on the theme of monstrosity, as well as being useful for undergraduate courses that cover the supernatural and manifestations of the monstrous covered in the book. With materials drawn from a wide range of medieval sources, it will also appeal to courses in English, French, Art History, and Medieval Studies.
This collection examines the intersection of the discourses of “disability” and “monstrosity” in a timely and necessary intervention in the scholarly fields of Disability Studies and Monster Studies. Analyzing Medieval and Early Modern art and literature replete with images of non-normative bodies, these essays consider the pernicious history of defining people with distinctly non-normative bodies or non-normative cognition as monsters. In many cases throughout Western history, a figure marked by what Rosemarie Garland-Thomson has termed “the extraordinary body” is labeled a “monster.” This volume explores the origins of this conflation, examines the problems and possibilities inherent in it, and casts both disability and monstrosity in light of emergent, empowering discourses of posthumanism.
Book Synopsis Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World by : Richard H. Godden
Download or read book Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World written by Richard H. Godden and published by Springer Nature. This book was released on 2019-11-21 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection examines the intersection of the discourses of “disability” and “monstrosity” in a timely and necessary intervention in the scholarly fields of Disability Studies and Monster Studies. Analyzing Medieval and Early Modern art and literature replete with images of non-normative bodies, these essays consider the pernicious history of defining people with distinctly non-normative bodies or non-normative cognition as monsters. In many cases throughout Western history, a figure marked by what Rosemarie Garland-Thomson has termed “the extraordinary body” is labeled a “monster.” This volume explores the origins of this conflation, examines the problems and possibilities inherent in it, and casts both disability and monstrosity in light of emergent, empowering discourses of posthumanism.
Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.
Book Synopsis Holy Monsters, Sacred Grotesques by : Michael E. Heyes
Download or read book Holy Monsters, Sacred Grotesques written by Michael E. Heyes and published by Lexington Books. This book was released on 2018-08-10 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.
Getting it wrong deals with the dark side of the medieval theory of knowledge, the ways in which perceptions can err, curiosity get out of hand, and knowledge damage the knower. The first and second parts explore the organs, powers and faculies of the soul and the ways in which teaching and learning occur. The third part of the book examines medieval ideas of "common knowledge"and the ways in which individuals can share or fail to share the knowledge human being ought to have. The fourth part considers wisdom and folly, security and incompleteness of knowledge, truth and lies.
Book Synopsis Getting it Wrong by : Evans
Download or read book Getting it Wrong written by Evans and published by BRILL. This book was released on 2021-10-11 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Getting it wrong deals with the dark side of the medieval theory of knowledge, the ways in which perceptions can err, curiosity get out of hand, and knowledge damage the knower. The first and second parts explore the organs, powers and faculies of the soul and the ways in which teaching and learning occur. The third part of the book examines medieval ideas of "common knowledge"and the ways in which individuals can share or fail to share the knowledge human being ought to have. The fourth part considers wisdom and folly, security and incompleteness of knowledge, truth and lies.
Part I traces the poetics of teratology, the study of monsters, to Christian neoplatonic theology and philosophy, particularly Pseudo-Dionysius's negative theology and his central idea that God cannot be known except by knowing what he is not. Williams argues that the principles of negative theology as applied to epistemology and language made possible a symbolism of negation and paradox whose chief sign was the monster. Part II provides a taxonomy of monstrous forms with a gloss on each, and Part III examines the monstrous and the deformed in three heroic sagas -- the medieval Oedipus, The Romance of Alexander, and Sir Gawain and the Green Knight -- and three saints' lives -- Saint Denis, Saint Christopher, and Saint Wilgeforte. The book is beautifully illustrated with medieval representations of monsters. The most comprehensive study of the grotesque in medieval aesthetic expression, Deformed Discourse successfully brings together medieval research and modern criticism.
Book Synopsis Deformed Discourse by : David A. Williams
Download or read book Deformed Discourse written by David A. Williams and published by McGill-Queen's Press - MQUP. This book was released on 1996-11-12 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part I traces the poetics of teratology, the study of monsters, to Christian neoplatonic theology and philosophy, particularly Pseudo-Dionysius's negative theology and his central idea that God cannot be known except by knowing what he is not. Williams argues that the principles of negative theology as applied to epistemology and language made possible a symbolism of negation and paradox whose chief sign was the monster. Part II provides a taxonomy of monstrous forms with a gloss on each, and Part III examines the monstrous and the deformed in three heroic sagas -- the medieval Oedipus, The Romance of Alexander, and Sir Gawain and the Green Knight -- and three saints' lives -- Saint Denis, Saint Christopher, and Saint Wilgeforte. The book is beautifully illustrated with medieval representations of monsters. The most comprehensive study of the grotesque in medieval aesthetic expression, Deformed Discourse successfully brings together medieval research and modern criticism.
Research on medieval and early modern travel literature has made great progress, which now allows us to take the next step and to analyze the correlations between the individual and space throughout time, which contributed essentially to identity formation in many different settings. The contributors to this volume engage with a variety of pre-modern texts, images, and other documents related to travel and the individual's self-orientation in foreign lands and make an effort to determine the concept of identity within a spatial framework often determined by the meeting of various cultures. Moreover, objects, images and words can also travel and connect people from different worlds through books. The volume thus brings together new scholarship focused on the interrelationship of travel, space, time, and individuality, which also includes, of course, women's movement through the larger world, whether in concrete terms or through proxy travel via readings. Travel here is also examined with respect to craftsmen's activities at various sites, artists' employment for many different projects all over Europe and elsewhere, and in terms of metaphysical experiences (catabasis).
Book Synopsis Travel, Time, and Space in the Middle Ages and Early Modern Time by : Albrecht Classen
Download or read book Travel, Time, and Space in the Middle Ages and Early Modern Time written by Albrecht Classen and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-10-22 with total page 723 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research on medieval and early modern travel literature has made great progress, which now allows us to take the next step and to analyze the correlations between the individual and space throughout time, which contributed essentially to identity formation in many different settings. The contributors to this volume engage with a variety of pre-modern texts, images, and other documents related to travel and the individual's self-orientation in foreign lands and make an effort to determine the concept of identity within a spatial framework often determined by the meeting of various cultures. Moreover, objects, images and words can also travel and connect people from different worlds through books. The volume thus brings together new scholarship focused on the interrelationship of travel, space, time, and individuality, which also includes, of course, women's movement through the larger world, whether in concrete terms or through proxy travel via readings. Travel here is also examined with respect to craftsmen's activities at various sites, artists' employment for many different projects all over Europe and elsewhere, and in terms of metaphysical experiences (catabasis).
In The Giant Hero in Medieval Literature Tina Boyer counters the monstrous status of giants by arguing that they are more broadly legible than traditionally believed. Building on an initial analysis of St. Augustine’s City of God, Bernard of Clairvaux’s deliberations on monsters and marvels, and readings in Tomasin von Zerclaere’s Welsche Gast provide insights into the spectrum of antagonistic and heroic roles that giants play in the courtly realm. This approach places the figure of the giant within the cultural and religious confines of the twelfth and thirteenth centuries and allows an in-depth analysis of epics and romances through political, social, religious, and gender identities tied to the figure of the giant. Sources range from German to French, English, and Iberian works.
Book Synopsis The Giant Hero in Medieval Literature by : Tina Marie Boyer
Download or read book The Giant Hero in Medieval Literature written by Tina Marie Boyer and published by BRILL. This book was released on 2016-05-18 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Giant Hero in Medieval Literature Tina Boyer counters the monstrous status of giants by arguing that they are more broadly legible than traditionally believed. Building on an initial analysis of St. Augustine’s City of God, Bernard of Clairvaux’s deliberations on monsters and marvels, and readings in Tomasin von Zerclaere’s Welsche Gast provide insights into the spectrum of antagonistic and heroic roles that giants play in the courtly realm. This approach places the figure of the giant within the cultural and religious confines of the twelfth and thirteenth centuries and allows an in-depth analysis of epics and romances through political, social, religious, and gender identities tied to the figure of the giant. Sources range from German to French, English, and Iberian works.
