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The accompanying DVD provides some glimpses of the practice of music in a variety of cultures and illustrates ways of listening to the human voice that reveal its intrinsic musicality. The DVD was edited by Pedro Espi-Sanchis, who recorded further material in South Africa.
Book Synopsis Music, Language, and Human Evolution by : Nicholas Bannan
Download or read book Music, Language, and Human Evolution written by Nicholas Bannan and published by Oxford University Press, USA. This book was released on 2012-07-19 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The accompanying DVD provides some glimpses of the practice of music in a variety of cultures and illustrates ways of listening to the human voice that reveal its intrinsic musicality. The DVD was edited by Pedro Espi-Sanchis, who recorded further material in South Africa.
Music is central to human cultural and intellectual experience. It is vitally important for the welfare of human society and - this book argues - should become more widely accepted in our community as a mainstream educational and therapeutic tool. This book explores the importance of music throughout human evolution, and its continued relevance to modern-day human society. Throughout, the emphasis is on the origin of music and how (and where) it is processed in our brains, exploring in detail the genetic and cultural evolution of modern, loquacious humans, how we may have evolved with unique neural and cognitive architecture, and why two complementary but distinct communication systems - language and music - remain a human universal. In addition the book explores, in some depth, the different theories that have been put forward to explain why musical communication was (and remains) advantageous to our species, with a particular emphasis on the role of music and dance in enhancing altruistic and prosocial behaviours. The author suggests that music, and the social harmonization it brings, was of vital importance in early humans as we became more and more individualized by the emergence of modern language and the modern mind, and the realization that we are mortal. Music, Evolution, and the Harmony of Souls demonstrates the evolutionary sociobiological importance of music as a driver of cooperative and interactive behaviour throughout human existence, and what this evolutionary imperative means to twenty-first century humanity and beyond, from social and medical/neurological perspectives
Book Synopsis Music, Evolution, and the Harmony of Souls by : Alan R. Harvey
Download or read book Music, Evolution, and the Harmony of Souls written by Alan R. Harvey and published by Oxford University Press. This book was released on 2017 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is central to human cultural and intellectual experience. It is vitally important for the welfare of human society and - this book argues - should become more widely accepted in our community as a mainstream educational and therapeutic tool. This book explores the importance of music throughout human evolution, and its continued relevance to modern-day human society. Throughout, the emphasis is on the origin of music and how (and where) it is processed in our brains, exploring in detail the genetic and cultural evolution of modern, loquacious humans, how we may have evolved with unique neural and cognitive architecture, and why two complementary but distinct communication systems - language and music - remain a human universal. In addition the book explores, in some depth, the different theories that have been put forward to explain why musical communication was (and remains) advantageous to our species, with a particular emphasis on the role of music and dance in enhancing altruistic and prosocial behaviours. The author suggests that music, and the social harmonization it brings, was of vital importance in early humans as we became more and more individualized by the emergence of modern language and the modern mind, and the realization that we are mortal. Music, Evolution, and the Harmony of Souls demonstrates the evolutionary sociobiological importance of music as a driver of cooperative and interactive behaviour throughout human existence, and what this evolutionary imperative means to twenty-first century humanity and beyond, from social and medical/neurological perspectives
The concept of ‘live’ has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. gives perspectives on the function of live music in digital culture and the role of digital in live music focuses on the interaction between live and digital music takes the discussion of live music beyond economics and marketing, to the cultural and philosophical implications of digital culture for the art includes interviews with producers and players in the digital world of music production furthers debate by looking at access to digital music via social media, websites, and applications that recognise the impact of digital culture on the live music experience
Book Synopsis The Digital Evolution of Live Music by : Angela Jones
Download or read book The Digital Evolution of Live Music written by Angela Jones and published by Chandos Publishing. This book was released on 2015-07-17 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of ‘live’ has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. gives perspectives on the function of live music in digital culture and the role of digital in live music focuses on the interaction between live and digital music takes the discussion of live music beyond economics and marketing, to the cultural and philosophical implications of digital culture for the art includes interviews with producers and players in the digital world of music production furthers debate by looking at access to digital music via social media, websites, and applications that recognise the impact of digital culture on the live music experience
This volume investigates the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. It seeks to understand the relationship between our musical capabilities and the development of our social, emotional, and communicative abilities as a species.
Book Synopsis The Prehistory of Music by : Iain Morley
Download or read book The Prehistory of Music written by Iain Morley and published by . This book was released on 2013-10 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. It seeks to understand the relationship between our musical capabilities and the development of our social, emotional, and communicative abilities as a species.
The Evolution of Music by Culture and Science aims to recognise the impact of science on music, why it occurs, how we respond, and even to tentatively see if we can predict future developments. Technology has played an immense role in the development of music as it has enabled the production of new sounds, introduced new instruments and continuously improved and modified existing ones. Printing, musical notation, and modern computer aids to composition, plus recordings and electronic transmission have equally enabled us to have access to music from across the world. Such changes, whether just more powerful pianos, or new sounds as from the saxophone, have inspired composers and audiences alike. Acoustics and architecture play similar roles as they changed the scale and performance of concert halls, and with the advent of electronics, they enabled vast pop music festivals. No aspect of modern music making has been untouched by the synergy with scientific innovation. This is not a one-way interaction as the early attempts to make recordings were a major motivating force to design the electronics for amplifiers and these in turn inspired and enabled the designs of semiconductor electronics and modern computer technology. To appreciate the impact of technology on music does not require any prior scientific background as the concepts are invariably extremely simple and are presented here without technical detail. Understanding music and why we like different genres is far more complex, as this involves our personal background and taste. Both aspects change with time, and there is no contradiction in enjoying items as diverse as baroque madrigals, symphonies, jazz or pop music, or music from totally different cultures.
Book Synopsis The Evolution of Music Through Culture and Science by : Peter Townsend
Download or read book The Evolution of Music Through Culture and Science written by Peter Townsend and published by Oxford University Press, USA. This book was released on 2019-11-25 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Evolution of Music by Culture and Science aims to recognise the impact of science on music, why it occurs, how we respond, and even to tentatively see if we can predict future developments. Technology has played an immense role in the development of music as it has enabled the production of new sounds, introduced new instruments and continuously improved and modified existing ones. Printing, musical notation, and modern computer aids to composition, plus recordings and electronic transmission have equally enabled us to have access to music from across the world. Such changes, whether just more powerful pianos, or new sounds as from the saxophone, have inspired composers and audiences alike. Acoustics and architecture play similar roles as they changed the scale and performance of concert halls, and with the advent of electronics, they enabled vast pop music festivals. No aspect of modern music making has been untouched by the synergy with scientific innovation. This is not a one-way interaction as the early attempts to make recordings were a major motivating force to design the electronics for amplifiers and these in turn inspired and enabled the designs of semiconductor electronics and modern computer technology. To appreciate the impact of technology on music does not require any prior scientific background as the concepts are invariably extremely simple and are presented here without technical detail. Understanding music and why we like different genres is far more complex, as this involves our personal background and taste. Both aspects change with time, and there is no contradiction in enjoying items as diverse as baroque madrigals, symphonies, jazz or pop music, or music from totally different cultures.
"This is the first comprehensive historical study of electronic music from World War II to the present. Giving an overall perspective of the electronic medium, David Ernst correlates historical developments with structural procedures. To aid the reader in understanding the evolution and compositional aesthetics of electronic music the author divides it into three categories: solo tape, performer with tape, and live electronics. In discussing each category Ernst concentrates upon small groups of pieces so that the structural relations between them become apparent. The Evolution of Electronic Music has a number of important features: A chronological list of pre-1948 events related to electronic music provides an historical background; It is the first non-technical examination of specific categories of electronic music based on sound sources and compositional techniques; Ernst analyzes major compositions of Stockhausen, Berio, Ligeti, Reich, and the Paris school of musique concrète composers; Graphic illustrations of selected works aid the reader in listening to those compositions; The appearance of voice in electronic works is documented; The use of electronics in jazz and rock is fully explored; Over ninety percent of all electronic compositions that are available as recordings are discussed; The detailed coverage of compositional techniques includes suggestions for original compositions; Each chapter has a discography; The bibliography includes general readings, works on computers and acoustics, and musical scores. The Evolution of Electronic Music covers both 'serious' and popular music, both notated and improvised uses of electronic sounds. It is the most complete and up-to-date book on the subject." --Back cover.
Book Synopsis The Evolution of Electronic Music by : David Ernst
Download or read book The Evolution of Electronic Music written by David Ernst and published by New York : Schirmer Books. This book was released on 1977 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the first comprehensive historical study of electronic music from World War II to the present. Giving an overall perspective of the electronic medium, David Ernst correlates historical developments with structural procedures. To aid the reader in understanding the evolution and compositional aesthetics of electronic music the author divides it into three categories: solo tape, performer with tape, and live electronics. In discussing each category Ernst concentrates upon small groups of pieces so that the structural relations between them become apparent. The Evolution of Electronic Music has a number of important features: A chronological list of pre-1948 events related to electronic music provides an historical background; It is the first non-technical examination of specific categories of electronic music based on sound sources and compositional techniques; Ernst analyzes major compositions of Stockhausen, Berio, Ligeti, Reich, and the Paris school of musique concrète composers; Graphic illustrations of selected works aid the reader in listening to those compositions; The appearance of voice in electronic works is documented; The use of electronics in jazz and rock is fully explored; Over ninety percent of all electronic compositions that are available as recordings are discussed; The detailed coverage of compositional techniques includes suggestions for original compositions; Each chapter has a discography; The bibliography includes general readings, works on computers and acoustics, and musical scores. The Evolution of Electronic Music covers both 'serious' and popular music, both notated and improvised uses of electronic sounds. It is the most complete and up-to-date book on the subject." --Back cover.
Book Synopsis Music, Its Laws and Evolution by : Jules Combarieu
Download or read book Music, Its Laws and Evolution written by Jules Combarieu and published by London : K. Paul, Trench, Trübner. This book was released on 1910 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
Book Synopsis Opera and Drama by : Richard Wagner
Download or read book Opera and Drama written by Richard Wagner and published by U of Nebraska Press. This book was released on 1995-01-01 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry.
Book Synopsis The History of Music Production by : Richard James Burgess
Download or read book The History of Music Production written by Richard James Burgess and published by Oxford University Press, USA. This book was released on 2014 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry.
The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling
Book Synopsis The Origins of Music by : Nils L. Wallin
Download or read book The Origins of Music written by Nils L. Wallin and published by MIT Press. This book was released on 2001-07-27 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling
