Download The Fabrication Of Leonardo Da Vincis Trattato Della Pittura 2 Vols full books in PDF, epub, and Kindle. Read online The Fabrication Of Leonardo Da Vincis Trattato Della Pittura 2 Vols ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
Book Synopsis The Fabrication of Leonardo da Vinci’s Trattato della pittura (2 vols.) by : Claire Farago
Download or read book The Fabrication of Leonardo da Vinci’s Trattato della pittura (2 vols.) written by Claire Farago and published by BRILL. This book was released on 2018-01-29 with total page 1371 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
The basis for our understanding of Leonardo's theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist's theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo's workshop in the Duchy of Milan to Carlo Borromeo's Milan, Cosimo I de' Medici's Florence, Urban VIII's Rome, and Louis XIV's Paris. -- ‡c From book jacket.
Book Synopsis The Fabrication of Leonardo Da Vinci's Trattato Della Pittura by : Claire J. Farago
Download or read book The Fabrication of Leonardo Da Vinci's Trattato Della Pittura written by Claire J. Farago and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The basis for our understanding of Leonardo's theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist's theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo's workshop in the Duchy of Milan to Carlo Borromeo's Milan, Cosimo I de' Medici's Florence, Urban VIII's Rome, and Louis XIV's Paris. -- ‡c From book jacket.
The second volume of Leonardo Studies offers an impressive overview of current Leonardo scholarship into two of his primary interests: nature and architecture. The authors consider Leonardo’s treatises and their aftermath, science experiments, and fields of art and science based on two abundant subjects.
Book Synopsis Leonardo da Vinci – Nature and Architecture by : Constance Moffatt
Download or read book Leonardo da Vinci – Nature and Architecture written by Constance Moffatt and published by BRILL. This book was released on 2019-06-17 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second volume of Leonardo Studies offers an impressive overview of current Leonardo scholarship into two of his primary interests: nature and architecture. The authors consider Leonardo’s treatises and their aftermath, science experiments, and fields of art and science based on two abundant subjects.
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
Book Synopsis The Shadow Drawing by : Francesca Fiorani
Download or read book The Shadow Drawing written by Francesca Fiorani and published by Macmillan + ORM. This book was released on 2020-11-17 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.
Book Synopsis Renaissance Futurities by : Charlene Villaseñor Black
Download or read book Renaissance Futurities written by Charlene Villaseñor Black and published by University of California Press. This book was released on 2019-11-05 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.
Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as ‘beautiful’. Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology.
Book Synopsis Painting, Science, and the Perception of Coloured Shadows by : Paul Smith
Download or read book Painting, Science, and the Perception of Coloured Shadows written by Paul Smith and published by Routledge. This book was released on 2021-03-17 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as ‘beautiful’. Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology.
An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
Book Synopsis Leonardo’s Fables by : Giuditta Cirnigliaro
Download or read book Leonardo’s Fables written by Giuditta Cirnigliaro and published by BRILL. This book was released on 2022-12-28 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
"Theologians, poets, artists, and laypeople alike have been fascinated by Saint Mary of Egypt's legend since it was first recorded in the seventh century. Mary's prominence is religious and symbolic, encompassing sin and sanctity, the excesses of nymphomania and asceticism, the charms of nubile youth and the wrinkles of old age. In Promiscuous Grace, scholar of religion Sonia Velázquez thinks with Saint Mary of Egypt about what beauty has to do with holiness. With an archive spanning medieval Spanish poetry, Baroque paintings, a seventeenth-century hagiographic drama, and Balzac's treatment of Saint Mary in Le chef-d'oeuvre inconnu, Velázquez argues for the relevance of the appeal to the senses and the importance of the surface in religious texts. She draws on insights from philosophy, literary history and theory, and religious, visual and gender studies, and pays close attention to the texture of the words and images that make the legend of Saint Mary of Egypt come alive and remain relevant today"--
Book Synopsis Promiscuous Grace by : Sonia Velázquez
Download or read book Promiscuous Grace written by Sonia Velázquez and published by University of Chicago Press. This book was released on 2023-06-02 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Theologians, poets, artists, and laypeople alike have been fascinated by Saint Mary of Egypt's legend since it was first recorded in the seventh century. Mary's prominence is religious and symbolic, encompassing sin and sanctity, the excesses of nymphomania and asceticism, the charms of nubile youth and the wrinkles of old age. In Promiscuous Grace, scholar of religion Sonia Velázquez thinks with Saint Mary of Egypt about what beauty has to do with holiness. With an archive spanning medieval Spanish poetry, Baroque paintings, a seventeenth-century hagiographic drama, and Balzac's treatment of Saint Mary in Le chef-d'oeuvre inconnu, Velázquez argues for the relevance of the appeal to the senses and the importance of the surface in religious texts. She draws on insights from philosophy, literary history and theory, and religious, visual and gender studies, and pays close attention to the texture of the words and images that make the legend of Saint Mary of Egypt come alive and remain relevant today"--
Winner of the 2023 Roland H. Bainton Prize for Art History Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
Book Synopsis Karel van Mander and his Foundation of the Noble, Free Art of Painting by : Walter S. Melion
Download or read book Karel van Mander and his Foundation of the Noble, Free Art of Painting written by Walter S. Melion and published by BRILL. This book was released on 2022-10-04 with total page 589 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2023 Roland H. Bainton Prize for Art History Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “Monism” emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.
Book Synopsis Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny by : Nina Athanassoglou-Kallmyer
Download or read book Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny written by Nina Athanassoglou-Kallmyer and published by Taylor & Francis. This book was released on 2023-09-25 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “Monism” emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.
