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Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.
Book Synopsis Cinema of Theo Angelopoulos by : Angelos Koutsourakis
Download or read book Cinema of Theo Angelopoulos written by Angelos Koutsourakis and published by Edinburgh University Press. This book was released on 2015-10-08 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.
Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
Book Synopsis The Cinematic Language of Theo Angelopoulos by : Vrasidas Karalis
Download or read book The Cinematic Language of Theo Angelopoulos written by Vrasidas Karalis and published by Berghahn Books. This book was released on 2021-09-17 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
A collection of interviews following the Greek director's career from his innovative debut film Reconstruction in 1971 to his triumph at the Cannes Film Festival in 1998, when his film Eternity and a Day was awarded the Golden Palm
Book Synopsis Theo Angelopoulos by : Thodōros Angelopoulos
Download or read book Theo Angelopoulos written by Thodōros Angelopoulos and published by Univ. Press of Mississippi. This book was released on 2001 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of interviews following the Greek director's career from his innovative debut film Reconstruction in 1971 to his triumph at the Cannes Film Festival in 1998, when his film Eternity and a Day was awarded the Golden Palm
Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.
Book Synopsis European Film Music by : Miguel Mera
Download or read book European Film Music written by Miguel Mera and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.
Book Synopsis Figures Traced in Light by : David Bordwell
Download or read book Figures Traced in Light written by David Bordwell and published by Univ of California Press. This book was released on 2005-03 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging and style -- Feuillade, or, Storytelling -- Mizoguchi, or, Modulation -- Angelopoulos, or, Melancholy -- Hou, or, Constraints -- Staging and stylistics.
The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).
Book Synopsis History of Greek Cinema by : Vrasidas Karalis
Download or read book History of Greek Cinema written by Vrasidas Karalis and published by A&C Black. This book was released on 2012-02-02 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).
Greek film director Theo Angelopoulos is one of the most influentical and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. Professor Andrew Horton mirrors the quintessentially Greek nature of the director's work and unique cinematic vision against a backdrop of more than 3000 years of Greek history and culture. 14 halftones.
Book Synopsis The Films of Theo Angelopoulos by : Andrew Horton
Download or read book The Films of Theo Angelopoulos written by Andrew Horton and published by . This book was released on 1997 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greek film director Theo Angelopoulos is one of the most influentical and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. Professor Andrew Horton mirrors the quintessentially Greek nature of the director's work and unique cinematic vision against a backdrop of more than 3000 years of Greek history and culture. 14 halftones.
Book Synopsis The Last Modernist by : Andrew Horton
Download or read book The Last Modernist written by Andrew Horton and published by . This book was released on 1997 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.
Book Synopsis Last Words from Montmartre by : Qiu Miaojin
Download or read book Last Words from Montmartre written by Qiu Miaojin and published by New York Review of Books. This book was released on 2014-06-03 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
Book Synopsis On the History of Film Style by : David Bordwell
Download or read book On the History of Film Style written by David Bordwell and published by Harvard University Press. This book was released on 1997 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
