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This edition of Shakespeare's King Lear is based on the first (1608) quarto and represents a significantly different version from that published in the folio of 1623, which forms the basis of the standard New Cambridge Shakespeare edition. Each has numerous unique passages and hundreds of variant readings, creating differences that affect the structure, characterization and overall impact of the play. This volume contains a substantial introduction, the text of the first quarto, a collation of variant readings and an appendix of passages unique to the Folio.
Book Synopsis The First Quarto of King Lear by : William Shakespeare
Download or read book The First Quarto of King Lear written by William Shakespeare and published by Cambridge University Press. This book was released on 1994 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition of Shakespeare's King Lear is based on the first (1608) quarto and represents a significantly different version from that published in the folio of 1623, which forms the basis of the standard New Cambridge Shakespeare edition. Each has numerous unique passages and hundreds of variant readings, creating differences that affect the structure, characterization and overall impact of the play. This volume contains a substantial introduction, the text of the first quarto, a collation of variant readings and an appendix of passages unique to the Folio.
Download or read book King Lear written by William Shakespeare and published by . This book was released on 1785 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
In the 1980s influential scholars argued that Shakespeare revised King Lear in light of theatrical performance, resulting in two texts by the bard’s own hand. The two-text theory hardened into orthodoxy. Here Sir Brian Vickers makes the case that Shakespeare did not cut his original text. At stake is the way his greatest play is read and performed.
Book Synopsis The One King Lear by : Sir Brian Vickers
Download or read book The One King Lear written by Sir Brian Vickers and published by Harvard University Press. This book was released on 2016-04-04 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1980s influential scholars argued that Shakespeare revised King Lear in light of theatrical performance, resulting in two texts by the bard’s own hand. The two-text theory hardened into orthodoxy. Here Sir Brian Vickers makes the case that Shakespeare did not cut his original text. At stake is the way his greatest play is read and performed.
Download or read book King Lear written by William Shakespeare and published by . This book was released on 1608 with total page 87 pages. Available in PDF, EPUB and Kindle. Book excerpt:
In this quarto edition the text is accompanied by a collation of variant readings and substantial textual notes.
Book Synopsis The First Quarto of King Richard III by : William Shakespeare
Download or read book The First Quarto of King Richard III written by William Shakespeare and published by Cambridge University Press. This book was released on 1996-09-12 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this quarto edition the text is accompanied by a collation of variant readings and substantial textual notes.
Book Synopsis M. William Shakespeare's King Lear by : William Shakespeare
Download or read book M. William Shakespeare's King Lear written by William Shakespeare and published by . This book was released on 1885 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Variants in the First Quarto of 'King Lear' by : Walter Wilson Greg
Download or read book The Variants in the First Quarto of 'King Lear' written by Walter Wilson Greg and published by Ardent Media. This book was released on 1940 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare's Tragedy of King Lear by : William Shakespeare
Download or read book Shakespeare's Tragedy of King Lear written by William Shakespeare and published by . This book was released on 1880 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.
Book Synopsis Shakespeare in Shorthand by : Adele Davidson
Download or read book Shakespeare in Shorthand written by Adele Davidson and published by Associated University Presse. This book was released on 2009 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.
King Lear, widely considered Shakespeare's most deeply moving, passionately expressed, and intellectually ambitious play, has almost always been edited from the revised version printed in the First Folio of 1623, with additions from the quarto of 1608. Acting on recent discoveries, this volume presents the first full, scholarly edition to be based firmly on the quarto, now recognized as the base text from which all others derive. A thorough, attractively written introduction suggests how the work grew slowly in Shakespeare's imagination, fed by years of reading, thinking, and experience as a practical dramatist. Analysis of the great range of literary and other sources from which he shaped the tragedy, and of its critical and theatrical history, indicates that the play felt as shocking and original to early audiences as it does now. Its challenges have often been evaded, notably in Nahum Tate's notorious adaptation. During the twentieth century, however, deeper understanding of the conventions of Shakespeare's theatre restored confidence in the theatrical viability of his original text, while the play has also generated a remarkable range of offshoots in film, television, the visual arts, music, and literature. The commentary to this edition offers detailed help in understanding the language and dramaturgy in relation to the theatres in which King Lear was first performed. Additional sections reprint the early ballad, ignored by all modern editors, which was among its earliest derivatives, and provide additional guides to understanding and appreciating one of the greatest masterworks of Western civilization.
Book Synopsis The Oxford Shakespeare: The History of King Lear: The 1608 Quarto by : William Shakespeare
Download or read book The Oxford Shakespeare: The History of King Lear: The 1608 Quarto written by William Shakespeare and published by OUP Oxford. This book was released on 2000-10-26 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: King Lear, widely considered Shakespeare's most deeply moving, passionately expressed, and intellectually ambitious play, has almost always been edited from the revised version printed in the First Folio of 1623, with additions from the quarto of 1608. Acting on recent discoveries, this volume presents the first full, scholarly edition to be based firmly on the quarto, now recognized as the base text from which all others derive. A thorough, attractively written introduction suggests how the work grew slowly in Shakespeare's imagination, fed by years of reading, thinking, and experience as a practical dramatist. Analysis of the great range of literary and other sources from which he shaped the tragedy, and of its critical and theatrical history, indicates that the play felt as shocking and original to early audiences as it does now. Its challenges have often been evaded, notably in Nahum Tate's notorious adaptation. During the twentieth century, however, deeper understanding of the conventions of Shakespeare's theatre restored confidence in the theatrical viability of his original text, while the play has also generated a remarkable range of offshoots in film, television, the visual arts, music, and literature. The commentary to this edition offers detailed help in understanding the language and dramaturgy in relation to the theatres in which King Lear was first performed. Additional sections reprint the early ballad, ignored by all modern editors, which was among its earliest derivatives, and provide additional guides to understanding and appreciating one of the greatest masterworks of Western civilization.
