The Fragile Monument, on Conservation and Modernity

The Fragile Monument, on Conservation and Modernity

Author: Thordis Arrhenius

Publisher: Artifice Incorporated

Published: 2012

Total Pages: 160

ISBN-13: 9781907317477

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The Fragile Monument is a study of the discourse of conservation and its effect on the notion and role of the monument in contemporary western society. Through a revisionist account of the history of conservation, the book explores how the monument has been transformed from an object that originally communicated permanence to an object that is perceived as fragile and in need of protection. The argument put forward is that the expansion and popularisation of conservation is bound to a narrative of loss and danger that reveals a paradoxical relationship between destruction and preservation. In a series of case-studies the book shows how spatial devices have been used to negotiate this paradox and how this use of space has contributed to the defining of the monument as an object of conservation. Throughout its history, conservation has been surrounded by a polemic dominated by concepts of authenticity, origin and authorship. By studying that debate in relation to the case-studies, The Fragile Monument adumbrates the implications these concepts carry with them, both for the discipline of conservation and for the discourse of architecture as a whole. Identifying and examining particular 'sites of conflicts' where critical uncertainty, ambivalence, and heated debates have surrounded the 'object' of restoration, The Fragile Monument contributes significantly to expanding and shifting architectural discourse into a direction of crucial relevance today.


Book Synopsis The Fragile Monument, on Conservation and Modernity by : Thordis Arrhenius

Download or read book The Fragile Monument, on Conservation and Modernity written by Thordis Arrhenius and published by Artifice Incorporated. This book was released on 2012 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Fragile Monument is a study of the discourse of conservation and its effect on the notion and role of the monument in contemporary western society. Through a revisionist account of the history of conservation, the book explores how the monument has been transformed from an object that originally communicated permanence to an object that is perceived as fragile and in need of protection. The argument put forward is that the expansion and popularisation of conservation is bound to a narrative of loss and danger that reveals a paradoxical relationship between destruction and preservation. In a series of case-studies the book shows how spatial devices have been used to negotiate this paradox and how this use of space has contributed to the defining of the monument as an object of conservation. Throughout its history, conservation has been surrounded by a polemic dominated by concepts of authenticity, origin and authorship. By studying that debate in relation to the case-studies, The Fragile Monument adumbrates the implications these concepts carry with them, both for the discipline of conservation and for the discourse of architecture as a whole. Identifying and examining particular 'sites of conflicts' where critical uncertainty, ambivalence, and heated debates have surrounded the 'object' of restoration, The Fragile Monument contributes significantly to expanding and shifting architectural discourse into a direction of crucial relevance today.

The Challenge of Change: Dealing with the Legacy of the Modern Movement

The Challenge of Change: Dealing with the Legacy of the Modern Movement

Author: D. van den Heuvel

Publisher: IOS Press

Published: 2008-09-11

Total Pages: 568

ISBN-13: 1607503719

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Conservation of architecture - and the conversation of Modern architecture in particular – has assumed new challenges. Rather than attempting to return a Modern building to its resumed original state, the challenge of these proceedings is to revalue the essence of the manifold manifestations of Modern architecture and redefine its meanings in a rapidly changing world of digital revolution, worldwide mobility and environmental awareness. This volume aims to provide a variety of platforms for the exchange of ideas and experience. A large, international group of architects, historians, scholars, preservationists and other parties involved in the processes of preserving, renovating and transforming Modern buildings has been invited to investigate the paradox of the Modern monument, and to reflect on the manifold dilemmas of change and continuity. The general theme is elaborated through five sub-themes. The sub-theme ‘Change and Continuity’ addresses the tensions between change and continuity from a historical-theoretical perspective. ‘Restructuring Cities and Landscapes’ focuses on the larger scale of city and landscape, while ‘Shifts in Programme and Flexibility’ draws attention to the scale of the building or building complex, and questions limits of re-use and flexibility. The fourth sub-theme deals with education and the fifth sub-theme ‘Progress, Technology and Sustainability’ considers specific issues of techniques and materials.


Book Synopsis The Challenge of Change: Dealing with the Legacy of the Modern Movement by : D. van den Heuvel

Download or read book The Challenge of Change: Dealing with the Legacy of the Modern Movement written by D. van den Heuvel and published by IOS Press. This book was released on 2008-09-11 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conservation of architecture - and the conversation of Modern architecture in particular – has assumed new challenges. Rather than attempting to return a Modern building to its resumed original state, the challenge of these proceedings is to revalue the essence of the manifold manifestations of Modern architecture and redefine its meanings in a rapidly changing world of digital revolution, worldwide mobility and environmental awareness. This volume aims to provide a variety of platforms for the exchange of ideas and experience. A large, international group of architects, historians, scholars, preservationists and other parties involved in the processes of preserving, renovating and transforming Modern buildings has been invited to investigate the paradox of the Modern monument, and to reflect on the manifold dilemmas of change and continuity. The general theme is elaborated through five sub-themes. The sub-theme ‘Change and Continuity’ addresses the tensions between change and continuity from a historical-theoretical perspective. ‘Restructuring Cities and Landscapes’ focuses on the larger scale of city and landscape, while ‘Shifts in Programme and Flexibility’ draws attention to the scale of the building or building complex, and questions limits of re-use and flexibility. The fourth sub-theme deals with education and the fifth sub-theme ‘Progress, Technology and Sustainability’ considers specific issues of techniques and materials.

Narrative Theory in Conservation

Narrative Theory in Conservation

Author: Nigel Walter

Publisher: Routledge

Published: 2020-03-11

Total Pages: 254

ISBN-13: 0429763212

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Narrative Theory in Conservation engages with conservation, heritage studies, and architectural approaches to historic buildings, offering a synthesis of the best of each, and demonstrating that conservation is capable of developing a complementary, but distinct, theoretical position of its own. Tracing the ideas behind the development of modern conservation in the West, and considering the challenges presented by non-Western practice, the book engages with the premodern understanding of innovation within tradition, and frames historic buildings as intergenerational, communal, ongoing narratives. Redefining the appropriate object of conservation, it suggests a practice of conserving the questions that animate and energize local cultures, rather than only those instantiated answers that expert opinion has declared canonical. Proposing a narrative approach to historic buildings, the book provides a distinctive new theoretical foundation for conservation, and a basis for a more equal dialogue with other disciplines concerned with the historic environment. Narrative Theory in Conservation articulates a coherent theoretical position for conservation that addresses the urgent question of how historic buildings that remain in use should respond to change. As such, the book should be of great interest to academics, researchers, and postgraduate students from the fields of conservation, heritage studies, and architecture.


Book Synopsis Narrative Theory in Conservation by : Nigel Walter

Download or read book Narrative Theory in Conservation written by Nigel Walter and published by Routledge. This book was released on 2020-03-11 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Narrative Theory in Conservation engages with conservation, heritage studies, and architectural approaches to historic buildings, offering a synthesis of the best of each, and demonstrating that conservation is capable of developing a complementary, but distinct, theoretical position of its own. Tracing the ideas behind the development of modern conservation in the West, and considering the challenges presented by non-Western practice, the book engages with the premodern understanding of innovation within tradition, and frames historic buildings as intergenerational, communal, ongoing narratives. Redefining the appropriate object of conservation, it suggests a practice of conserving the questions that animate and energize local cultures, rather than only those instantiated answers that expert opinion has declared canonical. Proposing a narrative approach to historic buildings, the book provides a distinctive new theoretical foundation for conservation, and a basis for a more equal dialogue with other disciplines concerned with the historic environment. Narrative Theory in Conservation articulates a coherent theoretical position for conservation that addresses the urgent question of how historic buildings that remain in use should respond to change. As such, the book should be of great interest to academics, researchers, and postgraduate students from the fields of conservation, heritage studies, and architecture.

The Printed and the Built

The Printed and the Built

Author: Mari Hvattum

Publisher: Bloomsbury Publishing

Published: 2018-06-28

Total Pages: 336

ISBN-13: 1350038393

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The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.


Book Synopsis The Printed and the Built by : Mari Hvattum

Download or read book The Printed and the Built written by Mari Hvattum and published by Bloomsbury Publishing. This book was released on 2018-06-28 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.

Plaster Monuments

Plaster Monuments

Author: Mari Lending

Publisher: Princeton University Press

Published: 2022-06-14

Total Pages: 296

ISBN-13: 0691239622

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We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.


Book Synopsis Plaster Monuments by : Mari Lending

Download or read book Plaster Monuments written by Mari Lending and published by Princeton University Press. This book was released on 2022-06-14 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.

Designs of Destruction

Designs of Destruction

Author: Lucia Allais

Publisher: University of Chicago Press

Published: 2018-10-16

Total Pages: 432

ISBN-13: 022652261X

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The twentieth century was the most destructive in human history, but from its vast landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. This movement was motivated by hopeful idealism as much as by a pragmatic belief in bureaucracy. An evolving group—including architects, intellectuals, art historians, archaeologists, curators, and lawyers—grew out of the new diplomacy of the League of Nations. During and after World War II, it became affiliated with the Allied Military Government, and was eventually absorbed by the UN as UNESCO. By the 1970s, this organization had begun granting World Heritage status to a global register of significant sites—from buildings to bridges, shrines to city centers, ruins to colossi. Examining key episodes in the history of this preservation effort—including projects for the Parthenon, for the Cathedral of St-Lô, the temples of Abu Simbel, and the Bamyian Buddahs —Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture. More than the story of an emergent canon, Designs of Destruction emphasizes how the technical project of ensuring various buildings’ longevity jolted preservation into establishing a transnational set of codes, values, practices. Yet as entire nations’ monumental geographies became part of survival plans, Allais also shows, this paradoxically helped integrate technologies of destruction—from bombs to bulldozers—into cultural governance. Thus Designs of Destruction not only offers a fascinating narrative of cultural diplomacy, based on extensive archival findings; it also contributes an important new chapter in the intellectual history of modernity by showing the manifold ways architectural form is charged with concretizing abstract ideas and ideals, even in its destruction.


Book Synopsis Designs of Destruction by : Lucia Allais

Download or read book Designs of Destruction written by Lucia Allais and published by University of Chicago Press. This book was released on 2018-10-16 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twentieth century was the most destructive in human history, but from its vast landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. This movement was motivated by hopeful idealism as much as by a pragmatic belief in bureaucracy. An evolving group—including architects, intellectuals, art historians, archaeologists, curators, and lawyers—grew out of the new diplomacy of the League of Nations. During and after World War II, it became affiliated with the Allied Military Government, and was eventually absorbed by the UN as UNESCO. By the 1970s, this organization had begun granting World Heritage status to a global register of significant sites—from buildings to bridges, shrines to city centers, ruins to colossi. Examining key episodes in the history of this preservation effort—including projects for the Parthenon, for the Cathedral of St-Lô, the temples of Abu Simbel, and the Bamyian Buddahs —Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture. More than the story of an emergent canon, Designs of Destruction emphasizes how the technical project of ensuring various buildings’ longevity jolted preservation into establishing a transnational set of codes, values, practices. Yet as entire nations’ monumental geographies became part of survival plans, Allais also shows, this paradoxically helped integrate technologies of destruction—from bombs to bulldozers—into cultural governance. Thus Designs of Destruction not only offers a fascinating narrative of cultural diplomacy, based on extensive archival findings; it also contributes an important new chapter in the intellectual history of modernity by showing the manifold ways architectural form is charged with concretizing abstract ideas and ideals, even in its destruction.

Sultanahmet, Istanbul’s Historic Peninsula

Sultanahmet, Istanbul’s Historic Peninsula

Author: Pinar Aykaç

Publisher: Rowman & Littlefield

Published: 2022-01-05

Total Pages: 267

ISBN-13: 1793641692

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This book explores how the museum concept has expanded beyond the boundaries of a single building into the historic city itself through musealization. Articulating the musealization of historic cities as a specific urban process, the book here presents a study of the transformation of the Sultanahmet district on Istanbul’s historic peninsula, which has been the major focus of planning, conservation and museological studies in Turkey since the 19th century as the public face of the city. The author aims to offer empirically grounded and context-specific insight into the role of museums in the regeneration of historic cities. Musealization as an urban process varies in different geographical, cultural and ideological contexts, and across different time periods. By discussing the Sultanahmet district as a specific context of yet another city subjected to the musealization process, this book provides further insights into this important global phenomenon.


Book Synopsis Sultanahmet, Istanbul’s Historic Peninsula by : Pinar Aykaç

Download or read book Sultanahmet, Istanbul’s Historic Peninsula written by Pinar Aykaç and published by Rowman & Littlefield. This book was released on 2022-01-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how the museum concept has expanded beyond the boundaries of a single building into the historic city itself through musealization. Articulating the musealization of historic cities as a specific urban process, the book here presents a study of the transformation of the Sultanahmet district on Istanbul’s historic peninsula, which has been the major focus of planning, conservation and museological studies in Turkey since the 19th century as the public face of the city. The author aims to offer empirically grounded and context-specific insight into the role of museums in the regeneration of historic cities. Musealization as an urban process varies in different geographical, cultural and ideological contexts, and across different time periods. By discussing the Sultanahmet district as a specific context of yet another city subjected to the musealization process, this book provides further insights into this important global phenomenon.

The Architecture of Ruins

The Architecture of Ruins

Author: Jonathan Hill

Publisher: Routledge

Published: 2019-03-25

Total Pages: 358

ISBN-13: 0429770561

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The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.


Book Synopsis The Architecture of Ruins by : Jonathan Hill

Download or read book The Architecture of Ruins written by Jonathan Hill and published by Routledge. This book was released on 2019-03-25 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.

Time in the History of Art

Time in the History of Art

Author: Dan Karlholm

Publisher: Routledge

Published: 2018-04-27

Total Pages: 327

ISBN-13: 1351858971

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Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.


Book Synopsis Time in the History of Art by : Dan Karlholm

Download or read book Time in the History of Art written by Dan Karlholm and published by Routledge. This book was released on 2018-04-27 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.

Routledge Handbook of Sustainable Heritage

Routledge Handbook of Sustainable Heritage

Author: Kalliopi Fouseki

Publisher: Taylor & Francis

Published: 2022-07-29

Total Pages: 576

ISBN-13: 1000594858

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This handbook presents cutting-edge and global insights on sustainable heritage, engaging with ideas such as data science in heritage, climate change and environmental challenges, indigenous heritage, contested heritage and resilience. It does so across a diverse range of global heritage sites. Organized into six themed parts, the handbook offers cross-disciplinary perspectives on the latest theory, research and practice. Thirty-five chapters offer insights from leading scholars and practitioners in the field as well as early career researchers. This book fills a lacuna in the literature by offering scientific approaches to sustainable heritage, as well as multicultural perspectives by exploring sustainable heritage in a range of different geographical contexts and scales. The themes covered revolve around heritage values and heritage risk; participatory approaches to heritage; dissonant heritage; socio-environmental challenges to heritage; sustainable heritage-led transformation and new cross-disciplinary methods for heritage research. This book will be an invaluable resource for students and scholars in heritage studies, archaeology, museum studies, cultural studies, architecture, landscape, urban design, planning, geography and tourism.


Book Synopsis Routledge Handbook of Sustainable Heritage by : Kalliopi Fouseki

Download or read book Routledge Handbook of Sustainable Heritage written by Kalliopi Fouseki and published by Taylor & Francis. This book was released on 2022-07-29 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook presents cutting-edge and global insights on sustainable heritage, engaging with ideas such as data science in heritage, climate change and environmental challenges, indigenous heritage, contested heritage and resilience. It does so across a diverse range of global heritage sites. Organized into six themed parts, the handbook offers cross-disciplinary perspectives on the latest theory, research and practice. Thirty-five chapters offer insights from leading scholars and practitioners in the field as well as early career researchers. This book fills a lacuna in the literature by offering scientific approaches to sustainable heritage, as well as multicultural perspectives by exploring sustainable heritage in a range of different geographical contexts and scales. The themes covered revolve around heritage values and heritage risk; participatory approaches to heritage; dissonant heritage; socio-environmental challenges to heritage; sustainable heritage-led transformation and new cross-disciplinary methods for heritage research. This book will be an invaluable resource for students and scholars in heritage studies, archaeology, museum studies, cultural studies, architecture, landscape, urban design, planning, geography and tourism.